The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
This is a great achievement by the BBC -- at last their costume dramas are back on track, with a great cast, all acting their socks off. It is invidious to pick some of them out, but Esther is particularly good (it is not easy to portray a young Dickensian heroine, as sickly sweetness always lurks at hand). Many have rightly praised Mr Guppy, too. Gillian Anderson as Lady Dedlock is maybe a bit too icy (frozen solid?), but that's what the role calls for, I suppose.
Another excellent feature is the period atmosphere. There is a richness here, running right through the production. The costumes and hair are also very convincing, unlike in some recent period dramas. Here the hair actually flops around as it should, and the costumes look like real clothes.
Some people hate the gimmicky camera work and 'whooshing' noises. These will make the production date. (They'll look ridiculous in a few years' time, I fear), but I didn't find them too distracting.
This must be the BBC's best since the 1995 Pride and Prejudice.
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