Admiral Frank Beardsley returns to New London to run the Coast Guard Academy, his last stop before a probable promotion to head the Guard. A widower with eight children, he runs a loving but tight ship, with charts and salutes. The kids long for a permanent home. Helen North is a free spirit, a designer whose ten children live in loving chaos, with occasional group hugs. Helen and Frank, high school sweethearts, reconnect at a reunion, and it's love at first re-sighting. They marry on the spot. Then the problems start as two sets of kids, the free spirits and the disciplined preppies, must live together. The warring factions agree to work together to end the marriage. Written by
This was the first film to be co-produced by Paramount and MGM. The original 1968 film was produced by Desliu Productions, which merged with Paramount the year before, so the film's copyright was renewed by Paramount. However, United Artists (owned by MGM since 1981) has retained full distribution rights to the 1968 film to this day (United Artists once owned the rights to Paramount's "Popeye" cartoons, and a few early Paramount sound features that had been sold to Warner Bros. for remakes). Columbia (which collaborated with Paramount on another 2005 remake, "The Longest Yard") became involved once its parent company, Sony, purchased a stake in MGM. See more »
When Christina catches Phoebe kissing a boy, there is some sort of strap on her arm, in the next shot it is gone. See more »
This "re-casting" of the family favorite of Yours, Mine, and Ours can't even shake a stick at the original with Fonda and Ball. Granted while the original was contemporary for the day that it was made the dialog, and the family situations dealing with a large family are either ad voided or watered down to a point of non-existence. Koodos for Quaid for his role of the bewildered father. Quaid tries to make the role work with the weak script that he got, but for what he got he did an outstanding job. The 2005 "re-casting" of the situations was nothing more than politically correct mumbo jumbo that missed the mark of the comedic timing. All of it was turned into a slapstick dribble with obvious setups from the production team. They took a great crafted movie and watered it down to a dribble that only family with young kids will like. Yes, the original is dated, but we can still connect with the themes and the characters while the 2005 VERSION OF YOURS, MINE, AND OURS WILL BE LONG Forgotten WHILE THE ORIGINAL REMAINS FRESH.
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