| Zeynabou Diallo | ... | Binta | |
| Agnile Sambou | ... | Binta's father | |
| Aminata Sane | ... | Soda |
Directed by | |||
| Javier Fesser | |||
Writing credits(in alphabetical order) | ||
| Javier Fesser | ||
Produced by | |||
| Luis Manso | .... | producer | |
Cinematography by | |||
| Chechu Graf | |||
Film Editing by | |||
| Javier Fesser | |||
Production Management | |||
| Luis Fernández Lago | .... | production manager | |
Sound Department | |||
| José María Bloch | .... | sound mixer | |
| Manuel Carrión | .... | foley artist | |
| Manuel Cora | .... | sound re-recording mixer | |
| James Muñoz | .... | sound effects editor | |
| James Muñoz | .... | supervising sound editor | |
| Miguel Suárez | .... | dialogue editor | |
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| I Am Cuba | The Tree of Wooden Clogs | The Best of Youth | Machuca | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section |
The issue this film deals with is a young woman prevented to get an education. The treatment is overly didactic. It feels too much like "feel good" social propaganda.
It does not help that non-professional actors are used. Acting is amateurish. Fortunately the camera work is professional. Curiously that adds to the general feeling that this is government propaganda. There are jabs at backwards social practices of rural provinces. Theater is used as a medium to educate the local communities of their backward ways and convince local folks to change.
All of this is for a good cause. Yet, being propaganda, it is predicable and tiresome. I would have left the cinema if it were not for a subsequent short.