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7.1/10
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A chronicle of the life of Elvis Presley, from his humble beginnings to his rise to international stardom.A chronicle of the life of Elvis Presley, from his humble beginnings to his rise to international stardom.A chronicle of the life of Elvis Presley, from his humble beginnings to his rise to international stardom.
- Nominated for 6 Primetime Emmys
- 6 wins & 18 nominations total
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Featured reviews
Riveting. Elvis is portrayed as a real human being with all the trials, tribulations, and temptations we all face. This movie shows what so many of us suspected all along: Elvis was misguided and mismanaged by the Colonel who kept Elvis from reaching his full singing and acting potential. We may never know the real genius of the King of Rock n' Roll. Sad, sad indeed! The character of Elvis comes through loud and clear. He pledged loyalty to the Colonel and maintained that loyalty at his own expense. This is the best Elvis movie since the Kurt Russell flick which was simply excellent.
Rev. James W. Clifton
Rev. James W. Clifton
I have read some of the comments regarding the Elvis CBS mini series just aired and as someone who was close to Elvis for over 20 years it is disheartening to see the praise for this mini series, it's story, script and the midget who played Elvis. A midget in many aspects.
What we feared when we heard about the script has come to pass. These reviews point out to those of us who were close to him what we really were afraid of. That the general public would believe that pitiful story that was shown because the general public and many fans really don't know how it was.
Films like this do Elvis an injustice and along with the many discrepancies portrayed it once again portrayed Elvis as a wimpy, weak ass, whiny person when in fact he was a strong human being in many aspects of his life.
I was told by some Elvis fans who also disagree with you all on the brilliance of this movie about these reviews on this website and I was compelled to post here and respectfully inform you that the mini series was far from the reality of Elvis and all those years.
Thank you, Marty Lacker
What we feared when we heard about the script has come to pass. These reviews point out to those of us who were close to him what we really were afraid of. That the general public would believe that pitiful story that was shown because the general public and many fans really don't know how it was.
Films like this do Elvis an injustice and along with the many discrepancies portrayed it once again portrayed Elvis as a wimpy, weak ass, whiny person when in fact he was a strong human being in many aspects of his life.
I was told by some Elvis fans who also disagree with you all on the brilliance of this movie about these reviews on this website and I was compelled to post here and respectfully inform you that the mini series was far from the reality of Elvis and all those years.
Thank you, Marty Lacker
Since the dawn of time, or at least since 1592 ("Dr. Faustus" by Marlowe), the tale of a person selling their soul to the Devil in exchange for success has intrigued and thrilled audiences. Whether historically accurate in the case of "Elvis", here we have an interesting spin on that old theme.
I'm not an Elvis aficionado, I don't even own any of his albums, but my mom was a big fan. That's what got me interested in this acclaimed miniseries (worthy of its praise), but what hooked me was the subtle Faustian theme which was brilliantly pulled off by Randy Quaid as the mysterious cajun "The Colonel" who is shown to be responsible for Elvis' pyrotechnic rise to stardom as well as, you guessed it, his rude awakening.
What made this a unique telling of the classic myth is that The Colonel is not shown to be a fiendish "devil" out to snare Elvis' soul. Instead, The Colonel is almost emotionless, impartial, a stoic mirror of human ambition without any cartoonish fire & brimstone. Near the beginning of the film he asks Elvis what he wants. And by golly he gives Elvis exactly that, no tricks.
In that sense, there is no villain in this film. Only human nature. It reminds me of the Steinbeck short story "The Pearl" where a poor family finds a valuable pearl, and what you would expect to be a miracle turns out to be far less.
Reading these reviews, I see that fans of Elvis loved it. Jonathan Rhys Meyers did a great job, bore a striking resemblance to The King, and had the lip curl down pat. Elvis is portrayed in a favorable light, despite his flaws, and the music is great. I do think the story could have been a bit grittier, getting more into the drug abuse that eventually killed Elvis. But that was beyond the scope of this family-friendly film which takes up only as far as 1968. There are some strong references to his drug use and accompanying fits of violence. But for the most part, this film centers around his early years and relationship with his family (particularly his kindly mother) and his closest friends. And of course, there's the best part: The Colonel.
This is a great film for any aspiring musicians, or ambitious people of all careers. Especially in this day & age when we are hearing about so many tragic celebrities in the news who got everything they wanted except fulfillment, "Elvis" is timeless. The story of ambition and success applies today just as it did 50 years ago. And I'm reminded of a great line from the Irish movie Kisses, "There is no devil. Just people."
I'm not an Elvis aficionado, I don't even own any of his albums, but my mom was a big fan. That's what got me interested in this acclaimed miniseries (worthy of its praise), but what hooked me was the subtle Faustian theme which was brilliantly pulled off by Randy Quaid as the mysterious cajun "The Colonel" who is shown to be responsible for Elvis' pyrotechnic rise to stardom as well as, you guessed it, his rude awakening.
What made this a unique telling of the classic myth is that The Colonel is not shown to be a fiendish "devil" out to snare Elvis' soul. Instead, The Colonel is almost emotionless, impartial, a stoic mirror of human ambition without any cartoonish fire & brimstone. Near the beginning of the film he asks Elvis what he wants. And by golly he gives Elvis exactly that, no tricks.
In that sense, there is no villain in this film. Only human nature. It reminds me of the Steinbeck short story "The Pearl" where a poor family finds a valuable pearl, and what you would expect to be a miracle turns out to be far less.
Reading these reviews, I see that fans of Elvis loved it. Jonathan Rhys Meyers did a great job, bore a striking resemblance to The King, and had the lip curl down pat. Elvis is portrayed in a favorable light, despite his flaws, and the music is great. I do think the story could have been a bit grittier, getting more into the drug abuse that eventually killed Elvis. But that was beyond the scope of this family-friendly film which takes up only as far as 1968. There are some strong references to his drug use and accompanying fits of violence. But for the most part, this film centers around his early years and relationship with his family (particularly his kindly mother) and his closest friends. And of course, there's the best part: The Colonel.
This is a great film for any aspiring musicians, or ambitious people of all careers. Especially in this day & age when we are hearing about so many tragic celebrities in the news who got everything they wanted except fulfillment, "Elvis" is timeless. The story of ambition and success applies today just as it did 50 years ago. And I'm reminded of a great line from the Irish movie Kisses, "There is no devil. Just people."
...why...??? well you know Elvis's magnificent song (my favorite of his) which superbly closes the film.Instead of showing Elvis' years of decrepitude,the film avoids the major pitfall of the biopics:dwelling on the sordid side of life.
Not that this "Elvis" passes over in silence the warts 'n all side .Colonel Parker provides the movie with a true villain;he made Elvis but he destroyed him.Take Elvis's movies career :the singer did know what was good (Siegel's "Flaming Star" ) and bad (90% of the rest). He wanted the part of Tony in "West Side Story" and I'm sure he would have been quite good ,at least he could sing ,whilst Richard Beymer could not .
The first part is the rise to fame till Elvis's drafted :Camryn Mannheim,an actress I did not know reminds me of Kathy Bates ,as Gladys Presley -Like John Lennon,Elvis's mother's death was probably the worst thing that happened to him- shines ,and along with Jonathan Rhys Meyers ,who gives an exciting performance and Robert Patrick ,the father at the beck and call of Parker ,they form a credible Presley family. Sam Philips represents music for the art's sake whereas Parker is only in it for the money.
Rhys Meyers carries the second part almost singlehandedly.Priscilla,his femme-infant,Ann Margret ,the duds ,the British invasions (Beatles and Stones ,singers Elvis hated ,though he covered the former group's "Something" ),and the longing for something else (He was always reading strange books)which the finale" If I can dream" perfectly captures.
Parker's character is probably caricatured ,but it does not spoil the interest."Elvis" is a made-for-TV biopic to recommend.
Not that this "Elvis" passes over in silence the warts 'n all side .Colonel Parker provides the movie with a true villain;he made Elvis but he destroyed him.Take Elvis's movies career :the singer did know what was good (Siegel's "Flaming Star" ) and bad (90% of the rest). He wanted the part of Tony in "West Side Story" and I'm sure he would have been quite good ,at least he could sing ,whilst Richard Beymer could not .
The first part is the rise to fame till Elvis's drafted :Camryn Mannheim,an actress I did not know reminds me of Kathy Bates ,as Gladys Presley -Like John Lennon,Elvis's mother's death was probably the worst thing that happened to him- shines ,and along with Jonathan Rhys Meyers ,who gives an exciting performance and Robert Patrick ,the father at the beck and call of Parker ,they form a credible Presley family. Sam Philips represents music for the art's sake whereas Parker is only in it for the money.
Rhys Meyers carries the second part almost singlehandedly.Priscilla,his femme-infant,Ann Margret ,the duds ,the British invasions (Beatles and Stones ,singers Elvis hated ,though he covered the former group's "Something" ),and the longing for something else (He was always reading strange books)which the finale" If I can dream" perfectly captures.
Parker's character is probably caricatured ,but it does not spoil the interest."Elvis" is a made-for-TV biopic to recommend.
Randy Quaid almost steals the show as the Colonel, his acting should be award-winning. I don't know how realistic the role was, but the real Colonel could have only hoped to be such a dynamic character.
Overall it was a pleasantly surprising TV movie, and Rhys-Meyers did a terrific job as Elvis. I wish he could have been 2 inches taller, but his voice impersonation was very believable.
Robert Patrick and Camryn Manheim both did excellent acting jobs. Except for Rose McGowan as Ann-Margret, the casting was excellent.
Very easy and fun to watch, I gave it a 9/10 because it is made for TV, and it is surprising that they put so much effort into it.
Overall it was a pleasantly surprising TV movie, and Rhys-Meyers did a terrific job as Elvis. I wish he could have been 2 inches taller, but his voice impersonation was very believable.
Robert Patrick and Camryn Manheim both did excellent acting jobs. Except for Rose McGowan as Ann-Margret, the casting was excellent.
Very easy and fun to watch, I gave it a 9/10 because it is made for TV, and it is surprising that they put so much effort into it.
Storyline
Did you know
- TriviaMore than 300 Elvis fans auditioned for the role of Elvis Presley. They were all turned away and Rhys Myers was hired, even though he wasn't one of the 300 lining up to audition.
- GoofsWhen Elvis and girlfriend Dixie are leaving the Assembly of God Church (mid-1950s), they walk down the street, and a satellite dish is clearly visible on the house across the street.
- Quotes
'Colonel' Tom Parker: Let's face it, son. The records aren't doing what they used to and the movie aren't doing much better.
Elvis Presley: That's probably because of all this material you keep shovin' down my throat, Colonel. Hell, you can't polish a turd.
- ConnectionsFeatured in The 57th Annual Primetime Emmy Awards (2005)
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