Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <firstname.lastname@example.org>
During the three and a half months of filming, Steven Spielberg addressed his actors in character: he called Daniel Day-Lewis "Mr. President" (i.e. Abraham Lincoln) and Sally Field "Mrs. Lincoln," or "Molly" (i.e. Mary Todd Lincoln). Additionally, he wore a suit every day on set: "I think I wanted to get into the role, more than anything else, of being part of that experience - because we were recreating a piece of history. And so I didn't want to look like the schlubby, baseball cap wearing 21st century guy; I wanted to be like the cast." See more »
When Congress debates and ultimately votes on the 13th Amendment, every desk in the chamber is occupied. Eighteen seats should have been empty, because of the states that seceded. See more »
It's nighttime. Ship's move by some terrible power at terrific speed. And though it's imperceptible in the darkness, I have an intuition that we're headed towards a shore. No one else seems to be aboard the vessel. I'm keenly aware of my aloneness.
"I could be bounded in a nutshell and count myself a king of infinite space, were it not that I have bad dreams."
Hmm. I reckon it's the speed that's strange to me. I'm used to going at a deliberate pace. I should space you, Molly. I ...
[...] See more »
No opening credits except for the main title. See more »
I remember fondly, Henry Fonda and Raymond Massey as Lincolns in "Young Mr.Lincoln" and "Abe Lincoln in Illinois" They gave remarkable performances. But, here and now in this extraordinary Steven Spielberg/Tony Kushner version, the illusion is complete. I was watching the president and not for a moment thought of the actor. That in itself is close to unique. I left the theater with the feeling I've just had an out of body experience. Everything around the central performance - and I call it a performance because I don't know what else to call it - falls into place in a miraculous way. The photography, the production design, the wardrobe made it possible to actually smell the period. Congratulations and thank you.
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