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Am Tag als Bobby Ewing starb (2005)

Germany, 1986: Niels, 17, and his mother Hanne leave Bremen to live in a rural hippie community after her divorce. While Hanne falls in love with Peter, the guru, her son doesn't like him ... See full summary »

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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Gabriela Maria Schmeide ...
Hanne
...
Niels
...
Peter
Luise Helm ...
Martina
Richy Müller ...
Eckardt
Nina Petri ...
Gesine
Eva Kryll ...
Elli
Falk Rockstroh ...
Walther
Bernhard Petersen ...
Hein
Peter Heinrich Brix ...
Prestin
Jens Münchow ...
Rakete
Marion Breckwoldt ...
Dörte
Jan Peter Heyne ...
Bauer Frahm
Lisa Potthoff ...
Dani (as Lisa Maria Potthoff)
...
Oliver
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Storyline

Germany, 1986: Niels, 17, and his mother Hanne leave Bremen to live in a rural hippie community after her divorce. While Hanne falls in love with Peter, the guru, her son doesn't like him and their new life at all. Meanwhile, Niels gets to know Martina, the mayor's daughter, and starts supporting the militant opponents of a nuclear power craft near the village. Suddenly, the news of the Chernobyl nuclear accident shocks everybody... Written by fippi2000

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

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Details

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Release Date:

2 June 2005 (Germany)  »

Also Known As:

Courant alternatif  »

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Did You Know?

Trivia

The title refers to 29 April 1986, the day German television aired episode 191 of Dallas (1978) in which Bobby Ewing was killed by Katherine Wentworth. Three days before, the Chernobyl nuclear accident happened. See more »

Connections

References Wild Geese II (1985) See more »

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User Reviews

Bye, Bye Miss German Cheesecake
3 February 2006 | by (Yurp) – See all my reviews

This movie is a fictionalised re-narration of director and co-author Peter Jessen's experience of being dragged to a rural commune by his drop-out mother, and as such it's probably a lot more accurate than a docu-miniseries about the beginnings of the alternative/eco movement -- viz, the Mueslis, as they were so cruelly and accurately dubbed in German. Jessen achieves this by eschewing the two pitfalls of this genre, smarmy those-were-the-days nostalgia and cheap ridicule of a bunch of folks who were, at the very least, active idealists, albeit in often very smelly socks.

(Tidbit information for neophytes: Why didn't they just wash the damn socks? Well, sheep wool was considered to be so vibrantly, wholesomely natural that not only does it clean itself, but you would actually be destroy its magical self-cleaning properties by placing them in the suds. I'm not making this up -- my mother had apparently read the same book, which afforded me olfactory properties that didn't exactly enhance my social standing among my peers.)

The acting is absolutely exceptional down to the minor characters, and overall it's a wonderfully understated movie. It expects you to bring a lot of curiosity and a modicum of sympathy along, though -- if you think hippies are a bunch of commie bleeding-heart tree-huggers then you are probably better off watching something else -- Dallas, for instance.


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