Manny, Sid, and Diego discover that the ice age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the woolly mammoths.
Spoiled by their upbringing and unaware of what wildlife really is, four animals from the New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar.
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance: However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a tyro in martial arts.
Manny the woolly mammoth, Sid the sloth, Diego the saber-toothed tiger, and the hapless prehistoric squirrel/rat known as Scrat are still together and enjoying the perks of their now melting world. Manny may be ready to start a family, but nobody has seen another mammoth for a long time; Manny thinks he may be the last one. That is, until he miraculously finds Ellie, the only female mammoth left in the world. Their only problems: They can't stand each other--and Ellie somehow thinks she's a possum! Ellie comes with some excess baggage in the form of her two possum "brothers"-- Crash and Eddie, a couple of daredevil pranksters and cocky, loud-mouthed troublemakers. Manny, Sid and Diego quickly learn that the warming climate has one major drawback: A huge glacial dam holding off oceans of water is about to break, threatening the entire valley. The only chance of survival lies at the other end of the valley. So our three heroes, along with Ellie, Crash and Eddie, form the most unlikely ... Written by
Some of the Scrat sequences (e.g., the fight with the piranha, the encounter with the baby bird) were originally conceived for the opening sequence of this film, but were cut for time. See more »
Condors don't eat acorns (but nobody ever told that to this condor). See more »
Oy, this global warming is "killing" me!
This is too "hot", the Ice Age was too "cold", what will it take to make you happy? Aahhh!
[the ice that she is sitting on cracks and she falls into the water]
"This" I like!
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The names of Blue Sky Production Babies - who were born during the production of the film - are listed towards the end. It is similar to the babies' names who are listed in Disney/Pixar movies. See more »
There are several aspects of this film that I found to be very enjoyable: Its terrific animation, the delightful vocal performances of all the actors involved, and its irresistible imaginative charm. John Leguizamo shines as the heart of the movie, the sloth that inspires all of us to have a good time and gives us hope that there is still some imagination left in Hollywood. His creation and very talented vocal turn perfectly interacts with the other actors' styles. Romano's deadpan delivery this time has found the heart that it sorely missed last time, when it was a just boring attempt to leave his character with no personality. Romano has now found the essence of Manny and has some fun with it. He compliments Queen Latifah's lovely and goofy Ellie. Leary's Diego is not the showiest turn, but he also has some great moments.
In addition to the principals, the possums and the mini sloths are welcome arrivals, and there are some wonderful moments of nutty entertainment, as now computers can portray some truly wacky moments, such as the Berkeley-inspired moment in the sacrificial fire pit and the vulture "food" numbers.
This film is a throwback to what made classics such as "The Little Mermaid" and "Beauty and The Beast" work: solid acting and a good writing base. It's a commendable and admirable effort.
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