Clara is happily married to a promising lawyer and lives in Paris. After the sudden death of her mother, Clara has to assume responsibility for her younger sister Lily, whose extreme sensitivity makes her vulnerable.
A young journalist, a seasoned cameraman and a discredited war correspondent embark on an unauthorized mission to find the No.1 war criminal in Bosnia. However, their extremely dangerous target decides to come after them.
The end of the 19th century. A boat filled with Swedish emigrants comes to the Danish island of Bornholm. Among them are Lasse and his son Pelle who move to Denmark to find work. They find ... See full summary »
Max von Sydow,
James Gregory once lived in a farm and had befriended a native youth, Bafana, and had even had a photograph taken with him. Years later, now married to Gloria and father of three children (Chris, Brett, and Natasha), James has nothing but shame and regret, as many South African Caucasians in the oppressive Apartheid-era ridiculed him, leading him to hate Africans. He seeks to redeem himself by spying on imprisoned African National Congress Leader, Nelson Mandela. In the restrictive high security prison his job is to censor all written and verbal communications between prisoners, their visitors, and correspondence. James is uncomfortable when he witnesses Caucasian police and security officers' brutality against civilians, including infants, and tries to understand why Nelson became a rebel. This leads him to examine the 'Freedom Charter', a banned document, reportedly known to incite violence against 'whites'. And when he does read this document, he changes his mind about Nelson's ... Written by
When the car explodes in front of an office building after two officers walk by, the blast should have shattered the office windows (and there are sounds of breaking glass), yet they remain intact. See more »
This film would have been easier to watch if the makers had cast a total unknown in the role of Mandela. I like Dennis Haysbert; he's a good actor, but he was miscast in the part of Nelson Mandela. There's a point in the film when Joseph Feinnes, in character, does a brief imitation of Mandela making a public statement; he does a very convincing job of it, and I thought:"This white guy would have made a better Nelson Mandela than we have here". Do the producers think that any black actor equals any other black actor? Why not place some South African character actor with a long, distinguished portfolio in the Mandela role? It seems obvious to me. Why go all the way to Hollywood for someone who's clearly wrong for the part? It's not a bad film-the motivation is clear, the pacing is OK, it held my interest...it just didn't present a convincing Nelson Mandela.
14 of 24 people found this review helpful.
Was this review helpful to you?