When his secret bride is executed for assaulting an English soldier who tried to rape her, a commoner begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <firstname.lastname@example.org>
According to producer Kathleen Kennedy, the film commission in Richmond (VA) was able to accommodate the production's pursuit of historical authenticity by granting extensive access to government buildings while they were out of session. See more »
Throughout the speech by Lincoln to his cabinet which begins with him slamming the table and saying, "I can't listen to this anymore..." Seward rests his clasped hands under his chin. As Lincoln says "...with the fate of human dignity in our hands" Seward lowers his hands from his chin. In the very next shot, as Lincoln shouts "Now! Now! Now!", Seward's hands are once again clasped under his chin resulting in a "jump cut." See more »
With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation's wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.
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I remember fondly, Henry Fonda and Raymond Massey as Lincolns in "Young Mr.Lincoln" and "Abe Lincoln in Illinois" They gave remarkable performances. But, here and now in this extraordinary Steven Spielberg/Tony Kushner version, the illusion is complete. I was watching the president and not for a moment thought of the actor. That in itself is close to unique. I left the theater with the feeling I've just had an out of body experience. Everything around the central performance - and I call it a performance because I don't know what else to call it - falls into place in a miraculous way. The photography, the production design, the wardrobe made it possible to actually smell the period. Congratulations and thank you.
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