A newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate and learn that some mysteries are better left unsolved.
4BIA is a Horror Anthology. The first segment, "Happiness" is about a lonely girl who corresponded with a stranger over hand phone text messaging and soon discovered something strange about... See full summary »
A young photographer Thun and his girlfriend Jane discover mysterious shadows in their photographs after fleeing the scene of an accident. As they investigate the phenomenon, they find other photographs contain similar supernatural images, that Thun's best friends are being haunted as well, and Jane discovers that her boyfriend has not told her everything. It soon becomes clear that you can not escape your past. Written by
Has been remade three times. Sivi (2007) is the Indian remake, Shutter (2008) is the American remake, and Click (2010) is the Hindi remake. See more »
During the scene where Tun and Jane visit the Spirit Photography Guy and are talking with him, the camera faces them and shows a sliver of the guy on the right side of the screen (this alternates). In one of those shots, his mouth is moving, but nothing is spoken. See more »
[Tun is working in the dark room when someone walks beside him and stands there. He does not look up]
Jane? You're early.
[Telephone rings outside, Tun goes to answer it]
Tun. Its Jane. I'm going to be a little late today.
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The producers would like to thank in advance the owners of any spirit photographs or photo representations that were not properly credited for their use in this motion picture. See more »
Oh wow, oh jeez, this is the scariest freakin' movie since The Eye!
Shutter is a new horror film from Thailand, in the tradition of recent Asian horror films like Ringu and The Eye, and it scared the bejeevery-jeezes out of me! The directors are called Banjong Pisanthanakun and Parkpoom Wongpoom (it rhymes!) and this is their first feature, and looking at the movie, it's hard to believe so. It looks very professional and slick, and it excels in every aspect: from shot design to sound use to pacing. The atmosphere is bowl-clenchingly tight, the tension is almost never relieved, and the movie contains quite a lot of scares; they come in all shapes and sizes in this one, folks. This film has its share of boo moments, slow build-ups, genuine horror, and psychological scares following some very creepy and disturbing revelations. I won't spoil anything, but if you like horror do yourself a favor and watch it. I give this gem a 10 on my horrormeter. And I think I'll leave the light on tonight.
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