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Behind the Mask: The Rise of Leslie Vernon
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Index 95 reviews in total 

29 out of 39 people found the following review useful:
Original and clever alternative to "Scream", 17 August 2007
7/10
Author: Superunknovvn from Austria, Vienna

Wes Craven's "Scream" was a strikingly dead-on persiflage of the Slasher genre while at the same time including enough scares to become more than just a parody, but an important part of that genre itself. "Behind The Mask: The Rise Of Leslie Vernon" is very similar in that aspect, but it's also completely different in others.

For the most part the movie is a fake documentary in true "Spinal Tap"-fashion. A TV crew follows Leslie Vernon around, a guy who has the ambition to become the next slasher legend after his idols Michael Myers, Jason Vorhees and Freddy Krueger (who exist in the movie's reality). As Leslie shows the team how he prepares for a killing spree he deconstructs one horror rule after the other with pretty amusing results. The movie observes the genre pretty well and the sort of "Backstage" look we get of a horror icon lovingly planning his big night is nothing short of hilarious. Where "Scream" made fun of some ridiculous horror clichés and toyed around with them, "Behind The Mask" is merely explaining just how those seemingly supernatural killers are able to work so effectively. So, although both movies cover similar ground, "Behind The Mask" is never in any way repetitive.

Leslie Vernon turns out to be a really sweet guy who just loves what he's doing. He's friends with an older, more experienced slasher, who's also very warm and talkative. Neither of those guys look like typical maniacs, so when Leslie does make his first appearance masked and all, it's rather amusing.

However, the movie makes a pretty amazing turn in the final third. For the big showdown we leave the movie-within-a-movie scenario created by the documentary set-up and are taken right into the movie's reality. All of a sudden "Behind The Mask" turns into a real slasher film. Although this last part isn't half-bad, it's not quite as enjoyable as what preceded it. The twist is a bit predictable and the movie lacks real gore and suspense at the end in order to work as a slasher flick. One has to say that "Scream" coming from an old professional such as Wes Craven was more successful in that aspect. Still, regarding the fact that this movie strictly concentrates on fun in the first two thirds and only begins to throw in full on horror bits in the end, the showdown works quite well.

Leslie's mask was chosen wisely. It can look ridiculous and scary depending on the mood of the scene. Nathan Baesel, who makes his movie debut here, was chosen even more wisely. He can play the nice guy and the psychopath without ever overacting and hands in a great, great performance. The other member of the cast that must be mentioned is horror legend Robert Englund who does a nice Donald Pleasance-impersonation.

The subtle little homages to "Friday The 13th", "Halloween" and "A Nightmare On Elm Street" throughout the movie are the icing on the cake and will make the heart of every true horror fan beat faster. And that's the only true flaw of "Behind The Mask" right there: it's for true horror geeks only who can laugh about the inside jokes. Everyone else will probably not be entertained as much. If you're into the genre, though, there's no way you should miss this excellent motion picture.

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17 out of 21 people found the following review useful:
Wow, some people are stupid, 23 October 2007
9/10
Author: wsu_techie from United States

I love how people complain about the slasher part of this movie and their complaints are exactly what this movie was making fun of. These comments such as why didn't they run, why didn't they kill him, why don't they group together are all addressed in the documentary part of the film. This movie was genius because it shows you how the slashing will happen beforehand and the victims are victims because they are too stupid act properly against the killer's foreshadowing. That's the movie, that's what makes it funny. Although it's a slasher flick, it's not a serious slasher flick, at all.

Watch it again and you'll see why it's an awesome movie. It makes fun of the genre in a way that has never been done before. It doesn't steal from the Scream series. The Scream series made fun of the horror film in general, this movie pretended the killers in those films were real and makes fun of how stupid victims can be and how predictable the sequences are in a slasher situation.

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37 out of 62 people found the following review useful:
GREAT Movie!, 25 April 2007
9/10
Author: kagyakusha from Canada

I highly highly recommend this movie. It's a black comedy/mockumentary/horror movie that's bloody hilarious. I LOVED it. I can't recommend it enough!!! If you're a horror film junkie, or even if you're not (for example, my boyfriend doesn't particularly like horror films but is fond of intelligent comedy and was right beside me laughing for this one) you should DEFINITELY see this movie! It's so respectful of the genre at the same time that it plays with it... Nathan Baesel, who says he was inspired by Anthony Hopkins' Hannibal Lecter really pulls off charming and cheery -- not copying Lecter, but applying the influence to create a new and lovable serial killer (this is what makes him both funny AND creepy - it's impossible not to like him!).

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14 out of 19 people found the following review useful:
It's okay to laugh, 29 November 2007
9/10
Author: anicita from United States

I saw this on the recommendation of a friend. I had never heard of it, but I was assured it was a good movie. Understanding the premise helps a lot, because this is a great movie and excellent concept. The beginning of the movie sets up the second half. In the first part, we see Leslie as human. He sometimes says creepy things, like when they begin to discuss his library of text books, mostly medical and anatomy. He makes a joke of this, saying these are necessary for the trade. He always refers to his need to kill as a profession and even has a mentor. Through them we see the world as if it were a game. The mockumentary parts are not only hilarious, we get to see the monsters side of things. The door that won't stay open? Probably rigged. Those ever-so-creepy newspaper articles the main character always seems to find at just the right moment? Those require more effort then the viewers might consider.

The second half of the movie is when we get to see Leslie in action. Because we have seen him as human in the first half, seeing him as a monster in the second isn't as scary as one might expect. It is not supposed to be. Leslie Vernon has become a person we know, who made us laugh, who keeps pet turtles. He is not some random resurrected guy with an axe to grind. He is a guy at work, albeit disgusting and immoral work, he is still a guy at work. Set up this way, it is a bit like watching two movies. The two parts play off each other very well.

This movie is darkly funny. No one wants to laugh as scary things happen, but when things work out just as Leslie predicts they will, even the "documentary" crew gets very enthusiastic.

Robert Englund (Freddy Kreuger) read this script and was impressed. being a big name in horror, he admittedly gets swamped with scripts. This movie interested him enough that he accepted the role. If you can't decide if you should watch it, remember that. And then rent it, with friends.

Everyone needs someone to look up to. Leslie realized he will never reach the fame of Mike (Meyers), Chuckie or Freddy, but he is trying.

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17 out of 25 people found the following review useful:
Slasher fans should be pleased, 3 October 2007
7/10
Author: kakihara83 from Canada

It would be overestimating this movie to pretend it's the breath of fresh air that horror needed. However, in the saturated universe of slasher films, it is. It's not perfect like many enthusiastic fans claimed it was, but it sure doesn't suck and it's definitely worth a look for everyone who enjoyed the series involving Freddy, Jason and Michael. I personally thought it was a very clever, refreshing and surprisingly inventive slasher film. It makes fun of the genre like Scream did back in the 90s, with all due respect. Overall it's a very entertaining horror movie that can be viewed and appreciated more than once just for the fun of it. In my opinion, there are three underdeveloped aspects that made it fail to be a true masterpiece. First, I wish Robert Englund's character had a bigger part in the movie. Second I'd like to hear more about the mask and its symbolic. Finally the ''slasher act'' should have lasted at least 15 minutes more. Everything else is just perfect. I still strongly recommend Behind The Mask and I hope you enjoy it as much as I did. If Scott Glosserman even plans to make a sequel, I'm ready to rock!!

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8 out of 8 people found the following review useful:
Smart and lots of fun to boot., 12 December 2008
8/10
Author: Scott LeBrun from Winnipeg, Canada

A very affable Nathan Baesel plays the title character, an aspiring slasher aiming to take his place among the greats - Jason, Freddy, Michael. His every move is followed by a documentary film crew - Angela Goethals, Britain Spellings and Ben Pace - as he makes preparations for his first mass slaughter.

"Behind the Mask: The Rise of Leslie Vernon" is as clever and engaging a skewering of the slasher genre as I've ever seen. Superb dialog ("You have to do lots of cardio to make it look like you're merely walking when everybody else is running!") and situations do an excellent job at establishing a methodology behind murder sprees. Leslie plans everything down to the last detail, including expectations on how characters will act and re-act. He figures out who his "survivor girl" will be, and is delighted when he attracts an "Ahab" (genre icon Robert Englund, doing a funny riff on Donald Pleasence's signature role of Dr. Loomis). He also finds the time to hook up with his mentor, now supposedly retired, played by the wonderful and under-rated veteran Scott Wilson. Wilson's dialog is particularly solid as he talks about the act of murder and considers it both a business and an art. There are also discussions about the nature of sexual symbolism, both phallic and yonic.

Eventually, the movie shifts into another gear and reveals the grave seriousness behind Leslie's outgoing demeanor. Then we're in slightly more traditional slasher territory, but the movie continues to successfully subvert the genre's conventions, as Leslie is able to adjust admirably when his carefully constructed scenario seems to be going awry. There's a twist during the climax that is pulled off quite humorously. There's also an ultimate revelation to come although it doesn't come off as that surprising given the way the film-makers so gleefully play with us, and so well establish Leslie's cunning intelligence.

Throw in an enjoyably gratuitous breast shot, a fair bit of graphic mayhem, and a cameo appearance by Zelda Rubinstein of "Poltergeist" fame, and the result is a movie that provides a welcome deconstruction of the slasher genre. It's both smart and entertaining and should provide some amusement for the genre's fans.

Be sure to watch for the fleeting Kane Hodder cameo, and to stay through the end credits.

8/10

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25 out of 45 people found the following review useful:
Loved it, genius!, 28 May 2007
9/10
Author: Ogami Itto from Ireland

This film rocks sports fans. Its Man bites dog meets Halloween. Brilliant performances, great direction, very funny, inspired film making! Nathan Baesel was especially entertaining as the "Michael Mires" style character, keep an eye out for him in the future. And with appearances from Robert Englund, Scott Wilson, and Kane Hodder makes this an absolute must for any old school slasher fan. the only reason it did not get a 10 from me was the gore, it didn't need it but some hard core, well done Peter Jackson (braindead) style gore would have made this film one of the all time greats and been the proverbial icing on the cake. if you're a Rami, Jacksoon, Carpenter, Craven etc. fan then you MUST SEE THIS FILM!

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5 out of 8 people found the following review useful:
Great Movie, 30 August 2007
9/10
Author: jthmaniac78 from Greenwood, Indiana

*** This review may contain spoilers ***

For those considering if they should invest the 80 minutes or so to watch this film, allow a true horror fan to give you his ten cents. First let's talk about the bad...because lets face it...it's rare for a film to get something right.

BAD: 1.) Plot holes: There are a few plot holes in the film in regards to a few of the central characters: Leslie's background, Eugene is never explained, and of course neither is the doc's (sorry, forgot his name).

2.) The reaction of the film crew...at times they seem to be having fun with this whole, 'real life' slasher/movie guru, but there is a big shift at the end when the killing starts. This is odd, because earlier in the film someone gets killed too and nobody seemed that worked up over it...oh wait...it must have been because she was some short, old woman.

3.) Acting: This is hard to classify seeing as this is a low-budget B movie, but sometimes the actors do a great job and then other times it didn't work for me. Some of the lines seemed forced and the acting, here and there, a bit stiff and wooden. Especially all the teens, oh man, they sucked! 4.) Gore hounds will be disappointed in this movie because most of the kills aren't shown or are shot at a distant. This didn't bother me in this day and age where gore is constant in films (Hostel/Saw). However, when making a parody of 80's slasher films, gore was everywhere. I mean hell, it was the rise of the splatter flick! How can you make a movie like this without having gore? Feddy, Michael, and Jason created the slasher/gore genre in the states! If they were going to do this part of the film better they should have made the gore over the top in a kind of Peter Jackson/Sam Raimi style. Oh well, maybe it wasn't in their budget.

4.) The last five minutes of the movie was a bust. Things happened so quick I couldn't help but think--oh no, they're running out of money. It was either that or the editor made a few too many snips. I won't point anything out, because it spoil a few kills, but you'll see it when it happens.

GOOD 1.) Extremely funny! I wasn't sure about this movie when I got it--went out on a limb after hearing some decent reviews. This movie hooked me from the start with its campiness, black humor, and twist. A lot of people point at Scream as being the movie that turned the horror genre upside down by playing with a particular genre--but I think BEHIND THE MASK did a much better job.

2.) Great lines and for the most part, good performances. The main characters, Leslie, Reporter chick, Eugene, etc. where all acted really well. Sure they missed a few spots here and there, but over all, they were good. Leslie really sold his role well, better than some of the leading Hollywood actors these days that's for sure.

3>) Fun story! This is what the horror genre needs, people who make fun camp movies. In today's sick age where we got all these stupid TORTURE PORN movies, it's nice to sit back and just enjoy the story. Sure, as I mentioned above, the gore was missed to an extent, but at least it wasn't in my face the whole time, replacing good storytelling with some cheap splatter effects.

4.) This movie is great for drinking games! Man, there are so many symbols, inside jokes, and references that I want to see it again just to see what I missed during the first viewing.

Okay, overall, it's an enjoyable film--especially for us guys from the 80's who grew up with the movies referenced in this. For those looking for something scary or full of gore--skip it. You'll only be disappointed, but if your looking for a fun flick, check this one out.

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58 out of 114 people found the following review useful:
Don't believe the OVER-hyper, 12 July 2006
6/10
Author: Ash512 from Quebec, Canada

I saw this at the Fantasia Film Festival. I have to admit the first act has some really funny moment, and the actor who portrays Leslie Vernon is great. That being said, the second part turns into a full-blown slasher. The break is WAY too rough to really make it believable, plus the slasher part does not deliver the suspense nor the action, nor the gore we would expect from that kind of movie, which makes it quite monotonous and basically, dull. The director did an okay job, alternating between hand-held video cameras for the documentary parts and stable HD cams for the slasher parts. The guys does have a respect for the genre, but that won't necessarily make the movie good. The cast is pretty solid, especially the guy who plays Leslie Vernon like I said earlier.

So the ''mockumentary'' part is pretty funny, but the ending is terrible. Watchable, but not amazing.

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1 out of 1 people found the following review useful:
Naked Ax Handles, 4 January 2010
Author: tedg (tedg@FilmsFolded.com) from Virginia Beach

*** This review may contain spoilers ***

I may have seen nearly all the introspective takes on slasher films. This isn't the most radical, but it is very clever.

The thing starts out being a documentary of an aspiring young slasher legend. He sets up what otherwise would be an ordinary slasher movie. This first half of the film is not a mockumentary, at least not in the Chris Guest pattern (and is there another?). It is a quite interesting "Dinner with Andre" for Gen X, about the nature of film, fantasy and the necessity of evil. Sure, there are pokes at the genre: you need a virgin, the teens never break out the window and so on. But the business about fate driving film patterns is precious. Worthy of a folding essay.

And then it folds: the camera slowly ceases to be those of the inner filmmakers and becomes of the outer ones as our film crew becomes among the hunted. This part is there to allow us to believe it is a film and to bask in the (limited) internal knowledge of what is scripted.

Early in the thing, we meet a retired serial killer and his trophy wife. Now this may escape folks not looking at the narrative platforms, but here with this couple — especially the actress playing the wife — is the same introspective folds we are given, but from the other side, the inside. "The Final Cut," or "Scream," this ain't; they take themselves seriously. This is about film, and genre and sex. Serious in a different way.

I have "Man Bites Dog" on the way.

Ted's Evaluation -- 3 of 3: Worth watching.

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