In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war. Written by
Jim Beaver <firstname.lastname@example.org>
Although some viewers were surprised by the usage of the word "fuck" in the movie, the Oxford English Dictionary dates the word back to (at least) the early 1500s, around 350 years before the American Civil War and Abraham Lincoln's presidency. In the movie, the word is used only twice, both times by the vulgar and rough Bilbo character as a way of demonstrating his uncouthness. Viewers who thought they also heard Lincoln using the term to describe "Tammany Hall hucksters" during a monologue actually misheard the then-common word "pettifogging," which means arguing endlessly over small legal details. See more »
In the film, Tad's speech is very clear. Historically, Tad Lincoln was described as having a pronounced speech impediment due to a cleft palate, making his words hard to understand. See more »
Abolishing slavery by constitutional provisions settles the fate for all coming time. Not only of the millions now in bondage, but of unborn millions to come. Two votes stand in its way. These votes must be procured.
We need two yeses. Three abstentions. Four yeses and one more abstention and the amendment will pass.
You've got a night and a day and a night; several perfectly good hours! Now get the hell out of here and get them!
Yes. But how?
Buzzard's guts, man! I am the President of the ...
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No opening credits except for the main title. See more »
I'm prepared to admit at this point that Daniel Day Lewis has succeeded to the title of most brilliant actor of his generation--and I do not say that lightly. But when I consider what he has done here--imbued the most sacred president in our history with such aching, gorgeous, complex humanity--seemingly without conscious effort on his part--I say give it to him.
His Lincoln is at once ordinary and divine, passionate and all too earthy...and he inhabits the role so fully that not beyond the first minute do you think to yourself that you are watching an actor and not the man himself. I admit, at the first speech, I rather expected the voice to be deeper and more commanding, but that wore off instantly, and Spielberg to his credit gets every scene note-perfect. The scene where soldiers on the field were quoting back to him the Gettysburg Address was heartbreaking--The big guns, to be sure, but everyone in the theater stopped breathing. Spielberg has the mood and light fine-tuned to the point that when the characters are donning shawls against the cold--this in the white house--you shiver. I can'think of a single actor who was not up to snuff, but James Spader as a rascally vote procurer stands out. Sally Field as the troubled Mary Todd Lincoln is a sympathetic gem, and her portrayal should go a long way towards explaining and perhaps inviting history's revision of that unhappy woman. The film focuses most on the nuts and bolts of legislative and presidential processes, and while that may be boring for some,it has such a ring of authenticity and research that it had me scrambling for the history books to check on things I hadn't known. This is the most difficult of all subjects to film, a dense scholarly work translated to popular culture, but it succeeds on all counts. See it, make your children go with you. You won't regret it.
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