| Photos (see all 20 | slideshow) | Videos (see all 7 NEW) |
| Ken Takakura | ... | Gou-ichi Takata | |
| Shinobu Terajima | ... | Rie Takata | |
| Kiichi Nakai | ... | Ken-ichi Takata (voice) | |
| Ken Nakamoto | ... | Electrician | |
| Jiamin Li | ... | Li Jiamin | |
| Jiang Wen | ... | Jasmine | |
| Lin Qiu | ... | Lingo | |
| Li Bin Li | ... | Director (as Bin Li) | |
| Ziliang Chen | ... | Warden Chen | |
| Zhezhou He | ... | Village Chief | |
| Zhenbo Yang | ... | Yang Yang |
Directed by | |||
| Yimou Zhang | |||
| Yasuo Furuhata | (co-director: Japan) | ||
Writing credits(in alphabetical order) | ||
| Bin Wang | story | |
| Yimou Zhang | story | |
| Jingzhi Zou | screenplay | |
| Jingzhi Zou | story | |
Produced by | |||
| William Kong | .... | producer (as Bill Kong) | |
| Jian Xiu | .... | producer | |
| Weiping Zhang | .... | producer | |
| Yimou Zhang | .... | producer | |
| Zhenyan Zhang | .... | associate producer | |
Original Music by | |||
| Wenjing Guo | |||
Cinematography by | |||
| Xiaoding Zhao | (director of photography) | ||
Film Editing by | |||
| Long Cheng | |||
Production Design by | |||
| Li Sun | |||
Makeup Department | |||
| Mitsue Sato | .... | makeup artist: Japan | |
| Fumi Takeshita | .... | hair stylist: Ms. Terajima, Japan | |
| Fumi Takeshita | .... | makeup artist: Ms. Terajima, Japan | |
| Xiaoxi Yu | .... | assistant makeup artist | |
Production Management | |||
| George Awburn | .... | supervising editor: Digital Pictures | |
| Tianhui Ge | .... | production manager | |
| Xinming Huang | .... | assistant unit manager | |
| Takahiro Kawada | .... | production manager: Japan | |
| Atsuo Kikuchi | .... | unit manager: Japan | |
| Jane Maguire | .... | post-production supervisor | |
| Akira Morishige | .... | unit manager: Japan | |
| Lun Pu | .... | production manager | |
| Kerri Schwarze | .... | post-production supervisor: Complete Post | |
| Ken'ichi Yamada | .... | unit manager: Japan (as Kenichi Yamada) | |
Art Department | |||
| Zhongshan Guo | .... | assistant art director | |
| Zhongquan Hu | .... | set dresser | |
| Yasuo Kashima | .... | assistant set dresser: Japan | |
| Chieko Kashiyama | .... | assistant art director: Japan | |
| Mu Ke | .... | property master (as Ke Mu) | |
| Minglai Li | .... | assistant set dresser | |
| Yuping Liu | .... | props assistant | |
| Yukiharu Seshimo | .... | assistant art director: Japan | |
| Taichi Utsunomiya | .... | props assistant: Japan | |
| Takaichi Wakamatsu | .... | production design: Japan | |
| Geming Wang | .... | assistant set dresser | |
| Wenyi Wang | .... | props assistant | |
| Takeshi Yanagisawa | .... | props assistant: Japan | |
| Min Yang | .... | props assistant | |
| Shuping Yao | .... | set dresser | |
| Quanrong Yu | .... | assistant set dresser | |
| Chaochen Zhang | .... | assistant set dresser | |
| Lisen Zhang | .... | assistant set dresser | |
Visual Effects by | |||
| Clayton Bell | .... | digital data management: Digital Pictures | |
| Terence Cheng | .... | 3D animator/compositor: Asia Legend Limited | |
| Bessie Cheuk | .... | visual effects controller: Asia Legend Limited | |
| Manny Espino | .... | digital technical director: Digital Pictures | |
| Fiona Fry | .... | digital intermediate producer: Digital Pictures | |
| Ron Korpi | .... | digital data systems: Digital Pictures | |
| Ringo Lee | .... | 3D animator/compositor: Asia Legend Limited | |
| Eric Leung | .... | 3D animator/compositor: Asia Legend Limited | |
| Leo Lo | .... | visual effects producer: Asia Legend Limited | |
| Florian Martin | .... | consulting digital technical director: Digital Pictures (as Florian 'Utsi' Martin) | |
| Ross Mitchell | .... | optical effects: Cinevex Film Laboratories | |
| Peter Peric | .... | digital technical assessment: Digital Pictures | |
| Graeme Pitt | .... | digital data supervisor: Digital Pictures | |
| Tony Poriazis | .... | film recording supervisor: Digital Pictures | |
| Sarah Robertson | .... | image repair and negative dirt removal: Digital Pictures | |
| Henny Van Teyfingen | .... | digital technical support: Digital Pictures | |
| Lisa Ying | .... | 3D animator/compositor: Asia Legend Limited | |
| Donald Yip | .... | 3D animator/compositor: Asia Legend Limited | |
Casting Department | |||
| Hoei Project | .... | extras casting: Japan (as Project Hoei) | |
Costume and Wardrobe Department | |||
| Jin-Hua Gu | .... | costumer | |
| Tomoko Suzuki | .... | stylist: Ms. Terajima, Japan | |
| Kyoko Takahashi | .... | costumer: Japan | |
| Jianghong Zhou | .... | assistant costumer | |
Editorial Department | |||
| Ian Anderson | .... | laboratory post-production manager: Cineves Film Laboratories | |
| Billy Browne | .... | editing assistant: Australia | |
| Paul Cross | .... | negative matching supervisor: Cinevex Film Laboratories | |
| Kerry Dibbs | .... | post-production assistant | |
| Franco Diciero | .... | negative matcher: Cinevex Film Laboratories | |
| John Fleming | .... | digital intermediate project manager: Digital Pictures | |
| Ling Geng | .... | post-production coordinator | |
| Alan Hansen | .... | digital grader | |
| Adrian Hauser | .... | senior colorist: Complete Post | |
| Akimasa Kawashima | .... | editor: Japan | |
| Rachel Knowles | .... | digital intermediate coordinator: Digital Pictures | |
| Eugene Leonello | .... | negative matcher: Cinevex Film Laboratories | |
| Stanley Lopuszanski | .... | colorist: Digital Pictures | |
| Leigh Segal | .... | post-production facilities manager: Complete Post | |
| Chieko Suzaki | .... | assistant editor: Japan | |
| Caroline Whiteley | .... | color grader | |
| Ligen Zhao | .... | assistant editor | |
Music Department | |||
| Wei Chen | .... | musician: percussion | |
| Ross Cockle | .... | score remix engineer: opening and closing titles | |
| Ya Dai | .... | musician: flute | |
| Sida Guo | .... | musician: midi | |
| Xiaopei Li | .... | music recordist | |
| Fei Song | .... | musician: zhong hu | |
| Sha Yuan | .... | musician: string | |
| Quansheng Zhang | .... | musician: ma tou qin | |
| Jiazhen Zhao | .... | musician: gu qin | |
Transportation Department | |||
| Masanobu Amemiya | .... | transportation: production, Japan | |
| Koji Sekiguchi | .... | transportation chief: Japan | |
| Mitsunobu Tono | .... | transportation: cast, Japan | |
Other crew | |||
| Lesley Aitkin | .... | script services: post-production | |
| Tom Alper | .... | insurance: Speare and Company | |
| Jia Cui | .... | assistant to director | |
| Yexin Fan | .... | catering assistant | |
| Howard Frumes | .... | legal services: Alexander, Nau, Lawrence & Frumes | |
| Pamela Hammond | .... | client liaison: Digital Pictures | |
| Katsuko Hatayama | .... | production assistant: Japan | |
| Zhihua Hou | .... | assistant to director | |
| Wenrui Jia | .... | caterer | |
| Xiaowei Kang | .... | accountant | |
| Tomoko Katahara | .... | production assistant: Japan | |
| Emi Kawano | .... | script supervisor: Japan (as Emi Kawano) | |
| Gao Ke | .... | production assistant (as Ke Gao) | |
| Shiro Kido | .... | talent manager | |
| Takahiro Komura | .... | assistant to director: Japan | |
| Mingna Liu | .... | accountant | |
| Yinghui Li | .... | assistant to director | |
| Chris Lu | .... | subtitles: English | |
| Dan Lu | .... | script supervisor | |
| Sasha Luo | .... | documentary filmmaker | |
| Atsushi Naito | .... | legal services: Aoyama Law Offices | |
| Youko Nakagawa | .... | translator: Japanese script | |
| Kaoru Nakamura | .... | production coordinator: Japan | |
| Guanghe Ni | .... | second production assistant | |
| Liwei Pang | .... | assistant to director | |
| Li'an Qin | .... | interpreter | |
| Toshifumi Shimizu | .... | assistant to director: Japan | |
| Zhao Shufen | .... | accountant (as Shufen Zhao) | |
| Shuo Tian | .... | production interpreter | |
| Zhaojun Tian | .... | accountant | |
| Bin Wang | .... | story consultant | |
| Jianguo Wang | .... | second production assistant | |
| Gang Xu | .... | location production assistant | |
| Xiaoshun Xu | .... | production assistant | |
| Cloudy Yang | .... | translator: English script | |
| Li Yanlong | .... | catering assistant (as Yanlong Li) | |
| Alice Yeung | .... | production coordinator | |
| Yefei Yin | .... | interpreter | |
| Xiangchun Zeng | .... | location production assistant | |
| Jihu Zhang | .... | catering assistant | |
| Jingsheng Zhang | .... | chief interpreter | |
| Jingsheng Zhang | .... | subtitles: Japanese | |
| Xuemei Zhang | .... | accountant | |
| Darian Zhao | .... | second production assistant | |
| Ping Zhou | .... | physical therapist | |
| Jiajun Zhu | .... | second production assistant | |
| Renqiao Zuo | .... | location production assistant | |
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| Empire of the Sun | Yi yi | Babel | Tôkyô monogatari | The White Countess |
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Good films depict feelings truthfully; with great works of art, you experience emotions deep within yourself. Zhang Yimou's "Riding Alone for Thousands of Miles" is not only a three-hankie movie, it may leave you with a sense of being changed, of being connected to others in new ways. It is that powerful, that important a work.
"Only connect" - E.M. Forster's imperative for creating ties - is at the heart of Zhang's new film, but with a twist. Takata, the central character, is an elderly Japanese, seemingly unconnected to anyone, a man with a frozen face and heart, long estranged from his only son, who has now fallen gravely ill. Ken Takakura, one of the most majestic actors alive (an ideal - perhaps the only - Lear around), is Takata, his uncommunicative, stony presence compelling attention and generating a mix of apprehension and pity.
Takata's journey to China's Yunnan province to complete his son's filming of the legendary song "Qian li zou dan qi," that gave the film its title, is full of twists and turns. Zhang tells the story with honesty, integrity, and Parsifal's "wisdom through compassion." In a brilliant stroke, Zhang opens and closes the film with the same scene - Takata, motionless, gazing over the confluence of gray sea and sky - but he, along with the audience, is in a completely different place, the unchanged exterior masking a person richly transformed by daring, risk-taking humanity.
Zhang, a master of producing a variety of genres and styles, put everything into this work (except the wushu grandeur of "Hero" and the upcoming "Curse of the Golden Flower") - the broad sweep of "Raise the Red Lantern," the chamber music of "The Road Home," the joyful melodrama of "Happy Times," and a dozen other works.
"Riding Alone" is adventure, psychological drama, a "quest film," unveiling spectacular vistas and the deep divisions/underlying connections between individuals and civilizations. And yet, through all this, "Riding Alone" is all of one piece, a grand novel in tightly connected (but ever-surprising) chapters, a 19th century literary saga in a 21st century setting.
If the film were presented in a series of silent close-ups of Takakura, it would be glorious enough, but the bonus is an army of non-professional actors, in addition to the magnificent Shinobu Terajima as Takata's daughter-in-law; Qiu Lin as Lingo, the would-be interpreter; Jiang Wen as Jasmine, the accomplished translator; Yang Zhenbo as Yang Yang, an amazing child star in a pivotal role; and Chinese-opera star Li Jiamin as himself.
If you're looking for a detailed story line, you will not find it here. Why would you deny yourself the pleasure of being taken along on a superb, heartwarming ride of surprise and discovery?