| Photos (see all 8 | slideshow) |
| Benoît Poelvoorde | ... | Laurent Kessler | |
| Isabelle Carré | ... | Claire Gauthier | |
| Jonathan Zaccaï | ... | Fabrice Gauthier | |
| Valérie Donzelli | ... | Valérie | |
| Bernard Bloch | ... | Le directeur de la compagnie d'assurances | |
| Véronique Nordey | ... | Mme Kessler, la mère de Laurent | |
| Michel Dubois | ... | Père Claire | |
| Martine Chevallier | ... | Mère Claire | |
| Jean-Chrétien Sibertin-Blanc | ... | Le collègue de bureau | |
| Dominique Dubois | ... | Mme Gauthier la mère de Fabrice | |
| Patrick Brasseur | ... | M. Gauthier, le père de Fabrice | |
| rest of cast listed alphabetically: | |||
| Pierre Diot | |||
| Sonia Hell | |||
| Agathe Louvieaux | |||
| Maximilien Poullein | ... | Photographe (uncredited) | |
Directed by | |||
| Anne Fontaine | |||
Writing credits(in alphabetical order) | ||
| Dominique Barbéris | novel "Les kangourous" | |
| Julien Boivent | writer | |
| Anne Fontaine | writer | |
Produced by | |||
| Philippe Carcassonne | .... | producer | |
| Dominique Janne | .... | co-producer | |
| Bruno Pésery | .... | producer | |
| Luc Besson | .... | associate producer (uncredited) | |
| Pierre-Ange Le Pogam | .... | associate producer (uncredited) | |
Original Music by | |||
| Pascal Dusapin | |||
Cinematography by | |||
| Denis Lenoir | |||
Film Editing by | |||
| Luc Barnier | |||
| Philippe Ravoet | |||
Casting by | |||
| Antoinette Boulat | |||
Production Design by | |||
| Sylvain Chauvelot | |||
Costume Design by | |||
| Jackie Budin | |||
Makeup Department | |||
| Patrick Girault | .... | key hair stylist | |
Production Management | |||
| Julie Salvador | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joseph Rapp | .... | first assistant director | |
| Charles Senard | .... | second assistant director | |
| Charles Senard | .... | second unit director | |
Art Department | |||
| Lionel Callari | .... | property master | |
| Eric Chemel | .... | assistant art director | |
| Laurence Vendroux | .... | set dresser | |
Sound Department | |||
| Frank Ceven | .... | assistant foley artist (as Franck Ceven) | |
| Pascal Chauvin | .... | foley artist | |
| Maximilien Colcy | .... | assistant sound | |
| Franck Desmoulins | .... | sound editor | |
| Dominique Eyraud | .... | assistant sound | |
| Dominique Eyraud | .... | boom operator | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Jean-Claude Laureux | .... | sound | |
| Jean-Claude Laureux | .... | supervising sound editor | |
| Stephane Rabeau | .... | sound editor | |
| Pascal Villard | .... | sound editor | |
Camera and Electrical Department | |||
| Eric Aupetit | .... | key grip | |
| Sarah Couvelaire | .... | assistant camera | |
| Stéphane Degniau | .... | assistant camera (as Stéphane Degnieau) | |
| Dorothée Guermonprez | .... | assistant camera | |
| Olivier Merckx | .... | steadicam operator | |
| Thierry Valletoux | .... | still photographer | |
Editorial Department | |||
| Charlotte Mazzinghi | .... | intermediate color grader | |
| Gerard Savary | .... | color timer | |
Music Department | |||
| Christophe Julien | .... | music arranger | |
Other crew | |||
| Romain Benoist | .... | administrator | |
| Florence Gatineau-Saillant | .... | location scout | |
| Maggie Perlado | .... | script supervisor | |
| Timothee Talandier | .... | assistant location manager | |
Thanks | |||
| Laurence Picollec | .... | thanks | |
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| Too Scared to Scream | Tenebre | Shed No Tears | Single White Female | Dark Water |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
Anne Fontaine's disappointing Entre Ses Mains aka In His Hands is one of those films you've seen long before you actually watch it because it's been made by people who've seen too many films and think the best way to create a classic is to homage one somebody else made earlier to death. In this case the victim is Claude Chabrol's Le Boucher, relocated from a small village to a very metropolitan Lille, with Jean Yanne's butcher and possible serial killer and Stephane Audran's schoolteacher who falls in love with him reworked into Benoit Poelvoorde's insomniac vet prone to depression and Isabelle Carré's insurance claims adjuster. There are a few new wrinkles added to the mix Carré's character is happily married but still drifts into a near-affair in spite of her doubts and it's easy to see why the actors were attracted to the film since it places the emphasis firmly on the characters and performances rather than the thriller plot. Poelvoorde in particular is excellent, doing a Robin Williams to shake off his comic persona to reveal something more damaged underneath (although he had ventured into serial killer territory long before Williams with Man Bites Dog). There is one genuinely suspenseful sequence prior to the film's murder scene as well as a neat bit of business with a bloodstained cat, but once you make the Chabrol connection you know exactly where this is headed. Unfortunately in the intervening 25 years that particular road has become very well travelled and Fontaine and her co-writer Julien Boivent certainly haven't made any improvements. Including a scene where Poelvoorde invites Carré to watch him operate on a sleeping lion only makes you realise that they really liked Manhunter as well It's not terrible by any means, just terribly familiar.