| Gregory Hlady | ... | Viktor Banev (as also Grigoriy Gladiy) | |
| Leonid Mozgovoy | ... | Ayzek Golemba | |
| Aleksey Kortnev | ... | Pavel Sumak (as also Alexei Kortnev) | |
| Rimma Sarkisyan | ... | Ira Baneva | |
| Laura Lauri | ... | Diana (as Laura Pitskhelauri) | |
| Sergey Barkovskiy | ... | Gennadiy Komov (as also Sergei Barkovsky) | |
| Dmitriy Ispolatov | ... | Bora Kunitsa (as Dima Ispolatov) | |
| Olga Samoshina | ... | Lyudmila | |
| Aleksey Ingelevich | ... | Valentin Pilman (as also Aleksei Ingelevich) | |
| Viktor Mikhaylov | ... | Mokrets Zinoviy (also as Victor Mikhailov) | |
| Viktor Dzekanovskiy | ... | (also as Victor Dzekanovsky) (as Vitya Dzekanovskiy) | |
| Vladimir Grigoryev | ... | (also as Vladimir Grigoriyev) (as Volodya Grigoriev) | |
| Vasiliy Petrov | ... | (as also Vasily Petrov) (as Vasya Petrov) | |
| Ilya Kovalev | |||
| Anastasiya Rudenko | ... | (as also Anastasia Rudenko) (as Nastya Rudenko) | |
| Evgeniy Kalchenko | ... | (as also Evgeny Kalchenko) (as Zhenya Kalchenko) | |
| Yuriy Bibisi | (as Gosha Bibisi) | ||
| Anastasiya Falileeva | ... | (also as Anastasia Falileeva) (as Nastya Falilleeva) | |
| Nikita Skvirskiy | (as also Nikita Skvirsky) | ||
| Aleksandr Khodot | ... | (also as Alexander Khodot) (as Sasha Khodot) | |
| Anna Lazurenko | ... | (also as Anya Lazurenko) | |
| Boris Birman | |||
| Sergey Russkin | (as also Sergei Russkin) | ||
| Boris Voytsekhovskiy | ... | (also as Boris Voitsekhovsky) | |
| Roman Makarenko | |||
| Aleksandr Dyuris | ... | (also as Alexander Dyuris) | |
| Dmitriy Mokeev | ... | (also as Dmitry Mokeev) | |
| Vladimir Maryanov | |||
| Pavel Yakovlev | |||
| Igor Sergeev | |||
| Dmitriy Brodskiy | (as also Dmitry Brodsky) | ||
| Boris Schwarzmann | ... | (also as Boris Shvartsmann) (as Boris Shvartsman) | |
| Igor Naftulev | ... | (also as Igor Naftulyev) | |
| Manana Gogitidze | |||
| Yuriy Orlov | (as also Yury Orlov) | ||
| Oleg Ogiy | ... | (also as Oleg Ogy) | |
| Irina Korovina | |||
| Svetlana Nemirovskaya | |||
| Boris Gurevich | |||
| Andrey Sigle | (as also Andrei Siegle) | ||
| Jacques Martell | ... | (also as Zhak Martel) | |
| Scott Tobin | (as also Skott Tobin) | ||
| Vasiliy Mikhaylov | ... | (as also Vasily Mikhailov) (as Vasya Mikhaylov) | |
| Egor Evstafev | (as also Yegor Yevstafyev) | ||
| Mariya Myasnikova | ... | (as also Maria Myasnikova) (as Masha Myasnikova) | |
| Sergey Lysov | (as also Sergei Lysov) | ||
| Andrey Losev | (as also Andrei Losev) | ||
| Fyodor Selkin | ... | (also as Fedor Selkin) | |
| Andrey Shimko | (as also Andrei Shimko) | ||
| Aleksey Ispolatov | (as also Alexei Ispolatov) | ||
| Vadim Boganov | |||
| Leonid Nitsenko | |||
| Yuriy Zaytsev | (as also Yury Zaitsev) | ||
| Dmitriy Yagnov | ... | (also as Dmitry Yagnov) | |
| Irina Osnovina | |||
| Tatyana Polonskaya | |||
| Tatyana Mishina | |||
| Lyudmila Samsonova | |||
| Sergey Kudryavtsev | (as also Sergei Kudryavtsev) | ||
| Konstantin Anisimov | |||
| Vadim Malyshev | |||
| Dmitriy Ezhov | ... | (also as Dmitry Yezhov) | |
| Yuriy Kalugin | (as also Yury Kalugin) | ||
| Aleksandr Tsybulskiy | ... | (also as Alexander Tsibulsky) (as Aleksandr Tsibulskiy) | |
| Aleksandr Pestov | (as also Alexander Pestov) | ||
| Tatyana Malyshchitskaya | ... | (also as Tatyana Malyshchetskaya) | |
| Evgeniy Bulgakov | (as also Evgeny Bulgakov) | ||
| Nikolay Karapetyan | (as also Nikolai Karapetyan) | ||
| Dmitriy Gerbachevskiy | ... | (also as Dmitry Gerbachevsky) | |
| Aleksandr Vasilyev | (as also Alexander Vasilyev) | ||
| Sergey Ramzaev | ... | (also as Sergei Ramzaev) | |
| Natalya Mokshina | |||
| Anna Arapova |
Directed by | |||
| Konstantin Lopushansky | |||
Writing credits(in alphabetical order) | ||
| Konstantin Lopushansky | screenplay | |
| Vyacheslav Rybakov | screenplay | |
| Arkadiy Strugatskiy | original book | |
| Boris Strugatskiy | original book | |
Produced by | |||
| Catherine Dussart | .... | co-producer | |
| Dmitriy Gerbachevskiy | .... | executive producer | |
| Andrey Sigle | .... | producer | |
Original Music by | |||
| Andrey Sigle | |||
Cinematography by | |||
| Vladislav Gurtchin | |||
Film Editing by | |||
| Maxim Holodiuk | |||
| Sergey Obukhov | |||
| Aleksandr Zaretzky | |||
Casting by | |||
| Velentina Shkolnik | |||
Art Direction by | |||
| Viktor Ivanov | |||
| Konstantin Pakhotin | |||
Set Decoration by | |||
| Kirill Baranov | |||
| Andrei Butovko | |||
| Natalya Mokshina | |||
Makeup Department | |||
| Janna Rodionova | .... | key makeup artist | |
Production Management | |||
| Anna Arapova | .... | assistant unit manager | |
| Lika Mokhova | .... | production leader | |
| Dmitry Nikitin | .... | production leader | |
| Sergey Ramzaev | .... | assistant unit manager | |
| Anna Svetlakova | .... | production leader | |
Second Unit Director or Assistant Director | |||
| Tamara Agajanian | .... | assistant director | |
| Anna Shein | .... | assistant director | |
| Vladimir Studennikov | .... | assistant director | |
Art Department | |||
| Vladimir Demin | .... | props | |
| Tatiana Karklina | .... | props | |
| Alexei Karmatsky | .... | props | |
Sound Department | |||
| Sergei Figner | .... | foley artist | |
| Leonid Gavrichenko | .... | sound | |
| Ruslan Merzliakov | .... | sound | |
| Aleksei Shulga | .... | sound re-recording mixer | |
| Maria Sobennikova | .... | sound | |
| Elena Sokolova | .... | sound | |
| Irina Sokolova | .... | sound | |
| Mariya Strugina | .... | sound editor | |
Special Effects by | |||
| Timur Gordin | .... | pyrotechnical effects | |
| Svetlana Mikhailenko | .... | scanning and recording | |
| Oleg Nikolaev | .... | special effects designer | |
| Igor Plaksin | .... | compositing & color correction | |
Visual Effects by | |||
| Dmitry Glukhov | .... | visual effects: water effects | |
| Evgeny Mironenko | .... | digital effects artist: titles effects | |
| Viktor Okovityy | .... | digital effects artist: titles | |
| Igor Plaksin | .... | digital effects artist: titles | |
Stunts | |||
| Vadim Malyshev | .... | stunt coordinator | |
| Aleksandr Pestov | .... | stunt coordinator | |
| Dmitry Shulgin | .... | stunts | |
Camera and Electrical Department | |||
| I. Adartsevich | .... | lighting technician | |
| Nukolai Bozhko | .... | grip | |
| Alexandr Juravin | .... | dolly grip | |
| Victor Kabanov | .... | lighting technician | |
| Evgeny Kozlov | .... | lighting master | |
| Vladimir Mikhaylov | .... | lighting technician | |
| Alexei Parshin | .... | still photographer | |
| Pavel Podsvetov | .... | lighting technician | |
| Grigory Reshunov | .... | grip | |
| Alexandr Sorokin | .... | grip | |
| Alexandr Vertkov | .... | grip | |
| Alexandr Volokushkin | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Olga Bakhareva | .... | seamstress | |
| Lyuda Reshetnikova | .... | seamstress | |
| Nelli Svetchina | .... | seamstress (as Ninel Svechina) | |
Music Department | |||
| Sergei Gasanov | .... | musician: sitar, sarod and bamboo-flute | |
Transportation Department | |||
| Oleg Borisov | .... | driver | |
| Alexandr Lebedev | .... | driver | |
| Victor Shelepov | .... | driver | |
| Denis Sherstniov | .... | driver | |
| Victor Stepanov | .... | driver | |
| Alexandr Sukachev | .... | driver | |
Other crew | |||
| Galina Kashitsakaya | .... | caterer | |
| Liudmilla Kudriashova | .... | publicist | |
| Svetlana Schepetkova | .... | accountant | |
| Leonid Sendersky | .... | sax solos | |
| Tatiana Smirnova | .... | accountant | |
| Alexandr Soloviev | .... | process trailer | |
| Natalia Zharkova | .... | caterer | |
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| Stalker | Contact | Bon voyage | Solaris | The War of the Worlds |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Russia section |
Long ago in Soviet Union lived two brothers -- Arkady and Boris Strugatsky. They had a dream -- to live in Communism -- and as they were writers, they devised the World of Noon, the future society of people appreciating creative work the most, socially responsible and enjoying living. It occurred, it wasn't a dream about Communism, that's why the writers soon became anti-Soviet, and the dream started living its separate life, changing, infecting new generations of engineers and scientists, strangely surviving under any system...
"Ugly Swans" are not about World of Noon, but those who are able to appreciate it. So... The future intrudes into our world. Perhaps not a very happy one, because agents of it -- Aquatters -- are targeted by unknown genetic disease. Aquatters came to a provincial Russian town, set the rules they like and started to educate children. For children are our future, and changing them you make the world different. They teach rather strange things: what is hyperspace, and how to change weather, and other things, perhaps pretty important in the world of Aquatters. But top of all, they teach children to _think_.
What's the problem, you would ask? A little one. In children's dreams there's no place for us. Our world is bankrupt, our values are corrupt, our moral is false. They are ruthless... but they only want to live in _their_ world. They go ahead, not looking on us and not caring. It's not surprising that our civilization considers them a menace. We also can be ruthless, and too often we are ruthless without necessity... Writer Viktor Banev who happens to visit the town faces uneasy moral choices. Taking sides. Remaining humane when bad things happen... not little for a single person? The movie is said to be based on the 1967 novel, but paradoxically, ideas spoken out in that moth-eaten year grew only more topical today. And the world too often can't propose growing youths nothing but dull job, race for money and dumb TV shows for entertainment. Who is more miserable, children grown by Aquatters, who can't, don't want to live in our world, or we who don't feel their longing for knowledge and agree with the role of well-trained monkeys? Humanism is also a new facet unveiled in the movie. Old... and new. Whatever the theories, there are living people beyond it... Writer Banev from the 1967 novel acts because he feels contempt for the old world; writer Banev in the movie acts because he feels pain of others... he cares about people, not about worlds, and that, I hope shows that the old world is yet alive.
The last but not least, the movie isn't specifically Russian, more a tale of our civilization. And in, e.g. the United States it would be the same topical, I guess.