While Nancy enjoys a gift massage from Pilar, Andy proposes to Audra. Adelita turns out to be a junkie and Silas tries to help her recover from recent heroin usage problems. At a party for Esteban's ...
A self-loathing, alcoholic writer attempts to repair his damaged relationships with his daughter and her mother while combating sex addiction, a budding drug problem, and the seeming inability to avoid making bad decisions.
Liz Lemon, head writer of the sketch comedy show "TGS with Tracy Jordan", must deal with an arrogant new boss and a crazy new star, all while trying to run a successful TV show without losing her mind.
After her husband's unexpected death and subsequent financial woes, suburban mom Nancy Botwin (Parker) embraces a new profession: the neighborhood pot dealer. As it seems like everyone secretly wants what she's selling -- even city councilman Doug Wilson (Nealon) -- Nancy is faced with keeping her family life in check and her enterprise a secret from her neighbor/pseudo-friend/PTA president, Celia Hodes (Perkins). Written by
IMDb Editors (Corrected by bdb4269)
On several DVD audiocommentaries, creator Jenji Kohan reveals how the season finales of the show are influenced by some genre or specific directors she loves and thinks about when writing those episodes. Season 1 was a nod to The godfather (1972) -hence the title of the episode-; season 2 was Quentin Tarantino -the episode ends with a bunch of characters pointing guns at each other; season 3 was Robert Altman and his ensemble pieces with lots of subplots crossing; season 4 was Sergio Leone and the spaghetti-western, with big close-ups of the actors; season 5 was Pedro Almodóvar -hence the title of the episode- and season 6 was Alfred Hitchcock, which is actually why Kohan herself makes a silent cameo on the episode. See more »
During seasons 2 through 5, several episodes feature a DEA agent named Roy Till with the rank of Captain. The Drug Enforcement Administration, a federal agency within the Department of Justice, has no such rank. See more »
Foul! Ref, what's the matter with your whistle?
Well, technically, Nancy, Ref can't call a foul. Shane was kicked by his own teammates.
See more »
For years Weeds is being the "everybody-talks-about" series but I never had the opportunity to watch it. But finally I did it, and I did it desperately because the show is addictive. So finally I could understand why it got so much attention.
First of all, the cast is amazing. Mary-Luise Parker, as Nancy Botwin, fits so well in her character and she is so charismatic and so beautiful and so subtle, gentle, comprehensive and polite that it's almost impossible dislike her. Elizabeth Perkins, as Celia Hodes, my god, that woman rocks! She's so naturally dried by the unhappy life she has built that even a spontaneous smile seems like a rock. I can't believe that Elizabeth Perkins never won an award for this character until now because every moment is an outstanding performance and I mean it! It's a shame that her character lost so much of her potentials to a point of being kicked out of the show because Celia was one of the gears of the show.
The most interesting things about the show were not the drugs, neither was Nancy living a hell each new day, nor the mistakes each character does during the episodes, but yes the social matters that it pointed. I'm Brazilian and I live in a small suburban city like the imaginary Agrestic/Magestic, so... I know a lot how is to survive in a place where you're surrounded by ignorant people that are moved just by an inexistent appearance. It's so revolting to a point that sometimes you just want to do things just to provoke them and play with their abstraction of reality, and the series shows it in a very intelligent and interesting way so you feel connected by it.
But now, after 6 years and some changes, Weeds seems to have lost most of what made it so interesting during the years becoming just another dramedy and Weeds is now just all about a woman dealing with an everyday drama that doesn't fit anymore. While the first 4 seasons were amazing and subtle in its subject, the last 2 seasons lack of the cleverness that once existed. Weeds now is being pushed to something we don't know anymore and it's showing signs of tiredness and completely losing its identity and also its characters. But that happens with every kind of show sooner or later.
But anyway... if you have the opportunity to watch at least the first 4 seasons, do it. Weeds is not about dealing with drugs, but a way to express the hypocrisy of each single person in the world.
I give 8 just for the show in a whole, but the first 4 seasons deserve 10.
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