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Iberia (2005)
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Overview
User Rating:
Director:
Writer:
Carlos Saura (writer)
Release Date:
28 October 2005 (Spain)
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Plot:
A series of dances inspired by composer Isaac Albéniz's "Iberia" suite. | add synopsis
Plot Keywords:
Awards:
1 win
&
2 nominations
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User Comments:
Maybe the best Saura
more (6 total)
Cast
(Credited cast)| Sara Baras | |||
| Antonio Canales | |||
| Marta Carrasco | |||
| Aída Gómez | |||
| Enrique Morente | |||
| Estrella Morente | |||
| Gerardo Nóñez | |||
| José Antonio Ruiz | |||
| Manolo Sanlúcar | |||
| Rosa Torres Pardo |
Additional Details
Parents Guide:
Runtime:
France:120 min (Cannes Film Festival) | Canada:99 min (Toronto International Film Festival) | Argentina:99 min
Language:
Color:
Sound Mix:
Certification:
Brazil:18 |
Finland:K-3 |
Switzerland:7 (canton of Geneva) |
Switzerland:7 (canton of Vaud) |
Argentina:16
Company:
Fun Stuff
Goofs:
Audio/visual unsynchronized: During the "Triana" musical number, the sound of the piano is a little bit ahead from the pianist interpretation that we're seeing.
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FAQ
This FAQ is empty. Add the first question.more (6 total)
Message Boards
Discuss this movie with other users on IMDb message board for Iberia (2005)| Recent Posts (updated daily) | User |
|---|---|
| US R1 DVD? | Reiyou |
| Outstanding display of music, images and feelings | pywalkye2 |
Recommendations
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb Spain section | Add this title to MyMovies |


I have seen a lot of Saura films and always found amazing the way he assembles music, dance, drama and great cinema in his movies. Ibéria shows an even better Saura, dealing with multimedia concepts and a more contemporary concept of dance and music. Another thing that called my attention is the fact that, in this movie, dancers and musicians, dance and music, are equally important: the camera shows various aspects of music interpretation, examining not only technical issues but also the emotional experience of playing. The interest of Saura on the bridge between classical and contemporary music and dance is one more ingredient in turning this movie maybe the most aesthetically exciting among his other works. That's why I recommend it strongly to those who love good cinema, good music, good dance, great art.