GOODBYE BAFANA is the true story of a white South African racist whose life was profoundly altered by the black prisoner he guarded for twenty years. The prisoner's name was Nelson Mandela.
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Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
James Gregory once lived in a farm and had befriended a native youth, Bafana, and had even had a photograph taken with him. Years later, now married to Gloria and father of three children (Chris, Brett, and Natasha), James has nothing but shame and regret, as many South African Caucasians in the oppressive Apartheid-era ridiculed him, leading him to hate Africans. He seeks to redeem himself by spying on imprisoned African National Congress Leader, Nelson Mandela. In the restrictive high security prison his job is to censor all written and verbal communications between prisoners, their visitors, and correspondence. James is uncomfortable when he witnesses Caucasian police and security officers' brutality against civilians, including infants, and tries to understand why Nelson became a rebel. This leads him to examine the 'Freedom Charter', a banned document, reportedly known to incite violence against 'whites'. And when he does read this document, he changes his mind about Nelson's ... Written by
rAjOo (gunwanti@hotmail.com)
"Manqoba"
Composed, Produced and Arranged by Johnny Clegg
Guitar, Mouthbow, Vocals by Johnny Clegg
Vocals by Mandisa Dlanga
Drum Programming by Verny Scholtz
Recorded and Mixed by Verny Scholtz at Eleven Studios, Johannesburg See more »
This film would have been easier to watch if the makers had cast a total unknown in the role of Mandela. I like Dennis Haysbert; he's a good actor, but he was miscast in the part of Nelson Mandela. There's a point in the film when Joseph Feinnes, in character, does a brief imitation of Mandela making a public statement; he does a very convincing job of it, and I thought:"This white guy would have made a better Nelson Mandela than we have here". Do the producers think that any black actor equals any other black actor? Why not place some South African character actor with a long, distinguished portfolio in the Mandela role? It seems obvious to me. Why go all the way to Hollywood for someone who's clearly wrong for the part? It's not a bad film-the motivation is clear, the pacing is OK, it held my interest...it just didn't present a convincing Nelson Mandela.
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This film would have been easier to watch if the makers had cast a total unknown in the role of Mandela. I like Dennis Haysbert; he's a good actor, but he was miscast in the part of Nelson Mandela. There's a point in the film when Joseph Feinnes, in character, does a brief imitation of Mandela making a public statement; he does a very convincing job of it, and I thought:"This white guy would have made a better Nelson Mandela than we have here". Do the producers think that any black actor equals any other black actor? Why not place some South African character actor with a long, distinguished portfolio in the Mandela role? It seems obvious to me. Why go all the way to Hollywood for someone who's clearly wrong for the part? It's not a bad film-the motivation is clear, the pacing is OK, it held my interest...it just didn't present a convincing Nelson Mandela.