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Melissa Reneé Martin,
It's 1970's Hollywood and a future movie star was on the horizon and looking for his big break. His name is Robin Williams and he's an up and coming comic on the Los Angeles comedy circuit. While on the other end of town, producer Garry Marshall and partner Harvey Severson have developed a new show called Mork & Mindy, that's a spinoff to their previous hit show "Happy Days". It's in their meeting with Williams that they have found the ideal actor to play Mork. But as the show slowly turns into a hit, the story of what happened behind the camera unfolds as a young comic is suddenly handed everything he ever wanted very quickly, which affected his personal life as well as those in it. Set against the backdrop of Mork & Mindy, this is a story about a show's rise to number one, it's struggles on the production, and the rising star of Robin Williams. Written by
In a scene at the music store of Mindy McConnell's dad, there is a record rack near the front door. In the front right hand corner of the rack is Lionel Richie's 1982 solo debut LP. This album did not come out until late summer/early fall of 1982, the series' last episode aired in May of '82. See more »
[just before storming off set]
I can't do this. This is a career killer.
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I just watched this movie on it's premier night out of curiosity and sheer nostalgia. I liked (not loved) "Mork & Mindy" as a kid, mostly for Robin William's zany energetic performance. This movie made me remember why. Was the original show great? Not really, but Robin certainly was. Which brings me to this movie.
I was pleasantly surprised, expecting nothing more than a paint by numbers chronological retelling of the show (which in a way it was). But, of course, the real focus was on Robin. It was interesting to see Robin's journey from struggling street jester to national t.v star, and how such a drastic difference affected him and his long suffering wife. And my hat is off to star Chris Diamantopoulos as he portrayed Mr. Williams with integrity, sensitivity, and heart; not just a cute impression, although it was even dead-on. (On an unrelated note, I noticed that Robin's struggles were in some ways similar to Andy Kaufman, who was under-appreciated by network t.v. and held back creatively, but that's the "Taxi" behind the scenes biopic.)
All in all, this was a very enjoyable flick, in which I felt I got to know a little more of the man behind the Orkan. The acting was solid by all- never melodramatic like I suspected- and the story moved along well. Performances that were particularly good were by those who played Garry Marshall and John Belushi (the scene in which Belushi heckles Robin was a hoot!). Not a great masterpiece by any means (I would have liked to have seen a tad more about Pam Dawber), but definitely watchable, especially for those Robin Williams and "Mork & Mindy" fans out there. Nanoo, nanoo!
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