In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <email@example.com>
Steven Spielberg was already developing this film when he met with Doris Kearns Goodwin and confided in her that he wanted to make a film about Abraham Lincoln. She told him that she was in the process of writing her book Team of Rivals. Spielberg immediately decided to use it as the basis for the film, and asked to reserve the film rights before the book was finished. See more »
When Lincoln and Tad are going to the military hospital in the carriage, Lincoln clearly puts the papers he is working on in a folder on his left. In the next shot, the papers are back in his lap, and he puts them in the briefcase. See more »
I ought to have done it, I ought have done for Tad's sake! For everybody goddamned sake! I should've clapped you in the madhouse!
Mary Todd Lincoln:
Then do it! Do it! Don't you threaten me,you do it this time! Lock me away! You'll have to, I swear if Robert is killed!
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No opening credits except for the main title. See more »
I remember fondly, Henry Fonda and Raymond Massey as Lincolns in "Young Mr.Lincoln" and "Abe Lincoln in Illinois" They gave remarkable performances. But, here and now in this extraordinary Steven Spielberg/Tony Kushner version, the illusion is complete. I was watching the president and not for a moment thought of the actor. That in itself is close to unique. I left the theater with the feeling I've just had an out of body experience. Everything around the central performance - and I call it a performance because I don't know what else to call it - falls into place in a miraculous way. The photography, the production design, the wardrobe made it possible to actually smell the period. Congratulations and thank you.
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