Quantum Quest centers on the story of Dave, a young photon, who is forced out of the Sun on a journey of discovery. He must get to the Cassini Space Craft and save it from the forces of the... See full summary »
The story focuses on a man who suffers "anesthetic awareness" and finds himself awake and aware, but paralyzed, during heart surgery. His mother must wrestle with her own demons as a turn of events unfolds around them, while trying to unfold the story hidden behind her son's young wife.
James owes his life to his older brother, Frankie after taking the rap for a crime they committed together. While Frankie served time, James worked to turn his life around, got a steady job and began courting his former girlfriend Emily. Now, Frankie is released and back on the streets with no money and no place to go.
An NTSB investigator (Jaclyn Smith) and her boyfriend (Bruce Boxleitner), who works for the FAA, investigate a series of similar and suspicious plane crashes that seem to be affecting only one airline.
I really wanted to like this film but instead I'm bemused as to how David Leland managed to make such a mess. The plot is scrappy at best, there are far too many characters you are supposed to care about you end up caring about none, it's never clear who or what the film is really about, the acting is below par and the nudity is gratuitous.
The love affair between Lorenzo (Hayden Christensen) and Pampinea (Mischa Barton) is implausible and you can't help but feel that something is missing from the beginning of this film to help ground their relationship in something other than the odd coy glance. The acting isn't terrible but it is unforgivable in key places, in particular whenever Barton and Christensen kiss, which feel so forced and unnatural that it makes me wonder if Barton's real life boyfriend was on set watching.
I wouldn't call this film a comedy however there are some very odd moments where it seems comedy is the intention but it just doesn't work. For example a cameo from David Walliams would be welcome in any comedy but in Virgin Territory it just doesn't seem to fit - his zany exploits are mistimed and misjudged.
Also, there are many moments that defy all logic (what is Elissa suddenly doing in a lake on her own?) and a part me thinks that Leland was maybe trying to create a film that felt something akin to The Princess Bride. He failed, and he failed because I think he was also trying to create a film that felt like Zoro, or Sense and Sensibility, or Carry on Camping, or American Pie, or...in fact I don't think even Leland knew what he was trying to do.
The sexual elements are also misplaced with one or two moments where it seems Leland was gunning for the gross-out-teenage-sexual-angst genre. He fails again, falling well short of what we're used to and only confusing the audience further.
There are some facets of this film I did like: the film is pretty well shot and the scenery in many scenes is a joy. I found Count Dzerzhinsky (Matthew Rhys) a welcome light relief and his character by far the most interesting and Christopher Egan did a fantastic job of portraying Dioneo as the unhinged antagonist. However, these things could never make up for a film that really doesn't know what it's doing, which is a shame because it did have potential.
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