In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
In 2003, in the Longview State Correctional Facility, the criminal Marcus Wright is on death row, and is convinced by the cancerous Dr. Serena Kogan to donate his body to her research and he accepts. In 2018, after an unsuccessful attack to a Skynet facility, only John Connor survives, but he discovers that Skynet is developing the powerful new model T-800. Out of the blue, Marcus appears naked and with amnesia in the location. Marcus befriends the teenager Kyle Reese and the girl Star who help him to survive the lethal machines and they travel together in a Jeep. Meanwhile the resistance discovers a signal that might turn-off the machines and John offers to test it. When Kyle is captured by a machine and brought to the Skynet headquarters, Marcus decides to help the youngster and heads to Skynet; on the way, he saves Blair Williams who suggests to him that he should meet John Connor first. But Marcus steps on a mine and is submitted to surgery, when a secret about his origins is ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In early 2008, Paul Haggis was brought on to polish the script. After he was done, three weeks before filming, Shawn Ryan was asked to rewrite the script, and he took "a pretty big whack" at it. However, he later had to return to television, and the filmmakers "subsequently brought in one or two other writers to continue the work," most likely Anthony E. Zuiker and Jonathan Nolan. So extensive were the rewrites that Alan Dean Foster decided to rewrite the entire novelization after submitting it to his publisher, because the compiled shooting script was very different from the one he was given beforehand. See more »
When Dr. Serena Kogan is standing over Marcus Wright, her head is between him and the light above, him but when it shows his face there is no shadow. See more »
I liked it better than I expected, and was far less disappointed in comparison than other fans seem to have been.
Wow, where do we start with a franchise film so rich in history...and so riddled with continuity errors? The time line problems began with the very first sequel, directed by Cameron himself, and perpetuated with T3. why then, is everyone so freaked by time line errors in T4? Depending on which line to which you subscribe, T4 still deviates vastly from BOTH sequels and begins a new alternative reality spin all its own.
And then there was the highly publicized expletive-filled Bale rant broadcast over and over and over ad nauseum. Upon seeing the film, I can better understand why that happened...this is a GRITTY film, full of angst and dancing testosterone. As "worked up" as Bale must have had to have been in order to pull off these angst-filled scenes (one after the other after the next), he exhibited amazing control in not HITTING the guy who blew the scene for him. I'm no longer upset or offended by his diatribe.
That brings us to the movie. Well, yes, there are problems with it, and many state that this film brings little to the franchise history and instead contributes to the growing list of errors and problems with the franchise, but I have to disagree.
This work, for me, demonstrates an intent to give us millions of machines marching en masse on human survivors in the attempt to quell a birthrate upsurge of the pestilence which has somehow managed to take control of its world...Mankind. The promise for something better is not only present due to how little this movie actually contributes, but by the actions and deeds therein.
There are several contrivances, and truthfully they were rewriting the script as it was being filmed due to Bale's demands, but all in all (and all things considered), this is an enjoyable film that not only is better on second viewing, but manages to ingratiate itself into the library of Terminator franchise films (or will when it's out on DVD in an unrated, extended director's cut edition, that is).
I liked it better than I expected, and was far less disappointed in comparison than I was with the Star Trek reboot.
It rates a 7.8/10 from...
the Fiend :.
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