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Terminator Salvation (2009)

 -  Action | Drama | Sci-Fi  -  21 May 2009 (USA)
6.7
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Ratings: 6.7/10 from 234,612 users   Metascore: 52/100
Reviews: 944 user | 394 critic | 35 from Metacritic.com

In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?

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Title: Terminator Salvation (2009)

Terminator Salvation (2009) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
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Star (as Jadagrace Berry)
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General Losenko (as Ivan Gvera)
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Mark (as Victor Ho)
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Storyline

In 2003, in the Longview State Correctional Facility, the criminal Marcus Wright is on death row, and is convinced by the cancerous Dr. Serena Kogan to donate his body to her research and he accepts. In 2018, after an unsuccessful attack to a Skynet facility, only John Connor survives, but he discovers that Skynet is developing the powerful new model T-800. Out of the blue, Marcus appears naked and with amnesia in the location. Marcus befriends the teenager Kyle Reese and the girl Star who help him to survive the lethal machines and they travel together in a Jeep. Meanwhile the resistance discovers a signal that might turn-off the machines and John offers to test it. When Kyle is captured by a machine and brought to the Skynet headquarters, Marcus decides to help the youngster and heads to Skynet; on the way, he saves Blair Williams who suggests to him that he should meet John Connor first. But Marcus steps on a mine and is submitted to surgery, when a secret about his origins is ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The End Begins See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of sci-fi violence and action, and language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

21 May 2009 (USA)  »

Also Known As:

Project Angel  »

Box Office

Budget:

$200,000,000 (estimated)

Opening Weekend:

£6,936,528 (UK) (5 June 2009)

Gross:

$125,320,003 (USA) (4 September 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The film's look is based on Technicolor's OZ (Olson-Zacharias) process, which adds three times more silver to the negative film stock, making it milkier without affecting the grain structure. Although the process was tested in pre-production, it wasn't actually used. Instead, its look was mimicked in the digital intermediate process. See more »

Goofs

In the first battle scene, specially when Connor took over the helicopter and tried to pursue the enemy's ship, after the blast and when the helicopter started to sway and fall, at some moments we can see the top glass roofs of the cockpit are still green, revealing that the whole scene was shot in a green screen studio. See more »

Quotes

[first lines]
Dr. Serena Kogan: Marcus. How are you?
Marcus Wright: Ask me in an hour.
See more »

Connections

References Aliens (1986) See more »

Soundtracks

Rooster
Written by Jerry Cantrell
Performed by Alice in Chains
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A sad casualty of what's mistakenly deemed bankable today.
12 June 2009 | by (Sweden) – See all my reviews

Yikes. This is definitely not the future my mother warned me about. This future is populated by cute kids, blood-free deaths, supermodels with perfect teeth and goofball terminators that shoot themselves in the foot. It is set in a sun-kissed Michael Bay desert landscape with high-tech military equipment and not the dirty sewers we saw in T1. Either Kyle Reese was laying it on real thick to get in Sarah Connor's pants, or McG et al were simply incapable of delivering the dark, post-apocalyptic future setting that they kept harping on about honoring before release.

This is no doubt a casualty of the scarlet letter that is the PG-13 rating, oft denied by the production while they dropped subtle hints along the way such as toy deals, Pizza Hut endorsements and McG noting how the PG-13 The Dark Knight was "made without compromise". In reality the rating was a fait accompli the moment they green-lit a $200M production. The implications of the rating are not just sacrifices to language, blood & gore or in the inclusion of a sidekick kid to instill the family friend image. It's worse. Now the Transformers audience is a major demographic for TS, and it translates in the light-hearted, gadgety nature of the movie, and obviously in its Harvester design (who deploys mototerminators from its kneecaps).

But quite honestly, massive mythology discrepancies aside, there is simply far too many wrist-slashingly bad/expository lines and heavy-handed metaphors in the script for this to even work as a standalone movie (thanks, Haggis). To its credit, much of the action is kinetically captured in a timely shaky-cam fashion. Lord knows I'm no McG fan (he's a snake-oil salesman) but I feel the major culprit truly is the script which spells everything out for the viewer with voiceovers and facepalm exposition. I'm sorry the writers were not able to give McG, at the very least, the kind of mindless action flick he was surely able to direct in a competent if forgettable manner.

Whereas acting is concerned Christian Bale shows up for 35-40 minutes looking real angry at the world and at being involved in this project, it is in fact Sam Worthington who is a breakout star, and such an effortless tough guy that you can feel the bass reverberate in your body when he throws a punch. Think of how hardass he could be in the right R-rated setting. I'm getting chills just thinking about it. Everything else reeks of an empty cash-in sequel with neither knowledge nor respect for the source material, vaguely "justified" by tagging on "this isn't the future my mother warned me about". No, McG, it most certainly is not.

Whatever. Pages could be spent arriving at the conclusion that this movie is, quite simply, abysmal. I'm giving it a 3 out of 10 based on Yelchin, Worthington and effort on the action side of things.


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