In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <email@example.com>
Daniel Day-Lewis originally turned down the role of Abraham Lincoln, sending Steven Spielberg this letter: "Dear Steven. It was a real pleasure just to sit and talk with you. I listened very carefully to what you had to say about this compelling history, and I've since read the script and found it - in all the detail of which it describes these monumental events and in the compassionate portraits of all the principle characters - both powerful and moving. I can't account for how at any given moment I feel the need to explore one life as opposed to another. But I do know that I can only do this work if I feel almost as if there's no choice; that a subject coincides inexplicably with a very personal need and a very specific moment in time. In this case, as fascinated as I was by 'Abe,' it was the fascination of a grateful spectator who longed to see a story told rather than that of a participant. That's how I feel now in spite of myself, and though I can't be sure this won't change, I couldn't dream of encouraging you to keep it open on a mere possibility. I do hope this makes sense Steven. I'm glad you're making the film. I wish you the strength for it and I send both my very best wishes and my sincere gratitude to you for having considered me. Daniel." See more »
While the amendment is being debated in the chamber, the papers on the stand the speaker uses vary between shots. See more »
Asa Vintner Litton:
Have you lost your very soul, Mr. Stevens? Is there nothing you won't say?
I'm sorry you're nauseous, Asa. That must be unpleasant. I want the amendment to pass, so that the constitution's first and only mention of slavery is its absolute prohibition. For this amendment, for which I have worked all my life and for which countless colored men and women have fought and died and now hundreds of thousands of soldiers... No, sir, no, it seems there's very nearly nothing I won't say.
See more »
No opening credits except for the main title. See more »
I remember fondly, Henry Fonda and Raymond Massey as Lincolns in "Young Mr.Lincoln" and "Abe Lincoln in Illinois" They gave remarkable performances. But, here and now in this extraordinary Steven Spielberg/Tony Kushner version, the illusion is complete. I was watching the president and not for a moment thought of the actor. That in itself is close to unique. I left the theater with the feeling I've just had an out of body experience. Everything around the central performance - and I call it a performance because I don't know what else to call it - falls into place in a miraculous way. The photography, the production design, the wardrobe made it possible to actually smell the period. Congratulations and thank you.
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