Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no ...
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Vicente, seventeen, lives with brother Nino, ten-years-old, and his ailing father in a derelict house on the outskirts of the capital. They don't seem to remember their mother, and are very... See full summary »
Inês de Medeiros
"The time is now, a numbing and timeless present of hospital stays, bureaucratic questioning, and wandering through remembered spaces... and suddenly it is also then, the mid '70s and the ... See full summary »
The first film in Pedro Costa's transformative trilogy about Fontainhas, an impoverished quarter of Lisbon, Ossos is a tale of young lives torn apart by desperation. After a suicidal ... See full summary »
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
Inês de Medeiros,
Isaach De Bankolé,
Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30's you have the face God has given you. After that, you get the face you deserve". Written by
O Som e a Fúria
Before "Tabu" and the "Arabian Nights" trilogy catapulted him into the international limelight Miguel Gomes gave us "The Face You Deserve", his debut feature, which now seems in its quiet, phantasmagorical way something of a dry-run for the classics that followed. It's two strangely surreal episodes tenuously use the fairy tales "The Sleeping Beauty" and "The Ugly Duckling" as jumping off points though making sense of what follows may not be so easy. In many ways its like "The Arabian Nights" in miniature or something that, once upon a time, Luis Bunuel might have made. It certainly marked Gomes as a director to watch although the film itself didn't make much of an impact outside its native Portugal, (it has never received a British cinema release), and it won't appeal to a mass audience. Cineastes, however, looking for a challenge, and fans of Gomes' later work should lap it up.
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