In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <email@example.com>
The Ethan Allen story that Lincoln tells (including its vulgar punchline) is an actual story that Abraham Lincoln loved to tell, according to historian Doris Kearns Goodwin. It is unknown if the story is true or not. See more »
When President Lincoln is expressing his frustrations over the pending vote of the 13th amendment, he slams his hand on the table. The gesture would surely raise a visible reaction by those present. Secretary of War Stanton is appropriately startled. However, sitting behind the president is his personal secretary John Nicolay whose expression and clenched arms never changes throughout the lengthy shot. This indicates that Daniel Day-Lewis performed the scene in front of a green screen. The inanimate Nicolay was part of the C.G.I. scenery inserted by the technical editor. As the angle of the camera reverses in the subsequent scene, Seward remains the only "live" character in the shot with Lincoln. Congressman James Ashley, Preston and Montgomery Blair are motionless, inanimate parts of the background. See more »
Back when I rode the legal circuit in Illinois, I defended a woman from Metmora named Melissa Goings, 77 years-old. They said she murdered her husband, he was 83. He was choking her and she grabbed a-hold of a stick of firewood and fractured his skull and he died. In his will he wrote: 'I suspect she has killed me. If I get over it, I will have revenge.' No one was keen to see her convicted, he was that kind of husband. I asked the prosecuting attorney if I might have a short conference with my...
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I'm prepared to admit at this point that Daniel Day Lewis has succeeded to the title of most brilliant actor of his generation--and I do not say that lightly. But when I consider what he has done here--imbued the most sacred president in our history with such aching, gorgeous, complex humanity--seemingly without conscious effort on his part--I say give it to him.
His Lincoln is at once ordinary and divine, passionate and all too earthy...and he inhabits the role so fully that not beyond the first minute do you think to yourself that you are watching an actor and not the man himself. I admit, at the first speech, I rather expected the voice to be deeper and more commanding, but that wore off instantly, and Spielberg to his credit gets every scene note-perfect. The scene where soldiers on the field were quoting back to him the Gettysburg Address was heartbreaking--The big guns, to be sure, but everyone in the theater stopped breathing. Spielberg has the mood and light fine-tuned to the point that when the characters are donning shawls against the cold--this in the white house--you shiver. I can'think of a single actor who was not up to snuff, but James Spader as a rascally vote procurer stands out. Sally Field as the troubled Mary Todd Lincoln is a sympathetic gem, and her portrayal should go a long way towards explaining and perhaps inviting history's revision of that unhappy woman. The film focuses most on the nuts and bolts of legislative and presidential processes, and while that may be boring for some,it has such a ring of authenticity and research that it had me scrambling for the history books to check on things I hadn't known. This is the most difficult of all subjects to film, a dense scholarly work translated to popular culture, but it succeeds on all counts. See it, make your children go with you. You won't regret it.
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