In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <firstname.lastname@example.org>
Daniel Day-Lewis announced that if he won his third Academy Award for this film, he would retire from acting for five years. He did end up winning the award. See more »
In Lincoln's death scene, he is shown lying somewhat on his side, on top of the covers on a bed at the Petersen House (across from Ford's Theatre). In reality, Abraham Lincoln lingered nearly ten hours and had been put into bed under the covers to keep him warm, and diagonally, because he was so tall he wouldn't have fit otherwise. See more »
When the people disagree, bringing them together requires going slow until they're ready to...
Shit on the people and what they want and what they're ready for. I don't give a goddamn about the people and what they want. This is the face of someone who has fought long and hard for the *good* of the people without caring much for any of 'em. And now I look a lot worse without my wig.
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No opening credits except for the main title. See more »
I'm prepared to admit at this point that Daniel Day Lewis has succeeded to the title of most brilliant actor of his generation--and I do not say that lightly. But when I consider what he has done here--imbued the most sacred president in our history with such aching, gorgeous, complex humanity--seemingly without conscious effort on his part--I say give it to him.
His Lincoln is at once ordinary and divine, passionate and all too earthy...and he inhabits the role so fully that not beyond the first minute do you think to yourself that you are watching an actor and not the man himself. I admit, at the first speech, I rather expected the voice to be deeper and more commanding, but that wore off instantly, and Spielberg to his credit gets every scene note-perfect. The scene where soldiers on the field were quoting back to him the Gettysburg Address was heartbreaking--The big guns, to be sure, but everyone in the theater stopped breathing. Spielberg has the mood and light fine-tuned to the point that when the characters are donning shawls against the cold--this in the white house--you shiver. I can'think of a single actor who was not up to snuff, but James Spader as a rascally vote procurer stands out. Sally Field as the troubled Mary Todd Lincoln is a sympathetic gem, and her portrayal should go a long way towards explaining and perhaps inviting history's revision of that unhappy woman. The film focuses most on the nuts and bolts of legislative and presidential processes, and while that may be boring for some,it has such a ring of authenticity and research that it had me scrambling for the history books to check on things I hadn't known. This is the most difficult of all subjects to film, a dense scholarly work translated to popular culture, but it succeeds on all counts. See it, make your children go with you. You won't regret it.
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