Manny, Sid, and Diego discover that the Ice Age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the wooly mammoths.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Manny the woolly mammoth, Sid the sloth, Diego the saber-toothed tiger, and the hapless prehistoric squirrel/rat known as Scrat are still together and enjoying the perks of their now melting world. Manny may be ready to start a family, but nobody has seen another mammoth for a long time; Manny thinks he may be the last one. That is, until he miraculously finds Ellie, the only female mammoth left in the world. Their only problems: They can't stand each other--and Ellie somehow thinks she's a possum! Ellie comes with some excess baggage in the form of her two possum "brothers"-- Crash and Eddie, a couple of daredevil pranksters and cocky, loud-mouthed troublemakers. Manny, Sid and Diego quickly learn that the warming climate has one major drawback: A huge glacial dam holding off oceans of water is about to break, threatening the entire valley. The only chance of survival lies at the other end of the valley. So our three heroes, along with Ellie, Crash and Eddie, form the most unlikely ... Written by
Some of the Scrat sequences (e.g., the fight with the piranha, the encounter with the baby bird) were originally conceived for the opening sequence of this film, but were cut for time. See more »
When Fast Tony is talking to the animal about how he can help her lose a thousand pounds she clearly has ears that even flop around when she moves her head but when her mate walks into the shot to tell her she is "already as thin as a twig" her ears are completely gone. See more »
Oy, this global warming is "killing" me!
This is too "hot", the Ice Age was too "cold", what will it take to make you happy? Aahhh!
[the ice that she is sitting on cracks and she falls into the water]
"This" I like!
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Similar to the first Ice Age, the promotional material for the sequel was out in the theatres way in advance, and courtesy of the Scrat character too, up to its usual antics of getting to that elusive acorn. Here, Scrat opens the movie, and emulating the style of the first, he provides most of the laughs, also as an intermission from the actual scenes from the main cast.
Our gang of prehistoric animals are back - Manny the Mammoth (voiced by Ray Romano), Sid the Sloth (John Leguizamo) and Diego the Sabre-tooth Tiger (Denis Leary). We learn that Sid has gone into the early childhood business, educating the young minds of pre-historic brats. However, I felt that this movie was somehow darker in tone than the original. While the original was one which dealt with hope, this one had its setting in extinction, disaster and death.
The valley which they live in is threatened by the melting ice, no thanks to global warming. So all the animals embark on a journey to salvation, to that rumored ark which will save them from the massive floods to come. Along the way, our trio meets up with another trio of characters, who were added to expand the cast, featuring 2 Possums Crash (Seann William Scott) and Eddie (Josh Peck), and another, but female, mammoth (Queen Latifah).
Needless to say, Manny's still anti-social, and Diego can't get along with those rascal possums who get on his nerves, and Sid's the "philosopher" ever providing the laughs. Various themes like romance (hey, we got 2 mammoths here), friendship, trust, and believing in oneself to overcome one's phobia get covered. Pretty wide scope, but they manage to fit in place nicely.
The villains in this sequel are pretty nasty, besides the looming natural disaster, we have two sea creatures with nasty teeth and attitude, as well as menacing vultures ever ready to pounce on the flesh of animals who have fallen.
But it's not all that bleak. Keep a lookout too for that mad sloth song-and-dance sequence, which has potential to become the next ear worm ala Madagascar's zany "you-got-to-move-it" song. The animation is as usual, top notch, and I just can't get enough of the photo-realistic ice and water landscape.
This is one piece of animation that doesn't rely too much on sight gags, of spoofing current affairs, but one filled with more witty dialogue and kept on an even keel with its interesting storyline. Though at times it might feel clichéd, somehow it excelled in its execution.
And that makes this sequel, as enjoyable as, if not better, than the original. Recommended stuff this week!
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