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La visa loca (2005)
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Overview
User Rating:
Release Date:
25 May 2005 (Philippines) moreAwards:
7 wins & 10 nominations moreUser Comments:
Perhaps the Best Filipino Film made so far moreCast
(Cast overview, first billed only)| Robin Padilla | ... | Jess Huson | |
| Johnny Delgado | ... | Pepang | |
| Rufa Mae Quinto | ... | Mara | |
| Paul Holme | ... | Nigel Adams | |
| Tessie Tomas | ... | Pasyon Choir | |
| Noel Trinidad | ... | Pasyon Choir | |
| Isay Alvarez | ... | Pasyon Choir | |
| Robert Seña | ... | Pasyon Choir | |
| Marissa Sanchez | ... | Pasyon Choir | |
| Kurt Perez | ... | Jason | |
| Evangeline Pascual | ... | Jess' Mother | |
| David Shannon | ... | David | |
| Dante Rivero | ... | Mr. Nato | |
| Ricky Davao | ... | Barangay Captain | |
| Raymart Santiago | ... | Estong |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:105 minCountry:
PhilippinesColor:
ColorSound Mix:
MonoFilming Locations:
Metro Manila, Luzon, PhilippinesFun Stuff
Trivia:
Since the original title was very serious that viewers might mistake it as drama, the production initially change the title to Pasyon USA. When The Passion of the Christ (2004) became a hit, the production decided to take on Ricky Martin's hit, "Livin' La Vida Loca" for easy recall. moreFAQ
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Truly the best Filipino film in the history of Filipino Cinema. The film avoids any cliché and irritating romantic-comedy that seems to plague Filipino Film nowadays.
The story stars Robin Padilla as a cab driver desperately seeking a visa to come to the land of dreams. During the 'course of the movie, we are introduced to comical, refreshing characters such as an American TV personality, with a British accent, Robin Padilla's father, and the stunning Ruffa Mae Quinto.
Unlike some films which attempt to mimic American life, La Visa Loca immediately establishes that this is indeed the Phillipines, and that lives often depicted in Filipino film is unrealistic. The film deals with that notion of leaving the Philipines, a subject very relevant to the Philipines. The film then comments on pride of heritage, and the importance of staying and improving the Philipines, instead of high-tailing to America.
Besides it's moral and social ideals, the film is very funny and entertaining, Padilla perhaps in his best performance. The film proceeds with such an innocent charm with it's characters and events that is impossible to not get involved with their lives and feelings. Mark Meily does an incredible job of directing, churning out a commercial art-house film, a little reminiscent to French cinema, but that's okay.
Overall, a very comical and moving piece that should be placed among the must-see Filipino films, along with The Debut.