In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
The last three weeks of school life have begun: After the Abitur, Germany's leaving certificate, the friends and schoolmates of Gymnasium Kerkheim (Kerkheim High) will not see each other ... See full summary »
In the near future the dreams of three adult siblings living in Germany or fractured by difficult romantic relationships on the unwitting involvement with terrorist organizations and a ... See full summary »
David, a waiter, finds an unpublished manuscript in a dresser drawer. To impress a girl, he claims to be the author. When the novel becomes a best-seller the real author introduces himself in his life and begins to take-over David's life.
A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The ... See full summary »
Daniel Brühl and Jürgen Vogel broke Will Smith's world record for most public appearances on the red carpet in 12 hours by attending the movie's premiere in Munich, Berlin, Hamburg, Düsseldorf and Cologne (22 October 2006). See more »
When Karl and Hans drive the Porches they stop side by side. For a brief moment there is a refuge between the cars. When they drive off it has disappeared. See more »
Does one have to sing here?
Whatever you do, don't sing. Tell him you're talking to God every night before you go to sleep.
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Definitively one of the ten best, to my opinion most likely The best movie produced and released in Germany this year. A masterpiece, story-, acting-, picture- and sound-wise. Vogel as Hans is hilariously funny, Brühl outstanding as his real counterpart and a compelling Simone Timoteo. Entertaining and moving. Once again and even more than the first time Schipper has proved his outstanding talent for subtle storytelling.
I saw it in a crowded cinema, the audience was laughing through half of the movie, though it reminded me of Ozus evenness as much as of van Sants verité - style (e.g. the long, uncut shots) without being documentary or raw at all (absolutely NO dogma movie). If you think Gerry (Gus van Sant) was beautiful but somehow boring (at least when watching it a second time), watch this one - you will like it. A movie as simple as ambiguous done with an outstanding reliable sense of style.
either life is nothing or it must be everything
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