The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
Having worked in the cinema for most of my life, I tend to regard television - virtually all television - as shallow and second rate. But here is a totally magnificent adaptation of one of Dickens' more challenging novels.
As in most Dickens, here money - a surfeit and a lack of it - structures the complex comings and goings of a labyrinthine plot. The characters are fabulous and some of them - Skimpole and Mr Guppy, for example - may very well become well-known archetypes due to the popularity and power of this adaptation, in the same way that Micawber and Fagin are. The darkness of the sets makes for some wonderfully expressive design work, and the music is brilliantly chosen.
In fact it might be perfect...it's just that Anna Maxwell Martin as the central Esther Summerson is just a bit too simpering... But when you think how flaccid Charles Dance usually is, his Tulkinghorn is a truly creepy creation.... Plenty more to come, but to date (after four episodes), this looks to me better Dickens than anything outside Christine Edzard's 'Little Dorritt' and Lean's 'Great Expectations' - and it could even better them...
46 of 55 people found this review helpful.
Was this review helpful to you?