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Yours, Mine and Ours (2005)
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Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
23 November 2005 (USA)
See more »
Tagline:
18 kids, one house, no way. See more »
Plot:
A widowed Coast Guard Admiral and a widow handbag designer fall in love and marry, much to the dismay of her 10 and his 8 children. Full summary » | Add synopsis »
Plot Keywords:
Admiral
|
Marriage
|
Coast Guard
|
High School
|
Widower
See more »
Awards:
2 nominations
See more »
NewsDesk:
(23 articles)
Quaid To Be a Dad Again
(From WENN. 22 May 2007)
4 go to 'College' in Hagan's class
(From The Hollywood Reporter. 5 March 2007)
CFP Prods. inks deal with Par
(From The Hollywood Reporter. 27 December 2005)
(From WENN. 22 May 2007)
4 go to 'College' in Hagan's class
(From The Hollywood Reporter. 5 March 2007)
CFP Prods. inks deal with Par
(From The Hollywood Reporter. 27 December 2005)
User Reviews:
Not mine!!
See more (106 total) »
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Raja Gosnell | |||
Writing credits(WGA) | ||
| Ron Burch | (screenplay) & | |
| David Kidd | (screenplay) | |
| Melville Shavelson | (1968 screenplay) and | |
| Mort Lachman | (1968 screenplay) | |
| Madelyn Davis | (1968 motion picture story) and | |
| Bob Carroll Jr. | (1968 motion picture story) | |
Produced by | |||
| Michael G. Nathanson | .... | producer (as Michael Nathanson) | |
| Ira Shuman | .... | executive producer | |
| Robert Simonds | .... | producer | |
| Richard Suckle | .... | executive producer | |
| Tracey Trench | .... | executive producer | |
| Kim Zubick | .... | co-producer | |
Original Music by | |||
| Christophe Beck | |||
| Danny Smith | (music written and performed by) | ||
Cinematography by | |||
| Theo van de Sande | |||
Film Editing by | |||
| Bruce Green | |||
| Stephen A. Rotter | |||
Casting by | |||
| Shalimar Reodica | |||
| Mary Vernieu | |||
Production Design by | |||
| Linda DeScenna | |||
Art Direction by | |||
| James Nedza | |||
Set Decoration by | |||
| Kelly Berry | |||
| Ric McElvin | |||
Costume Design by | |||
| Marie-Sylvie Deveau | |||
Makeup Department | |||
| Ron Berkeley | .... | makeup artist: Mr. Quaid | |
| Michelle Rene Elam | .... | hair stylist (as Michelle Elam) | |
| Michelle Garbin | .... | makeup artist | |
| Kelly Nelson | .... | hairdresser: Mr. Quaid | |
| Douglas Noe | .... | key makeup artist | |
| Laini Reeves | .... | hairdresser: Ms. Russo | |
| Laine Trzinski | .... | department head hairstylist | |
| Matthew Van Leeuwen | .... | makeup artist: Ms. Russo | |
| Marc Boyle | .... | hair stylist (uncredited) | |
| Elle Elliott | .... | hair stylist: Mr. Torn (uncredited) | |
| Yesim 'Shimmy' Osman | .... | hair stylist (uncredited) | |
Production Management | |||
| Dustin Bernard | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Katie Carroll | .... | second second assistant director | |
| Richard Graves | .... | first assistant director | |
| Daniel Lowe | .... | additional second assistant director | |
| Eric Sherman | .... | second assistant director | |
| Jonathan Starch | .... | first assistant director: second unit | |
Sound Department | |||
| George H. Anderson | .... | supervising sound editor | |
| Bill W. Benton | .... | supervising sound mixer | |
| Bill Burns | .... | assistant adr editor | |
| Tom Burns | .... | sound recordist | |
| Ann Ducommun | .... | assistant sound editor | |
| Tammy Fearing | .... | adr supervisor | |
| Vincent Guisetti | .... | foley artist | |
| Jeffrey J. Haboush | .... | sound re-recording mixer | |
| Jason W. Jennings | .... | sound effects editor | |
| Pamela Kahn | .... | foley artist | |
| Larry Kemp | .... | sound editor | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Cindy Marty | .... | sound editor | |
| James Matheny | .... | dialogue editor | |
| Peggy Names | .... | sound utility | |
| Michael O'Farrell | .... | sound effects editor | |
| Kyle Rochlin | .... | foley mixer | |
| Philip Rogers | .... | adr recordist | |
| Earl Sampson | .... | boom operator | |
| Roy Seeger | .... | foley editor | |
| Greg Steele | .... | adr mixer | |
| Cherie Tamai | .... | first assistant sound editor | |
| Don White | .... | foley recording mixer | |
| David Wyman | .... | sound mixer | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Malia Thompson | .... | special effects technician | |
| Dennis Yeager II | .... | special effects technician | |
Visual Effects by | |||
| Kiley Bond | .... | digital artist | |
| Ozzie Carmona | .... | digital artist | |
| Chris Flynn | .... | digital compositor | |
| Mark Freund | .... | visual effects supervisor: Pacific Title | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Shih-hao Jason Huang | .... | 3D Artist: Pacific Title and Art Studio | |
| Patrick Keenan | .... | digital compositor: Pacific Title | |
| Jennifer Law-Stump | .... | digital effects artist: Pacific Title Digital | |
| Doug Luberts | .... | data & video I/O supervisor: Pacific Title & Art Studio | |
| Josh Mossotti | .... | visual effects artist | |
| Jim O'Hagan | .... | digital compositor: Pacific Title | |
| Patrick Phillips | .... | visual effects | |
| Bill Spradlin | .... | lighting technical director | |
| Antonio Torres | .... | rotoscope artist: Pacific Title | |
| Bob Wiatr | .... | lead compositor: Pacific Title | |
Stunts | |||
| Kacie Borrowman | .... | stunts | |
| Allison Caetano | .... | stunts | |
| Laura Dash | .... | stunts | |
| Kevin Foster | .... | stunts | |
| Michael Hugghins | .... | stunts | |
| Ralf Koch | .... | stunt double: Drake Bell | |
| Ernie F. Orsatti | .... | stunt coordinator | |
| Noon Orsatti | .... | stunts | |
| Jarret Reid | .... | stunts | |
| Jason Sanfilippo | .... | stunts | |
| Nicole Surels | .... | stunts | |
| Martin Klebba | .... | stunt double (uncredited) | |
| Ryan Thomas | .... | utility stunts (uncredited) | |
Casting Department | |||
| Tracy Shields | .... | casting associate | |
Costume and Wardrobe Department | |||
| Laura Baker | .... | key costumer | |
| Yvonne Bastidos | .... | costumer | |
| Alana Caudillo | .... | wardrobe: Ms. Russo | |
| Holly Davis | .... | assistant costume designer | |
| Brenda Donoho | .... | set costumer | |
| Stanley Hudson | .... | costumer | |
| Meg Matthews | .... | set costumer | |
| Lisa D. Quercioli | .... | costumer | |
| Marcy Rector | .... | costume production assistant | |
Editorial Department | |||
| Robert Berman | .... | assistant editor | |
| Corinne Bogdanowicz | .... | assistant colorist | |
| Doug Delaney | .... | digital intermediate colorist | |
| Rolf Fleischmann | .... | first assistant editor | |
| Kacie Haggerty | .... | digital intermediate producer | |
| Mo Henry | .... | negative manager | |
| Harry Muller | .... | color timer | |
| John Potter | .... | high definition preview timer | |
| Brian Spirnak | .... | post-production assistant | |
| Amy Tompkins | .... | digital intermediate editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
Music Department | |||
| Spring Aspers | .... | music supervisor | |
| Adam Blau | .... | additional orchestrator | |
| Todd Bozung | .... | music editor | |
| Bryan Clements | .... | scoring crew | |
| George Doering | .... | musician | |
| Mark Eshelman | .... | scoring crew | |
| Rodarick Harden | .... | music coordinator | |
| Tanya Noel Hill | .... | music editor | |
| Kevin Kliesch | .... | orchestrator | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Mike Nowak | .... | conductor | |
| Peter Rotter | .... | orchestra contractor | |
| Steven L. Smith | .... | music preparation | |
| Casey Stone | .... | music scoring mixer | |
Transportation Department | |||
| Ronald Arthur Baker | .... | transportation | |
| William Ballard | .... | transportation captain | |
| Daniel Davis | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Louie Giangrande | .... | driver: Rene Russo | |
| Sarah Lynn Schmitt | .... | driver | |
| Larry Shephard | .... | transportation coordinator | |
| Joseph Sullivan | .... | driver | |
| Kenny Youngblood | .... | picture car coordinator | |
Production Companies
- Paramount Pictures (presents)
- Metro-Goldwyn-Mayer (MGM) (as Metro-Goldwyn-Mayer Pictures) (presents)
- Nickelodeon Movies (presents)
- Columbia Pictures Corporation (as Columbia Pictures) (presents)
- Robert Simonds Productions
- O.N.C. Entertainment (producer)
- Sony Pictures Entertainment (SPE)
- Time Productions
- Metro-Goldwyn-Mayer (MGM) (2005) (USA) (theatrical)
- Sony Pictures Entertainment (SPE) (2006) (non-USA) (theatrical) (all media)
- Paramount Pictures (2006) (USA) (all media) (Canada)
- 20th Century Fox Film de Mexico (2005) (Mexico) (theatrical)
- Buena Vista International (2006) (Switzerland) (theatrical)
- Columbia Pictures (2006) (Philippines) (theatrical)
- Gaumont/Columbia TriStar Films (2006) (France) (theatrical)
- Kaskad (2006) (Russia) (theatrical)
- Sony Pictures Releasing (2006) (Germany) (theatrical)
- Sony Pictures Releasing (2006) (Singapore) (theatrical)
- Warner Bros. (2006) (Philippines) (theatrical)
- American Broadcasting Company (ABC) (2009) (USA) (TV)
- Net5 (2009) (Netherlands) (TV) (first national airing)
- Paramount Home Entertainment (2006) (USA) (DVD)
- Sony Pictures Entertainment (2006) (Japan) (DVD)
- Sony Pictures Home Entertainment (2006) (Germany) (DVD)
- Sony Pictures Home Entertainment (2006) (Netherlands) (DVD)
- Pacific Title and Art Studio (visual effects)
- BT Industrial Supply expendables
- Chapman/Leonard Studio Equipment cranes and dollies
- Coast Guard Motion Picture and Television Office technical advisors
- Designer Wardrobe Trailers wardrobe trailer
- Direct Tools & Fasteners expendables
- Entertainment Clearances rights and clearances
- Gamma & Density on-set color correction (as Gamma and Density's 3CP system)
- IVC post-production facilities (digital mastering)
- Molinare Studio international deliverables
- Orbit Digital Avids
- Pictorvision stabilized ground head
- Sessions Payroll Management extras payroll services
- Transportation Resources transportation equipment
Additional Details
Also Known As:
"Yours, Mine & Ours" - USA (promotional title)
See more »
See more »
MPAA:
Rated PG for some mild crude humor
Parents Guide:
Runtime:
90 min | Philippines:88 min (cut)
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
USA:PG | Canada:G (all jurisdictions) | Singapore:PG | Australia:PG | UK:PG | Ireland:PG | Brazil:Livre | Malaysia:U | Argentina:Atp | Philippines:G (MTRCB) | Sweden:Btl | Iceland:16 | South Korea:All | Netherlands:AL | Portugal:M/6
Filming Locations:
Company:
Did You Know?
Trivia:
Nicholas Roget-King originally auditioned for the part of Ethan. Slade Pearce also first auditioned for a part different to the one he ended up getting.See more »
Goofs:
Continuity: After Helen and Frank fight about Frank's regimentation, they sleep in separate beds. Helen is in the master bedroom. Frank is attempting to sleep in the little boys' room, in the toybox/boat. At first, Frank is covered in plush toys, with only his head and shoulders visible. When the pig takes a pillow, there are no plush toys covering up Frank.See more »
Quotes:
[first lines]
Frank Beardsley:Let's go! Let's go! Let's go! Move it! Move it! Move it!
Ethan:Move it! Move it! Move it!
Frank Beardsley:That means you too, Ethan. Head ashore, Sailor.
Ethan:Aye-aye! Head ashore.
See more »
Frank Beardsley:Let's go! Let's go! Let's go! Move it! Move it! Move it!
Ethan:Move it! Move it! Move it!
Frank Beardsley:That means you too, Ethan. Head ashore, Sailor.
Ethan:Aye-aye! Head ashore.
See more »
Movie Connections:
Featured in "The Tonight Show with Jay Leno: Episode #19.134" (2011)See more »
Soundtrack:
Ballad of the Green BeretSee more »
FAQ
This FAQ is empty. Add the first question.See more (106 total) »
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An 
company.
Both Russo and Quaid have an energy between them, but they cannot redeem this film, with a paltry script and too many characters, so that the supporting cast remain that, and wasted! The film seems to work on the premise that bigger is always better, and the direction seems to go that way too. What could have benefited from some quieter, uncluttered subtlety, becomes an assault on one's senses, patience and believability.
This film could have been better had it been downscaled a bit, and had some honest attempt been made to show plausible character development. Although just released (in SA), it has a jaded feel about it.
This comedy might well be yours but it's not mine!