Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).

Director:

Writers:

, (as Marie José Sanselme)

Watch Now

From $1.99 on Amazon Video

ON DISC
1 win & 6 nominations. See more awards »
Learn more

People who liked this also liked... 

Domino One (2005)
Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  
Director: Nick Louvel
Stars: Nick Garrison, Ken Cheeseman, Steve Guttenberg
Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

A drama that details the story of a woman's difficult relationship with her stepson.

Director: Don Roos
Stars: Natalie Portman, Scott Cohen, Lisa Kudrow
Goya's Ghosts (2006)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.

Director: Milos Forman
Stars: Javier Bardem, Natalie Portman, Stellan Skarsgård
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A young woman takes a soul-searching journey across America to resolve her questions about love while encountering a series of offbeat characters along the way.

Director: Kar-Wai Wong
Stars: Norah Jones, Jude Law, Natalie Portman
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

A mother and daughter search for success in Beverly Hills.

Director: Wayne Wang
Stars: Susan Sarandon, Natalie Portman, Hart Bochner
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

A drama based on the memoir of Amos Oz, a writer, journalist, and advocate of a two-state solution to the Israeli-Palestinian conflict.

Director: Natalie Portman
Stars: Natalie Portman, Shira Haas, Makram Khoury
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A pregnant 17-year-old rebuilds her life after being abandoned by her boyfriend at a Wal-Mart in Sequoyah, Oklahoma.

Director: Matt Williams
Stars: Natalie Portman, James Frain, Ashley Judd
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

Several love stories set in one of the most loved cities of the world, New York.

Directors: Fatih Akin, Yvan Attal, and 9 more credits »
Stars: Shia LaBeouf, Natalie Portman, Bradley Cooper
Alila (2003)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

Slice-of-life look at the lives of twelve people who live or work in the same apartment complex in Tel Aviv.

Director: Amos Gitai
Stars: Yaël Abecassis, Hana Laszlo, Uri Klauzner
Hesher (2010)
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A young boy has lost his mother and is losing touch with his father and the world around him. Then he meets Hesher who manages to make his life even more chaotic.

Director: Spencer Susser
Stars: Joseph Gordon-Levitt, Devin Brochu, Natalie Portman
True (2004)
Short | Romance
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

The phone rings, startling Tomas, who is seated in front of the computer. He feels for the telephone receiver. Tomas is blind. His girlfriend, Francine, tells him that it's all over and ... See full summary »

Director: Tom Tykwer
Stars: Natalie Portman, Melchior Derouet
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Two sisters contend for the affection of King Henry VIII.

Director: Justin Chadwick
Stars: Natalie Portman, Scarlett Johansson, Eric Bana
Edit

Cast

Cast overview:
...
Hana Laszlo ...
Hanna Ben Moshe (as Hanna Laslo)
...
Leila
...
Mrs. Breitberg
...
Samir aka "The American"
...
Julio
Uri Klauzner ...
Moshe Ben Moshe
Liron Levo ...
Border Security
Tomer Russo ...
Border Security
Adnan Tarabshi ...
Petrol Station Owner
...
Walid (as Shredy Gabarin)
Kobi Lieber ...
Radio Narrator (voice)
Edit

Storyline

Rebecca, a young American lady who has been living in Jerusalem for a while, suddenly breaks off her engagement with Julio, her Israeli fiancé. In a state of emotional shock she gets into a taxi and asks the diver to take her anywhere she likes but away from the place where she broke up. Although reluctant, Hanna, the driver lets her accompany her to Jordan's Free Zone where she is to meet "The American", her husband Moshe's Palestinian business partner. Once there, they realize "The American" is not there but a Palestinian woman named Leila offers them, after much bickering with Hanna, to take them to the oasis where "The American" lives... Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

See all certifications »
Edit

Details

Country:

| | |

Language:

| | |

Release Date:

7 April 2006 (USA)  »

Also Known As:

Serbest bölge  »

Filming Locations:

 »

Box Office

Budget:

$1,234,567 (estimated)

Opening Weekend:

$8,618 (USA) (7 April 2006)

Gross:

$32,381 (USA) (28 July 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

First Israeli movie shot in Jordan. See more »

Goofs

When the vehicle is just approaching the border crossing near the end of the film (1:23:00 on the DVD) we can see the silhouette of someone wearing a baseball cap moving about in the back of the vehicle. See more »

Quotes

[first lines]
Rebecca: [after prolonged sitting in car crying] Can we go? Can we leave this place? Please.
Hanna: Where to?
Rebecca: I don't know. Let's get out of here, please.
See more »

Connections

Featured in In Reverse: Hana Laslao (2014) See more »

Soundtracks

Had Gadia
(traditional)
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Sublime
7 March 2006 | by (Brazil) – See all my reviews

Motion Pictures are not one, but many genres. There are films poised solely to entertain, others to politicize, and yet others are art.

FREE ZONE is art in a film format. Just as most art, it relies more on senses, feelings, aesthetics, and perceptions. Unfortunately, for the unimaginative and unengaged, it can sometimes be unintelligible.

The film begins with a very long close-up shot of a beautiful young woman (Natalie Portman) copiously crying in the back seat of a car, to the Jewish children's rhyme "Had Gadia". The powerful arrangement in crescendos adds pathos to the girl's exteriorization of heart-felt anguish, and the seamlessly-never-ending stories of increasing consequences and characters (sung in Hebrew but appropriately subtitled) add confusion and exasperation. The sense of utter discomfiture is only compounded by the audience's utmost ignorance of the character, her surroundings, and her motivations. Her despair is our despair, but we, much as she also seems, are lost.

Slowly we learn she is parked by the Kotel, or Wailing Wall, in Jerusalem. We also learn she has just fought with her would-be mother-in-law and broken off her engagement to her Spanish-Israeli fiancé. Thus her personal loss becomes the middle-eastern mourning, and her very personal suffering symbolizes the tears and hopelessness of whole peoples and an entire land.

Immediately one is faced with a choice. To watch the rest of the movie as a narrative, or to perceive the allegory it propounds. To choose the first is to misunderstand it entirely, and miss on the powerful images and senses.

Rebecca (Natalie Portman) is an American who struggles aimlessly through life without a clear sense of identity. Her father is Jewish, but she carries little or no pride in her heritage, ignorant even of her status as a Jew (or not). She feels uneasy in her American home, and in a search for an identity that suits her, she acquires (and loses) a fiancé and a home in Israel. How she reacts to the landscape (so extensively shot, in exquisite details) and to the people (diverse, albeit through quick and superficial contacts) symbolizes the author's perception of the American (as in people or nation) own sense of identity and appreciation of the Middle East.

She joins Hannah (Hanna Laslo), a Russian-Israeli middle-aged woman whose life stories unfold piecemeal as a symbolical-historical window on the Israeli nation, on a trip to the Jordanian free trade zone on a mission for personal and familial financial salvation. Her determination and her biases (often even callousness) are obviously shaped by her pressing needs and her clear life trajectory, as evidenced by the unusually thorough (as opposed to the other characters) exposition of her past. Her reactions to her American travel mate, the obstacles in her quest, and the eventual Palestinian they meet clearly embody the Israeli national persona, dreams, fears, and strengths.

The Palestinian our heroes meet is Leila (Hiam Abbass), whose family present as Hannah's possible salvation (as in the money her husband owes her) or damnation (as in the fall-out from the misguided actions of her rebellious and contentious son). Torn between her loyalties to her own family and her duties toward this Jewish woman, she joins the other women in their quest for redemption.

The women allegorize their respective nations. And yet, their struggles are very personal and transcend national identities and interests. The combination of the three, and how they interact amongst themselves to work out their individual travails, masterfully conveys the powerful emotions in the confluence of tribes, nations, countries, and religions in this most convoluted region. The attention to the national frontiers (what role they play in segregating these peoples) juxtaposed to the more promiscuous exchange amongst the actual peoples (their representational counterparts in the characters) is quite fascinating.

The narrative is non linear, relying mostly on feelings and emotions. The filmography is untraditional (a lot of hand-held camera movements, as if the audience is privy to the story, watching a family road trip video) and experimental (long and confusing, yet dramatic, layering of images and back-plots, creating familiarity with back stories, yet maintaining distance thru the lack of clear focus or images). The plot is mostly allegorical, therefore characters are not really introduced and developed as they are thrust upon the audience (with the implication that one already knows them, or who they represent), played out in short pericopes and less of an overarching story.

The film is beautiful and insightful. If you prefer mass produced Hollywoodean one-size-fit-all entertainment, this is not the movie for you.


37 of 48 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Your opinion about the ending? S0LO
ENGLISH SUBTITLES?? somasoma
RATING???? Hpotterfan713
Plot? rlf929
Free Zone goes to Cannes! junio
STARRING NATALIE PORTMAN!!!.... smile4free
Discuss Free Zone (2005) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?