5.6/10
1,195
21 user 14 critic

Ten 'til Noon (2006)

Between 11:50 and 12:00 noon, a crime is commited. In the same ten minute period, we follow the lives of the ten people, all connected to this crime. As we see each person's point of view, ... See full summary »

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Cast

Cast overview, first billed only:
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Mr. Jay
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Becky Taylor
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Miss Milch
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Mr. Duke
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Carter
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Rush
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Sheba
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Leo
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Walter Cooligan
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Alan Free
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Ruben
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Nickel
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Allison
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Storyline

Between 11:50 and 12:00 noon, a crime is commited. In the same ten minute period, we follow the lives of the ten people, all connected to this crime. As we see each person's point of view, we are propelled closer and closer to the truth of what exactly happened...and why. Written by Anonymous

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Time is the trigger. See more »


Motion Picture Rating (MPAA)

Rated R for strong sexual content, nudity, violence and language | See all certifications »
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Details

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Release Date:

3 February 2006 (Brazil)  »

Also Known As:

10 Minutos Para Morrer  »

Box Office

Budget:

$750,000 (estimated)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Ms. Milch (Jenya Lano) makes a cell phone call and gets an automatic voice mail announcement, the voice on the other end of the phone is in fact the voice of director Scott Storm. See more »

Connections

Referenced in Official Rejection (2009) See more »

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User Reviews

 
Audacious, gimmicky, twisty - and empty
27 July 2007 | by See all my reviews

"Ten 'til Noon" is one of those films that are more interesting for their form rather than their content. The concept (how different but interconnecting characters spend 10 minutes of their life, from 11:50 to 12:00 p.m) is intriguing, the twists (that come when the concept is finally broken) are genuinely unexpected, the acting is fine (Rayne Guest, in perhaps the film's trickiest role, is both explosively sexy and a good actress), the direction is perfectly OK for the budget, but ultimately the film is little more than an exercise in gimmickry (even having a 5-minute epilogue sequence AFTER some of the end credits have rolled), with a few Tarantino influences also evident (mostly in the dialogue). Overall, I'd say it's worth seeing for its sheer audacity. (**)


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