In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <firstname.lastname@example.org>
Toward the end of the film, Thaddeus Stevens and his black housekeeper Lydia Hamilton Smith are portrayed as romantic partners. Although there is no officially documented evidence in real life that the two had anything more than an employer/employee relationship, the two were the object of much speculation and rumor during and after their many decades of cohabitation. Some unusual aspects of their living arrangements that contributed to the contemporary rumor that they were romantically involved included the facts that she moved from separate servants' quarters behind the house into Stevens's main house; she frequently served as the hostess for events held at his house; and several of his family members referred to her in terms usually reserved for spouses in their correspondence. Stevens and Smith were also depicted as lovers in the 1915 silent film The Birth of a Nation (1915), although contrary to this film's reasons for inclusion of a romantic relationship between them, that movie's director, D.W. Griffith, used their relationship as racist propaganda and as supposed "proof" of the North's degeneracy. See more »
In the opening scene, as the soldiers start to disperse and return to their units, the shot from behind Lincoln shows Private Green turning and throwing his gun around his shoulder. In the next scene, shot from behind Private Green, he turns and throws the gun around his shoulder again. See more »
I can't make sense of it, what he died for. Mr. Lincoln, I hate them all, I do, all black people. I am a prejudiced man.
I'd change that in you if I could, but that's not why I come. I might be wrong, Mr. Hutton, but I expect... Colored people will most likely be free, and when that's so, it's simple truth that your brother's bravery, and his death, helped make it so. Only you can decide whether that's sense enough for you, or not.
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I walked out of the theater wanting to go back in and see it again.
It's seldom that I leave a movie knowing that I absolutely will go back to a theater to see that movie again rather than wait for distribution. As I walked out, I absolutely knew that I would be back. There are so many amazing actors in this movie that I need to go back to fully appreciate the story.
In my estimation, Spielberg's Lincoln will become the definitive movie on Abraham Lincoln. Daniel Day Lewis absolutely disappeared into this character and out gallumped Honest Abe - country lawyer, gifted orator and a man born more fully suited to the desperate needs of a nation than possibly any other man in history. This movie is not the shiny myth, but a portrait of an amazing man who inspired, cajoled and even bribed the Representatives of the People into representing ALL of the people.
If you go, and I hope that you do, go with ears ready to hear voices speaking out to us from our violent past, telling us that we can be better than we are, that some things should be done because they must be done and that we can sometimes accomplish the impossible.
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