The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then ... See full summary »
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
"Three hour mini-series tells the intimate history of a most illustrious brotherhood of Impressionist artists - Monet, Degas, Renoir, Cézanne and Manet. Entirely based on documentary ... See full summary »
[Talking of Esther after she recovers from Small Pox]
I blame my self.
You blame yourself for an act of kindness. No sir, the person to blame is the one who calls himself God. What deity is it that would inflict such an illness on an innocent girl?
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With just one episode broadcast, it's clearly possible that the BBC Drama Department may have it's second big success of 2005.
With an Andrew Davies script you know what you're getting, predictable, competent, unimaginative but faithful. Whether this series will go down with the classics or not will be down to the direction and the performances. And the signs are good. Very good.
Gillian Anderson fans looking in may miss her first scene, there is no trace of Scully whatsoever. People who've always suspected her of having more talent than she's had the opportunity to show are going to be saying "I told you so" to anyone who will listen for the next few months. She's that good. But Bleak House has the strongest cast we've seen in an adaptation since Brideshead. We've seen enough already to suggest that it's going to be full of gems And Anna Maxwell Martin, almost a TV débutante, may just be about to turn in one of the top central performances of recent times.
Set your videos and PVRs and don't miss a minute.
It'll be better than Rome.
(Update) We're halfway through and it's brilliant. Dickens can't write a shallow character so it needs a lavish cast to do him justice and that's what we have here. Gillian Anderson is brilliant, Charles Dance is memorable, Carey Mulligan, Pauline Collins and Johnny Vegas are outstanding, but Anna Maxwell Martin and Burn Gorman are just out of this world. I feel sorry for our American friends, impatient to get started but also jealous that they have the whole thing to look forward, to whereas we are now, sadly, over halfway through.
If you really can't wait, get the DVD of North & South (2004) and watch the adorable Anna twinkle in that.
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