In 1981 in L.A., Monica moves in next door to Quincy. They're 11, and both want to play in the NBA, just like Quincy's dad. Their love-hate relationship lasts into high school, with ... See full summary »
Harper's autobiographical novel is almost out, his girlfriend Robin desires commitment, and he's best man at the wedding of Lance, a pro athlete. He goes to New York early (Robin will come ... See full summary »
Eva Dandridge is a very uptight young woman who constantly meddles in the affairs of her sisters and their husbands. Her in-laws, who are tired of Eva interfering in their lives, decide to ... See full summary »
A guy's life is turned around by an email, which includes the names of everyone he's had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.
Kenya McQueen is a successful African-American CPA, working her way to the top of the corporate ladder -- but her life has become all work and no play. Urged on by her friends to try something new and to let go of her dream of the "ideal black man," she accepts a blind date with an architectural landscaper named Brian, only to cut the date short upon first sight, because Brian is white. The two meet again at a party, and Kenya hires Brian to landscape her new home. Over time, they hit it off, but Kenya's reservations about the acceptance their romance will find among her friends and family threatens everything. An intelligent romantic comedy that chooses to deal with issues of race and perception in a straight-forward way, from a point of view not often seen: that of a successful, upper-class black woman. Written by
Finally, a romantic comedy I can pay full admission for and not regret it later
For about five years or better yet since I've been married, I have banned all modern day romantic comedies from my precious eyesight. Why you say? Because nine times out of ten they featured awkward pairings of big-name stars who had as much chemistry as a week old can of generic pop that was left in the refrigerator open, the plots were so insultingly predictable that you just wanted to take out a bull horn in Hollywood and yell to screenwriters and movie studios everywhere: "STOP INSULTING US BY RELYING ON YOUR FORMULAS TO MAKE YOUR MOVIES." Honestly, if I see one more chase scene to the airport to stop some chick from moving away, I'm going to blow something up, and finally romantic comedies were just plain unrealistic. I mean honestly, how many of us can believe that Jennifer Lopez, Diane Lane, and Julia Roberts are dateless. And how many women are really knocking down John Cusak's door to get a date? However, alas comes a true romantic comedy with depth, conviction, and heart. And while it did use a few formulas it did not depend on them. "Something New" features very real people, real responses, real dialogue, and most importantly real issues. I champion this movie for being groundbreaking and discussing things that no other (or few) mainstream film had the balls to tackle such as "The Black Tax," the true difference between racism and reverse racism, and Black hair culture to name a few. Don't get me wrong, THIS MOVIE IS NOT A BLACK MOVIE. It is definitely romantic and comedic at its very heart and it is something that can be appreciated by all. But I felt so much better about seeing this film when I realized that it took the time to think and bring some things to the forefront. I hate the fact that this movie was not marketed properly. What a misstep. This movie was for all because we have all had to grapple with pressures from our family, our careers, friends, and culture at one point or another and realize that being true to yourself is all that matters. Oh and by the way, the chemistry between Sanaa Lathan and Simon Baker is phenomenal! I haven't seen chemistry like that in a long, long time. The movie is worth the trip just to see that.
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