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Jonathan Ke Quan
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During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord... See full summary »
In 2003, in the Longview State Correctional Facility, the criminal Marcus Wright is on death row, and is convinced by the cancerous Dr. Serena Kogan to donate his body to her research and he accepts. In 2018, after an unsuccessful attack to a Skynet facility, only John Connor survives, but he discovers that Skynet is developing the powerful new model T-800. Out of the blue, Marcus appears naked and with amnesia in the location. Marcus befriends the teenager Kyle Reese and the girl Star who help him to survive the lethal machines and they travel together in a Jeep. Meanwhile the resistance discovers a signal that might turn-off the machines and John offers to test it. When Kyle is captured by a machine and brought to the Skynet headquarters, Marcus decides to help the youngster and heads to Skynet; on the way, he saves Blair Williams who suggests to him that he should meet John Connor first. But Marcus steps on a mine and is submitted to surgery, when a secret about his origins is ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to the novelization, the machines protecting Skynet Central are programmed to obliterate anything carbon-based that enters the zone; it was also protected by an enormous wall, integrated gun emplacements and sensors. Skynet didn't need sentries, ambulatory patrols or razor wire; the high-powered instant reactive automated cannons mounted in gimbal turrets detect and annihilate anything organic on the perimeter; machines could pass that by continuously broadcasting their assigned ID to recognized Skynet protocols. Marcus was chagrined that was how he got by. Skynet Central had self-aware loaders, welders, trucks, tiny scavenging devices, multi-wheeled clean-up containers, etc. They all shared the same narrow purpose but Marcus refused to do the same, which made him feel like a man again. T-600s patrol the exterior; Marcus wasn't sure if they would attack him, or would they follow protocol. Skynet Central has a jungle of antennae on the roof, more than Marcus had seen in one place. The ventilation shafts generate so much heat, even the machines need fresh air. The top floor is the command centre, that has more processing power than the planet ever had. Skynet Central uses a series of lights to show if everything is working right; green or white meant yes, red and yellow meant no, but that was rare. Skynet Central didn't have much in the way of sentries on patrol because the machines thought no-one could get past the outer fortifications so wouldn't waste resources. There are inactive machines at Skynet Central like excavators or delivery trucks, mindless servants that lacked sentience and couldn't make decisions on their own without what Skynet programmed into them. Skynet Central was designed to provide easy access from T-1's to larger wheeled machinery. It was their own constructed world, doorless, clean, polished, functional and nothing human. Controls at Skynet Central were straightforward and familiar, a standard Skynet design. John Connor uses a disruptor to short out the door lock at Skynet Central. See more »
Some nice action but where's the tone? Where's the mood? Where's the atmosphere?
The atmosphere that James Cameron and Stan Winston had created for the first 2 films in the franchise is what really hit me and still does to this day. I think that was the key component along with consistency and approach that gave the Terminator film it's unique style and attractiveness. It's metallic-blue overlay, infused with creepy whines of music and heart pounding edge of your seat suspense was what really created this secondary reality if not for only an hour long. It made us have a connection to these characters. A sense of believability in what was really going on. But it was those elements that were able to harness the inner workings of this dark dreamland. In essence the first two Terminators were projected nightmares in a sense, as if you were running and running, but no how fast you ran, the shadowy figure on your toes just keeps closing in. THAT is what made those films so captivating.
Now these elements in one way or another were tried in this newest installment of the franchise. I see it as I've heard before as a "hit and miss" movie in which it got some key features to play out in the film, but lacked that essential tone T1 and T2 romantically portrayed.
I have talked in lengths with individuals on why this film didn't quite hit all of it's projected(we hope) targets and I haven't really heard a clear and analyzed answer. Some say it was the amount of sub-plots that were involved, the lack of plot, the empty character development, the slight cheesy factor, and or the overall weak story and unnecessary additions to the Terminator franchise. Although these all valid arguments to say the least and I would agree on them full heartily, I don't see it as the culprit of the problem here of why this film did not life up to it's expectations.
I think, like I said above in the first paragraph, that it was the direction the film was taken in perspective to it's overall tone and mood. God bless his soul, Stan Winston. For if he were alive I think we would have seen a more polished version of what we have now witnessed. I also think it was a bad part on McG for giving the O.K on the revised Terminator theme by veteran composer Danny Elfman. I don't know why in the hell the screened audiences gave the thumbs up on that one. Another issue of course is that most of the scenes were in broad day-light. I understand that McG wanted to get a different take on the war, but I don't think this was pulled off in any respects to what James Cameron had in mind for the war.(Shouldn't the sky be filled with pollution and dark particle manner from the nuclear explosions creating an ever-dark wasteland?) This was CRUCIAL and they blew it. I don't see why they didn't go with more night scenes. It is one of the strongest representative thematic elements portrayed in the Terminator 1 & 2.(I am not even going to mention T3 because of the ridiculous amount of mistakes made)
The Rating: A main point that needs to be addressed for sure is the film's PG-13 rating. Of course they did this to appeal to a larger demographic of movie-goers, but they did it in expense of the true grit and bones that T1 and T2 had. I don't see why a Terminator film should be even considered for a PG-13 rating. Anything lower than an "R" rating does not do the title justice. The series is called Terminator for a reason...They are killing machines. THAT'S IT. I think that this is one of the biggest insults to the die-hard community of Terminator fans everywhere.
There is no room for Mediocrity in trying to follow up after T2: Judgment Day. Lets hope and pray that us as an online community hold the next bunch of crazies accountable for their creative actions for the next installment of the franchise.
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