Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
In this blend of the B movie classic The Blob (1958), and some Romero's zombies film, a meteorite collides in a small town. Grant finds it, and is infected by a parasite worm, which installs in his brain and causes him a creepy transformation into a monster. Starla, his wife, and Bill, a policeman, will try to stop him and the plague of worms generated by the creature. Written by
The name of the High School is "Earl Bassat High". Earl Bassat was the name of the other male lead in Tremors. See more »
When Grant gets hit by the creature that fell from the meteor, we can hear him screaming but his lips don't move as if he was. See more »
Where is the Mr. Pibb? I told your secretary to pack Mr. Pibb. It's the only Coke I like. Goddamn Brenda exploding like a water balloon, worms driving my friends around like they're goddamn skin-cars, people are spitting acid at me, turning you into cottage cheese, and now there's no fucking goddamn Mr. Pibb?
*Jesus Christ*, Jack, let me get right on it!
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At the very end of the credits there is an additional scene involving a curious cat and the remains of the alien slug creature. See more »
A Horror Movie Made By Horror Fans for Horror Fans
Today, I am a happy gorehound. I've just seen "Slither," and it was a truly good time! OK, let's face it... this one isn't going to win any awards for originality. The story here is "Invasion of the Body Snatchers" meets "Night of the Living Dead" with hints of "The Blob," David Cronenburg's "Shivers," and a more-than-passing special effects nod to Brian Yuzna's "Society." But it WORKS here.
James Gunn, a veteran of Troma Studios, has made a horror fan's horror flick. Laced with homages to everything from 1950's drive in cinema to R.L. Stine's "Goosebumps" books (not to mention a clip from a Troma movie on a TV in one scene). Gunn clearly knows his audience, because he IS his audience. He delivers up a movie that might be formulaic, but its over-the-top gore, it's black humor (this is one horror show that never takes itself too seriously), and it's general gung-ho, pull-no-punches attitude turn what could have been yet another plodding bit of cinematic flotsam into what could well be an instant horror classic on par with "Re-Animator." If you know what I'm blathering about here, if the names and the titles of these films are familiar, then see "Slither." You're going to love it.
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