In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 19-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
In 2003, in the Longview State Correctional Facility, the criminal Marcus Wright is on death row, and is convinced by the cancerous Dr. Serena Kogan to donate his body to her research and he accepts. In 2018, after an unsuccessful attack to a Skynet facility, only John Connor survives, but he discovers that Skynet is developing the powerful new model T-800. Out of the blue, Marcus appears naked and with amnesia in the location. Marcus befriends the teenager Kyle Reese and the girl Star who help him to survive the lethal machines and they travel together in a Jeep. Meanwhile the resistance discovers a signal that might turn-off the machines and John offers to test it. When Kyle is captured by a machine and brought to the Skynet headquarters, Marcus decides to help the youngster and heads to Skynet; on the way, he saves Blair Williams who suggests to him that he should meet John Connor first. But Marcus steps on a mine and is submitted to surgery, when a secret about his origins is ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The third Terminator film to have the line, "Come with me if you want to live." In The Terminator (1984), Kyle Reese says it to Sarah Connor at the Tech-Noir club. In Terminator 2: Judgment Day (1991), the Terminator says it to Sarah Connor when they first meet at the mental institution. In 'Salvation' Kyle Reese says it to Marcus Wright when they first meet. In Terminator 3: Rise of the Machines (2003), a paraphrased version of this line ("Do you wanna live? Come on!") is spoken by John Connor to Kate Brewster when he and the T-850 rescue her in the graveyard. "Come with me if you want to live" is also spoken by Cameron in the pilot episode of Terminator: The Sarah Connor Chronicles (2008), when rescuing the teenage John Connor from the 'Cromartie' T-888. See more »
When Blair is hanging suspended by her parachute tangled in a tower, she asks Marcus to hand her her knife to cut herself down, and then proceeds to cut her way through her right parachute riser, after which she falls free. She ignores the canopy release on her shoulder (designed to release the parachute in less than a second. However the left side has already been released (and she did not have the knife to cut it yet). Any fighter pilot has to use both releases every time they fly, once to attach to the parachute (which is packed into the ejection seat, not worn), and then to release it again to exit the aircraft, so it is incomprehensible that they would not know how to release it properly.It may be possible, however, that the release was jammed or damaged. See more »
A sad casualty of what's mistakenly deemed bankable today.
Yikes. This is definitely not the future my mother warned me about. This future is populated by cute kids, blood-free deaths, supermodels with perfect teeth and goofball terminators that shoot themselves in the foot. It is set in a sun-kissed Michael Bay desert landscape with high-tech military equipment and not the dirty sewers we saw in T1. Either Kyle Reese was laying it on real thick to get in Sarah Connor's pants, or McG et al were simply incapable of delivering the dark, post-apocalyptic future setting that they kept harping on about honoring before release.
This is no doubt a casualty of the scarlet letter that is the PG-13 rating, oft denied by the production while they dropped subtle hints along the way such as toy deals, Pizza Hut endorsements and McG noting how the PG-13 The Dark Knight was "made without compromise". In reality the rating was a fait accompli the moment they green-lit a $200M production. The implications of the rating are not just sacrifices to language, blood & gore or in the inclusion of a sidekick kid to instill the family friend image. It's worse. Now the Transformers audience is a major demographic for TS, and it translates in the light-hearted, gadgety nature of the movie, and obviously in its Harvester design (who deploys mototerminators from its kneecaps).
But quite honestly, massive mythology discrepancies aside, there is simply far too many wrist-slashingly bad/expository lines and heavy-handed metaphors in the script for this to even work as a standalone movie (thanks, Haggis). To its credit, much of the action is kinetically captured in a timely shaky-cam fashion. Lord knows I'm no McG fan (he's a snake-oil salesman) but I feel the major culprit truly is the script which spells everything out for the viewer with voiceovers and facepalm exposition. I'm sorry the writers were not able to give McG, at the very least, the kind of mindless action flick he was surely able to direct in a competent if forgettable manner.
Whereas acting is concerned Christian Bale shows up for 35-40 minutes looking real angry at the world and at being involved in this project, it is in fact Sam Worthington who is a breakout star, and such an effortless tough guy that you can feel the bass reverberate in your body when he throws a punch. Think of how hardass he could be in the right R-rated setting. I'm getting chills just thinking about it. Everything else reeks of an empty cash-in sequel with neither knowledge nor respect for the source material, vaguely "justified" by tagging on "this isn't the future my mother warned me about". No, McG, it most certainly is not.
Whatever. Pages could be spent arriving at the conclusion that this movie is, quite simply, abysmal. I'm giving it a 3 out of 10 based on Yelchin, Worthington and effort on the action side of things.
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