While Nancy enjoys a gift massage from Pilar, Andy proposes to Audra. Adelita turns out to be a junkie and Silas tries to help her recover from recent heroin usage problems. At a party for Esteban's ...
A self-loathing, alcoholic writer attempts to repair his damaged relationships with his daughter and her mother while combating sex addiction, a budding drug problem, and the seeming inability to avoid making bad decisions.
Liz Lemon, head writer of the sketch comedy show "TGS with Tracy Jordan", must deal with an arrogant new boss and a crazy new star, all while trying to run a successful TV show without losing her mind.
After her husband's unexpected death and subsequent financial woes, suburban mom Nancy Botwin (Parker) embraces a new profession: the neighborhood pot dealer. As it seems like everyone secretly wants what she's selling -- even city councilman Doug Wilson (Nealon) -- Nancy is faced with keeping her family life in check and her enterprise a secret from her neighbor/pseudo-friend/PTA president, Celia Hodes (Perkins). Written by
IMDb Editors (Corrected by bdb4269)
Between seasons of the show, creator Jenji Kohan made a pilot called Ronna & Beverly (2009), also for Showtime, co-created with Jessica Chaffin and Jamie Denbo. The network eventually passed on the project, but Kohan not only used both actresses on Weeds, but also Olga Sosnovska, who also worked on the failed pilot. Chaffin played Cracklynn on season 4; Denbo played Raylene on season 5 and Sosnovska played Zoya on season 7. See more »
During seasons 2 through 5, several episodes feature a DEA agent named Roy Till with the rank of Captain. The Drug Enforcement Administration, a federal agency within the Department of Justice, has no such rank. See more »
Did you try the Sag Aloo? It's to die for and then be reincarnated and then die for again.
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This show is as good as it gets. As in, Six Feet Under good, without being any kind of clone: it's its own magical world, of which there will be many future clones, but nothing will ever come close to this for wit, emotion, pacing, or perfection of casting. This show says This Is Us like nothing I've seen in a long time. Showtime has done some good shows, and they've been getting better (after decades of astonishingly lazy creative thinking) but in Weeds the we-try-harder network finally has a true destination series. For one thing, Mary Louise Parker, who is always brilliant, here manages to pull it off with none of the mannerisms that have colored some of her lesser roles: she is luminescent and true in every moment. And the kids? And the son's girlfriend? You get this weird feeling there was no camera around--there couldn't have been for people to come off this completely real. Bravo bravo bravo! Can't wait to see episode 2.
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