In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of ... See full summary »
A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The ... See full summary »
The last three weeks of school life have begun: After the Abitur, Germany's leaving certificate, the friends and schoolmates of Gymnasium Kerkheim (Kerkheim High) will not see each other ... See full summary »
In the near future the dreams of three adult siblings living in Germany or fractured by difficult romantic relationships on the unwitting involvement with terrorist organizations and a ... See full summary »
Benjamin is a 16 year old, paralyzed on one side of his body, with lousy grades in math, who switches to a boarding school to reach grammar school. Acclimatization to the new environment is... See full summary »
David, a waiter, finds an unpublished manuscript in a dresser drawer. To impress a girl, he claims to be the author. When the novel becomes a best-seller the real author introduces himself in his life and begins to take-over David's life.
Daniel Brühl and Jürgen Vogel broke Will Smith's world record for most public appearances on the red carpet in 12 hours by attending the movie's premiere in Munich, Berlin, Hamburg, Düsseldorf and Cologne (22 October 2006). See more »
When Karl and Hans drive the Porches they stop side by side. For a brief moment there is a refuge between the cars. When they drive off it has disappeared. See more »
Do you think it's "hot" or "top", if I'm kissing your girl-friend?
You're crazy about her! But, admit it, you're also a wee bit crazy about me, aren't you?
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The movie business in general tries to stick to the formulas that are known to work, and German films are no exception. Sometime in the mid-90s, Till Schweiger started to mass-produce comedy-drama hybrid movies and it seems that this is the way to go nowadays. "A Friend Of Mine" is full of great cinematography, moody and melancholic songs, a very slow pace and a lot of pseudo-philosophical garbage. But taking a few typical, well worn-out formulas doesn't always make for a great film. You can have a slow, subtle and gentle movie and it's brilliant ("Before Sunrise") and you can do the same and fail miserably ("A Friend Of Mine"). The story line is extremely uneventful and the characters unconvincing. Many parts of the script don't relate to the evolution of the story at all and are just puzzling at best. One thing proved: It takes a Jim Jarmusch to turn a story going nowhere into something very watchable.
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