With crime flourishing out of control, the Assistant Commissioner of Police (ACP) arranges a meeting of senior police officers to discuss this situation. They are apprised that there are ... See full summary »
Shah Rukh Khan
Guddu Bahadur meets fellow collegian, Salina Gupta and both fall in love with each other. Then one day both meet in a vehicle accident resulting in Salina losing her sight; Guddu holds ... See full summary »
Javed Abbas (Jackie Shroff) is widowed Police Officer with four children. His partner is Arun Verma (Shahrukh Khan). Both Javed and Arun are honest, hard-working and diligent. And this ... See full summary »
Banku, his mother, Anjali Sharma and father move in to their new house -- the Nath villa, unaware of the fact that the house is inhabited by a ghost. It is learnt the ghost is not too happy... See full summary »
Bablu (Shah Rukh Khan), an aspiring chef, works in a hotel where Sonia Kapoor,(Juhi) works with him as banquet manager at the restaurant. His look-alike Manu (Shah Rukh Khan), a gangster, ... See full summary »
Ram Jaane is arrested by a security guard after stealing cargo from a train with his best friend. He is shortly released and becomes one of the biggest hustlers in the city. After a deadly ... See full summary »
Roop Rathore (Shahrukh Khan) is a great singer, like his father (Anupam Kher) used to be. One day, his father needed to be taken to Bombay, for a treatment because he chewed tobacco. Trying... See full summary »
Shah Rukh Khan,
Dushyant and Jaya are childhood friends. In spite of his family's poverty, Dushyant has one great ambition in life: to become a successful singer. Jaya encourages him all she can and helps ... See full summary »
Birendra Nath Tiwari
Shah Rukh Khan,
Vikram Mayur, a wealthy Indian, born and raised in England, returns to his ancestral home in Bombay, India to look up his late brother's eight-year-old son Nandu raised by his caring aunt ... See full summary »
Laila, brought up in a brothel, is a cabaret dancer in Digvijay Singh's five star hotel. On day her dying mother informs her that Laila is her adopted child. Laila is aided by Karan in her ... See full summary »
Khalid Mohamed's earlier films Fiza and Tehzeeb were good. Fiza was about search for a brother by a sister, the brother turns out to be an Islamic militant after communal violence that he witnessed as a child. The film had beautiful music by Anu Malik and a guest composition of Rehman AR. Then came Tehzeeb, a tribute to Bergman by Khalid. Tehzeeb is actually Hindi version of Bergman's Autumn Sonata. Bergman is known for his films where relationships take important place. Now, Khalid comes up with Silsilay.
The film is just the opposite of its poetic title. I guess this film does not take any inspiration from any 'good' move/novel/incident. Khalid perhaps was (re)viewing too much the sleaze films that have hit the Indian screen. So, this film turned out to be a mix: of relations as in Tehzeeb and the movies that I suppose Khalid was reviewing. The ideal story line for this film became 'relationship between male and female' Its (re)presentation on the screen turns out to be 'sexual relationships' between partners. Unfortunately, Khalid made the 'relationship' as 'relationship in bed'.
The music is the worst, perhaps, best suits the film!
I would like to end this by recording my sincere regret, disbelief of having seen a film of this type from what I thought a sensitive film maker like Khalid.
I do not recommend this movie to anyone, rather I am happy to suggest watching his other films Fiza and Tehzeeb.
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