Ghasem (Hamid Farokhnezhad) with his wife, Narges (Leila Hatami), his mother and other relatives and parents take a flight to Bandar Abbas, to get hired in an industrial company. Since the ... See full summary »
Dr. Alam, a very profiled specialist in neurology and a successful surgeon, is drowned in his professional and social work, in a way that he has totally forgotten all about his son Saman. ... See full summary »
Leila and Reza meet in a kind of celebration and fall for each other. Having discovered their love, they get married soon only to find out the infertility of Leila. That's when Reza's ... See full summary »
The Glass Agency is the story of a war veteran living in post war Iran. It depicts veterans who are suffering from social problems after the war. Society does not understand them and the ... See full summary »
On the last Wednesday before the spring solstice ushers in the Persian New Year, people set off fireworks following an ancient Zoroastrian tradition. Rouhi, spending her first day at a new job, finds herself in the midst of a different kind of fireworks -- a domestic dispute between her new boss and his wife.
A piano teacher (Mahnaz Afshar) faced with a major event in her personal life, some secrets of her husband life is revealed ... In a two-way decision, she must either make her choice in ... See full summary »
During the Iran-Iraq war, a television cinematographer, having financial problems, needs to get a loan from the TV to complete his half-built flat so one of his colleagues suggests him ... See full summary »
Nicely woven, intriguing blend of reality and literary imagination
Nominally this is about two Iranian writers reuniting after a 38 years separation. More pointedly it is about aging, recollecting past events, coming to grips with the consequences of paths taken in life, and dealing with the prospect of impending incapacitation and death. Through a blend of reality, literary imagination and fantasy, the film tells a multi-faceted, nicely interwoven story. One of its facet is an inner story with a possible allegorical meaning that unfortunately escaped me.
One of the final scenes is beautiful counterpointed: (1) the literary work as an object transcending the life of its author and, in contrast, (2) how a work-in-progress can be indifferently and irrevocably interrupted by death.
The last scene mirrors the beginning but unfortunately no subtitles are given. Whether the Arabic scribbles are important or not, others will have to say.
The two main actors give fine performances. The dialogues are natural. The footage of northern Iran shows how beautiful that part of the country is.
The operant suggestion: don't miss this film.
0 of 1 people found this review helpful.
Was this review helpful to you?