The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then ... See full summary »
"Three hour mini-series tells the intimate history of a most illustrious brotherhood of Impressionist artists - Monet, Degas, Renoir, Cézanne and Manet. Entirely based on documentary ... See full summary »
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
Lady Dedlock's green and white vertical-striped dress with white lace cuffs is the same costume worn by Daniela Denby-Ashe as Margaret Hale in the final scenes of North & South (2004). See more »
[Talking of Esther after she recovers from Small Pox]
I blame my self.
You blame yourself for an act of kindness. No sir, the person to blame is the one who calls himself God. What deity is it that would inflict such an illness on an innocent girl?
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Having worked in the cinema for most of my life, I tend to regard television - virtually all television - as shallow and second rate. But here is a totally magnificent adaptation of one of Dickens' more challenging novels.
As in most Dickens, here money - a surfeit and a lack of it - structures the complex comings and goings of a labyrinthine plot. The characters are fabulous and some of them - Skimpole and Mr Guppy, for example - may very well become well-known archetypes due to the popularity and power of this adaptation, in the same way that Micawber and Fagin are. The darkness of the sets makes for some wonderfully expressive design work, and the music is brilliantly chosen.
In fact it might be perfect...it's just that Anna Maxwell Martin as the central Esther Summerson is just a bit too simpering... But when you think how flaccid Charles Dance usually is, his Tulkinghorn is a truly creepy creation.... Plenty more to come, but to date (after four episodes), this looks to me better Dickens than anything outside Christine Edzard's 'Little Dorritt' and Lean's 'Great Expectations' - and it could even better them...
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