Explores the emotional struggles and sexual politics of a group of doctors charged with healthy libidos. Their dedication to their personal lives is relentless, interrupted only by the occasional need to treat sick children.
As host of his own hit TV series, 'MAN VS', Doug Woods is forced to fend for himself for five days in remote locations with no crew, food, or water, only the cameras he carries on his back ... See full summary »
It's 1970's Hollywood and a future movie star was on the horizon and looking for his big break. His name is Robin Williams and he's an up and coming comic on the Los Angeles comedy circuit. While on the other end of town, producer Garry Marshall and partner Harvey Severson have developed a new show called Mork & Mindy, that's a spinoff to their previous hit show "Happy Days". It's in their meeting with Williams that they have found the ideal actor to play Mork. But as the show slowly turns into a hit, the story of what happened behind the camera unfolds as a young comic is suddenly handed everything he ever wanted very quickly, which affected his personal life as well as those in it. Set against the backdrop of Mork & Mindy, this is a story about a show's rise to number one, it's struggles on the production, and the rising star of Robin Williams. Written by
In a scene at the music store of Mindy McConnell's dad, there is a record rack near the front door. In the front right hand corner of the rack is Lionel Richie's 1982 solo debut LP. This album did not come out until late summer/early fall of 1982, the series' last episode aired in May of '82. See more »
[just before storming off set]
I can't do this. This is a career killer.
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For those fans of the original "Mork & Mindy" show in the 70's, this was a believable look into the early career of Robin Williams, now widely regarded as a comic genius and respected actor. The fact that it was "unauthorized" is probably meant to convey that no punches were pulled, and the dirty laundry gets aired. This was the case here as well. The producers took pains to recreate the characters from the show both physically with regard to personality. They go out of their way to put forth the fact that Williams almost became typecast for his Mork role, and the tedium and frustration that the part produced for him. After all, his fans knew he was something special when they saw him for 5 minutes on "Happy Days". His manic, rapid fire improvisational brilliance continues to amaze to this day, and yet, through this TV movie, we see how close he may have come to losing it all in the early 80's. My only qualm is that I have been unable to locate the credit for the actor who played John Belushi.
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