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Lincoln (2012)

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As the War continues to rage, America's president struggles with continuing carnage on the battlefield as he fights with many inside his own cabinet on the decision to emancipate the slaves.

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Won 2 Oscars. Another 108 wins & 242 nominations. See more awards »

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Storyline

In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for an intense scene of war violence, some images of carnage and brief strong language | See all certifications »

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Details

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Release Date:

16 November 2012 (USA)  »

Also Known As:

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend:

$944,308 (USA) (9 November 2012)

Gross:

$182,204,440 (USA) (19 April 2013)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In a scene wherein Robert Todd Lincoln debates with his father, who is getting ready for a White House event, Tad sits on the edge of the bed looking at glass photograph plates with a candle. One such photograph is of a slave named Gordon, who is also subject of a photograph entitled "The Scourged Back". These photos were taken by McPherson and Oliver out of New Orleans and were widely circulated by abolitionists as some of the earliest forms of propaganda in the fight to pass the 13th amendment to end slavery. See more »

Goofs

Thaddeus Stevens says that the 13th amendment will be the first time slavery is mentioned in the Constitution. Slavery is often believed to be mentioned explicitly - particularly in the first paragraph of Article 1, Section 9 - but it was not. In fact, the absence of the direct mention of slavery formed the basis of an argument made by abolitionists including Lysander Spooner that slavery was unconstitutional even before the 13th amendment. See more »

Quotes

Ulysses S. Grant: [Grant hands the Confederate peace commissioner's proposal back to them, covered in scribbled notes] Gentlemen, I suggest you work some changes into your proposal before you give it to the President.
[Turns and walks away. Stephens follows]
Senator R.M.T. Hunter: We're eager to be on our way to Washington.
Alexander Stephens: Mr Lincoln tell you to tell us this?
Ulysses S. Grant: [Grant takes a cup of coffee from a steward] It says 'securing peace for our two countries' and it goes on like that.
Alexander Stephens: I don't know what you...
Ulysses S. Grant: There's just one country. You and I, ...
[...]
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Crazy Credits

No opening credits except for the main title. See more »

Connections

Referenced in Storage Hunters: His Way (2013) See more »

Soundtracks

Three Forks of Hell
Performed and Arranged by Jim Taylor
Courtesy of Gourd Music
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Frequently Asked Questions

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User Reviews

 
Moving and important...with a mind-blowing performance by Day-Lewis
3 January 2013 | by (United States) – See all my reviews

Lincoln (2012)

A highly polished, restrained, important movie.

That doesn't make this an exciting movie. The acting is terrific, and filming excellent (including a color saturation pulled back to give it an old look without seeming affected). It is clearly expert in the way we expect from Steven Spielberg above perhaps anyone, at least in the mainstream conventional sense.

But there are two things that make this movie a must see. One is the content. It's about one of the two or three most important things ever to happen in this country--the fight to end slavery during the Civil War. This is such powerful stuff it will make you weep. (If it doesn't, you'll have to ask why.) It's laid out as clearly and emphatically as possible while still keeping accurate.

The second thing is simply the overwhelming performance by Daniel Day-Lewis. It is so good you forget it's a performance (unlike, for example, his intensity in "There Will Be Blood" which stood out as a work of acting above the movie). Here he is so woven into the fabric of things he is indistinguishable from the historic truth, somehow. It's really the magic of the transparency of movie-making of this kind. Amazing performance.

It seems sacrilege to say this but the movie isn't perfect. Because of its material--getting the anti-slavery amendment through Congress--it involves a lot of talk, and a lot of people that you have to keep track of. I think Spielberg did this as good as it could be done, so no criticism there, but it does mean a lack of physical and even emotional drama through much of the film. I don't mean it's dull, just that it's conversational. I also found shreds of Spielberg's Frank Capra quality of making the movies--and his subjects--a little simplified. He ties up loose ends. He makes it all a fine package, very fine. Maybe too fine for what I would call high art. At times.

I think we'll have an easier time judging it in six months, or six years. Also the subject matter makes it almost unassailable, since clearly most of us are all for the passing of any anti-slavery legislation.

See this for all the reasons you have heard. Don't miss it. Maybe down a coffee before you go, but see it no matter what. As I say, it's important. It reminds you of greatness, and that's not something to miss.

UPDATE over one year later: I see that I accepted a lot of decisions by the writer and director as their prerogative, like focussing on one issue and narrowing to a short period of time. I had no bones with the scope of the movie. But in retrospect I see how the limitations of time and scope and background also create a sense of mis-information. That is, if you want a bigger picture of Lincoln, this movie is not quite right. Its aggrandizement is also not unavoidable, like the somewhat insipid (and yet moving) recital of the Gettysburg Address at the beginning by soldiers. Overall, though, I stick to my main thought--see it, and soak up what you can, without expecting perfection. Yes, see it for what it is, nothing less.


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