Desire for a subject that functions like a brief fling with no future as such, yet embellished by that very fact. Because something fleeting and futureless is not necessarrily pathetic or ... See full summary »
Anatomy of a murder. Christophe has murdered Frédérique, his lover. He's in his 20s, an entrepreneur who likes to pick up chicks with his misogynist friend Philippe; she's in her 30s, a ... See full summary »
A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself ... See full summary »
A middle-aged tough cop, Georges Deblache, is trying to help and protect a criminal, Manoni, that he has known since they were both young. He orders his younger colleague and friend, Didier... See full summary »
At 30, boyish penniless aristocrat Ryno de Marigny has separated from Villini, a passionate Spaniard and his mistress of 10 years. He's now in love with Hermangarde, a young, wealthy, and titled virgin. Days before the wedding, the bride's grandmother sits Ryno down and insists on knowing if his affair is over. He relates a story of passion, which we see in flashbacks, swearing he loves only Hermangarde. After the wedding, the couple moves to a castle by the sea. And Villini? Can passion survive disgust and self-loathing? Written by
Catherine Breillat thought that Roxane Mesquida, who was in her twenties, was too old to be cast as a teenager. However, after viewing a retrospective of her own work, Breillat realized that Mesquida looked the same as she had as a teenager and gave her the role of Hermangarde. See more »
While Ryno is descending the stairs at the opera, an Edgar Degas mural can be seen (Degas would have only just been born in this era). See more »
Not really what you'd expect, but not too bad either
Although I've seen several of them now, I still don't know if I actually LIKE Catherine Breillat films. Her films are a strange contradiction: On one hand, they contain a lot of pretty graphic sex and always feature some of the most attractive actresses in Europe (and this one with Asia Argento and Roxanne Mesquia is certainly no exception). On the other though, they are often very depressing and told with such a harsh feminist bent that they probably make most people (well, most men anyway)feel more like castrating themselves than getting turned on. ( I actually haven't even seen her most notorious film, "Fat Girl", but after the truly depressing experience that was the supposedly very similar "36 Fillete" I've never wanted to).
You would expect then given Breillat's typical misanthropic bent that when she made a French costume drama like this one, the liaisons would be even more dangerous and the intentions even crueler. This is actually a surprisingly soft-hearted film though where all the main characters are pretty likable and sympathetic (at least in some ways). The only typically harsh Breillat touch is a couple having frenzied sex next to the funeral pyre of their dead daughter. The basic story involves a handsome young rake, who is about to marry a beautiful young heiress (Mesquia) with the blessing of her jaded-but-wise grandmother (who, since this is set in 1835, is herself a battle-scarred veteran of the original pre-revolutionary "dangerous liaison" era). He is unable to give up his long-time mistress, however, a social-climbing Spanish divorcée (Argento) with whom he has had a passionate ten year love-hate relationship. All the acting is very good and the characters believable (although you do have to wonder why a 19th Spanish noblewoman would have a tattoo on her butt). My only real complaint was that it was about a half an hour too long and the climax was pretty anti-climactic.
If you like either French costume dramas or typical Catherine Breillat films, you may or may not like this, since it ends being very different than either. It's not too bad though.
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