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|Index||23 reviews in total|
This is one of those movies that I couldn't even sit all the way
through, and I have sat through some absolute crap in my days, even
many Baldwin movies! I don't mind the blacksploitation genre, but this
one was just terrible, acting was terrible, story line was terrible,
costumes were cliché and let's not even get into the historical
The bottom line is: even if you can get this movie for free or see it with a friend, you'll regret the hour+ of your life that you spent watching it (or less time if you can't sit through it like me).
On the plus side it may be good for a laugh if you're drunk at home with some mates, although it still doesn't have the drunken laughter appeal of something like Python or any of the 70's and 80's cult movies.
If you want a serious movie, don't get this, if you want a drunken laugh then only get this if ALL of the 80's horror films are already hired out.
I gave it a score of one because 'awful' really is fitting.
I am about 70% of the way through this movie and I had to stop. I couldn't go any further after seeing the "wooden" teller counter in the bank bow under the weight of "Linc". I couldn't stop laughing after that. This movie is agonizing. It's painful to watch. I've always told people who criticize some of the "B" level horror films that I'm in a habit of watching that you have to suspend reality for two hours to enjoy most films. It's Hollywood. Enjoy the fantasy trip. But this film won't even let me suspend common sense, let alone reality. I'm guessing that the movie is supposed to be set sometime in late 1800's. I'm guessing because the movie is not even convincing me that it could have been set in any reasonable past time frame. Where to begin...the clothes...the clothes are a joke. It's the wild west meets MTV. Is it a movie or a music video...hmmm???? Check out the woman in the bank robbing gang. Women may have dressed that way in the wild west bordellos, but not for trail riding and bank robbing. The situations are laughable. You can't convince me that there were any women sheriffs and/or deputies or women bank tellers in the wild west days. The acting is deplorable. Where did they get the mayor and his wife...some Disney movie? And who's idea was it to bring Bill (David Carradine's character from Kill Bill) back to life and send him back in time to the wild west? Carradine doesn't have much to lose by starring in this film. He's already at the end of his career. But for the countless young actors and actresses who made the bitter error of choosing this vehicle as a ladder climbing notch in their belts have opted for a bullet hole in their careers. I'm going to try to make it through the balance of this film and return it shamefully to my local Blockbuster store. But I highly recommend this film for file 13. You know, the round file...the trash.....
This film is waste of time, money, oxygen, cigarettes, cokes, electricity, etc. It cannot be worse than this. There is no acting, no directing, no camera moves or tricks or effects... The script is awful. Full of clichés, the worst ones... Music is just stupid. The casting is utterly and totally catastrophe. I like KURUPT though. But he does not talk very much. They tried to mix the white western culture and black R&B-HIPHOP thing!!! I don't even know what to call it. What is David Carradine doing there? Believe me I really want to give away the ending, but I will not, I don't know why. just DON'T !!!!!!!!!!!!!! Please... I am begging you
This is one of the worst films i have ever seen in my life. I have
wasted my time with this movie. For this movie a new scale should be
invented....from 0 to -10. Gabriel Casseus (Linc) and Antwon
Tanner(Zane) must have payed lots of dollars to "act" in this movie.
Some people think that anyone can become a movie star.
Don't waste your time with this movie. Now if i wold write more about this movie i would waste more of my time. I hope that not so many people will have to be tricked to watch this movie, a movie made by a bunch of "antiprofesionists". This movie should be in The 50 Worst Movies Ever Made!, top 10 actually. Escuse my English please. I speak Romanian.
Rap hip hop cool western, yo! A gang of black cowboy gangstas are
planning the biggest heist of their lives. A fortune is passing through
a small bank in a godforsaken town ruled by a sinister tyrant and his
sadistic son. The paths of the gang and the tyrant passed before, and
sweet revenge or brutal death is imminent as they meet again.
Now, this actually sounds quite intriguing to me, but there is one huge problem: The movie actually takes itself dead serious, while it on the best is a big joke.
OK, I can try to ignore the girls in the movie has silicon enlarged lips, with a tattoo outliner and a nice lip gloss thrown in, looking like some random prostitutes dragged off the street, with much less acting skills than you would expect even from a female of that given profession.
I can also try to ignore the desperate attempts at trying to be new by putting every known western cliché upside down, like the women are the strong ones kicking the guys butt, the black people are the cool dudes from da hood untouched by the slavery common a the time, while the white guys at best are stupid and pathetic cannon fodder, or at best evil and rotten to the bone.
I bet the director would be sued for racism if he movie had all the black guys exchanged with white guys. Not that I care about the political correctness of a movie, if the movie is good anything flies.
But, what kind of mindless, drug abused mind have come up with the plot?? I mean, some guys come up with the brilliant plan of walking straight into a bank loaded with treasure yet with no guards whatsoever, flash a gun, take the money before some guy chasing them magically appears outside from nowhere and we have a final shootout.
THATS IT! Swallow it down with some oh so deep soulshattering philosophy about bonds between brothers are stronger than life and death, made into a joke by what is possibly the worst western movie ever made.
I thought it would be refreshing and new, but they killed everything good about western movies, and added a bunch of boring, cliché-filled, badly executed elements instead.
I will even go so far to say that I can in fact enjoy a good turkey, because it becomes so bad it is actually fun to watch in good company, but this.. This is not even that.
Don't SEE THIS MOVIE! IT IS A TOTAL AND UTTERLY WASTE OF TIME AND MONEY! If you need to see an alternative Western movie, see Wild Wild West with Will Smith again instead, it is mindblowingly better than this load of humus.
This is by far the worst movie I have ever seen and the director deserves to be punched in the face. First, there's the massive history inaccuracy. I'm not racist, but why the hell are blacks and whites mixing with each other in a bar in 1866, in Texas, a year after the civil war!?! Second, the editing is atrocious, the worst I've ever seen. During a scene where the main cast is surrounded in a house with heaps of bad guys are shooting away, a scene where one of the guys in the house sticking a shotgun out a window is repeated 4 times. 4 times!! And by the time the shotgun sound is added in we've skipped to another frame! Third why the hell did I watch this movie! there were heaps of other better looking movie to hire but I had to pick this one! I could go on for ages about how crap this movie is, but I won't. I'd give this movie zero, but the rating system won't let me. Just don't see this piece of crap.
I can't believe someone would actually want to put this film out for the public to view. Acting was pitiful on most parts (Caradine and some of the other veteran actors excepted). Costumes ranged from tight leather pants and tube top to "Western" costumes from a bargain Halloween store. From the wimpy bank manager to the W.C. Fields mayor, characterization was corny and I felt embarrassed for the actors. I can't even begin to describe the errors and bastardization of Western life and culture. An absolute travesty. This relates to BAD as "Unforgiven" relates to great. I think a 5-year-old could write a better story, film it and direct it... probably even act in it! If someone wants to play cowboy and film it for fun with friends fine, but don't bother publishing it. I do believe you should ad at least a ZERO to your voting scale.
Let me start out by saying that I am a white male. I thought it was a
decent effort at what they were attempting to do with this movie, so
I've rated it a 4. But overall, this movie sucked.
Every time the camera was on a different person it was like the show stopped and they were trying to make some big drama out of each character. In order for that to work, people have to care, and I didn't care at all. It was like a bunch of different ideas that they were trying to mold into one film, but they didn't complete any of those ideas and in my opinion they didn't even work together.
Now let me get to the part that is probably controversial. I watched the special features on the DVD to see what the maker of this film, Jean Claude, was thinking... because really, a black western? An urban western?? Hey I'm a fan of Moulin Rouge where they incorporated modern music through the whole movie and it was superb, so I am not against new ideas. But Moulin Rouge was as much of a comedy as it was a love story and musical. It was meant to be a fantasy world of dreamers.
Brothers in Arms was to be taken completely seriously. Jean Claude explained that he wants to be the person to show people that there can be black westerns, that there can be black sci-fi, and a "black race car movie", etc. I admire his intentions, but for the love of God, a black western?? I kept waiting for there to be some kind of narration in the beginning that spoke of blacks in the old west, historically speaking. If that were the case, if the movie were to be documenting the little known black addition to the old west, I would have been glued to the screen. But this movie's attempt to put blacks in a western is like someone making a remake to Roots featuring an all white cast.
*** This review may contain spoilers ***
Simply one of the worst movie's I ever spent time on. Very Bad casting. A black girl sheriff in the wild west is a pathetic idea, Most of the actors are really bad for their roles. The black/Indian girl (Kenya Moore) was almost as bad as the sheriff. If anyone in this production ever had any Idea what happened in the times the movie presume to display, he should have stop this catastrophe. Aside from the fact that most of the Afro Americans was living in the big towns back than, there were never any small all black communities back than, and I'm pretty sure there where not to many black outlaw gangs at the time. Just an attempt to make a western gang movie. pour attempt at that. Even worst acting. The director should never be allowed on a set again. There isn't really anything good to say about this movie.
"Brothers in Arms" is the latest in the sub-genre of 'hip-hop
westerns', which stills strikes me as a great idea, but has yet to be
realized into something more worthy than direct to video fare (Wild
Wild West included). This film doesn't change that. It does have
passable performances from Gabriel Casseus and Raymond Cruz to off-set
the outright horrible ones of Antwon Tanner and Kenya Moore. Better
than average (at least for direct to video) cinematography is
overshadowed by the stale production design, dismal writing, dead
action sequences, and repetitive stock hip-hop music. Hip-hop could
hack it in a western, just hear T-Bone Burnett's work with the Nappy
Roots in "The Ladykillers" and imagine the possibilities. But here,
it's a complete distraction. How Jean-Claude La Marre ever nabbed David
Carradine for this, I can only guess, but he does as good a job as
anyone could've done with the writing and, in this kind of wreck,
professionalism is the most you could ask for.
The last 5 minutes are so pretentious and melodramatic, they border on unwatchable. Please, save the song for the credits next time. If you want the scene to be powerful, give us a character that we have a reason to care about.
Here's to the next effort in this sub-genre, may it be something deep and resonant... Ernest Dickerson, where are you when we need you!
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