In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <email@example.com>
In 1863, Secretary of War Edwin Stanton "commissioned" Tad Lincoln an artillery 2nd lieutenant. In the film, Tad wears the uniform of an infantry lieutenant colonel, outranking his brother, Captain Robert Lincoln, by two grades. See more »
How can I hold that all men are created equal when here before me stands stinking, the moral carcass of the gentleman from Ohio, proof that some men ARE inferior, endowed by their maker with dim wits impermeable to reason with cold, pallid slime in their veins instead of hot blood! You are more reptile than man, Mr. Pendleton, so low and flat that the foot of man is incapable of crushing you! Yet even YOU, Pendleton, who should have been gibbetted for treason long before today, even worthless, ...
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Moving and important...with a mind-blowing performance by Day-Lewis
A highly polished, restrained, important movie.
That doesn't make this an exciting movie. The acting is terrific, and filming excellent (including a color saturation pulled back to give it an old look without seeming affected). It is clearly expert in the way we expect from Steven Spielberg above perhaps anyone, at least in the mainstream conventional sense.
But there are two things that make this movie a must see. One is the content. It's about one of the two or three most important things ever to happen in this country--the fight to end slavery during the Civil War. This is such powerful stuff it will make you weep. (If it doesn't, you'll have to ask why.) It's laid out as clearly and emphatically as possible while still keeping accurate.
The second thing is simply the overwhelming performance by Daniel Day-Lewis. It is so good you forget it's a performance (unlike, for example, his intensity in "There Will Be Blood" which stood out as a work of acting above the movie). Here he is so woven into the fabric of things he is indistinguishable from the historic truth, somehow. It's really the magic of the transparency of movie-making of this kind. Amazing performance.
It seems sacrilege to say this but the movie isn't perfect. Because of its material--getting the anti-slavery amendment through Congress--it involves a lot of talk, and a lot of people that you have to keep track of. I think Spielberg did this as good as it could be done, so no criticism there, but it does mean a lack of physical and even emotional drama through much of the film. I don't mean it's dull, just that it's conversational. I also found shreds of Spielberg's Frank Capra quality of making the movies--and his subjects--a little simplified. He ties up loose ends. He makes it all a fine package, very fine. Maybe too fine for what I would call high art. At times.
I think we'll have an easier time judging it in six months, or six years. Also the subject matter makes it almost unassailable, since clearly most of us are all for the passing of any anti-slavery legislation.
See this for all the reasons you have heard. Don't miss it. Maybe down a coffee before you go, but see it no matter what. As I say, it's important. It reminds you of greatness, and that's not something to miss.
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