| Photos (See all 20 | slideshow) |
| Ken Takakura | ... | Gou-ichi Takata | |
| Shinobu Terajima | ... | Rie Takata | |
| Kiichi Nakai | ... | Ken-ichi Takata (voice) | |
| Ken Nakamoto | ... | Electrician | |
| Jiamin Li | ... | Li Jiamin | |
| Jiang Wen | ... | Jasmine | |
| Lin Qiu | ... | Lingo | |
| Li Bin Li | ... | Director Li (as Bin Li) | |
| Ziliang Chen | ... | Warden Chen | |
| Zezhou He | ... | Village Chief | |
| Zhenbo Yang | ... | Yang Yang |
Directed by | |||
| Yimou Zhang | |||
Writing credits | ||
| Yimou Zhang | (story) and | |
| Jingzhi Zou | (story) and | |
| Bin Wang | (story) | |
| Jingzhi Zou | (screenplay) | |
Produced by | |||
| William Kong | .... | producer (as Bill Kong) | |
| Jian Xiu | .... | producer | |
| Weiping Zhang | .... | producer | |
| Yimou Zhang | .... | producer | |
| Zhenyan Zhang | .... | associate producer | |
Original Music by | |||
| Wenjing Guo | |||
Cinematography by | |||
| Xiaoding Zhao | (director of photography) | ||
Film Editing by | |||
| Long Cheng | |||
Production Design by | |||
| Li Sun | |||
Makeup Department | |||
| Mitsue Sato | .... | makeup artist: Japan | |
| Fumi Takeshita | .... | hair stylist: Ms. Terajima, Japan | |
| Fumi Takeshita | .... | makeup artist: Ms. Terajima, Japan | |
| Xiaoxi Yu | .... | assistant makeup artist | |
Production Management | |||
| George Awburn | .... | supervising editor: Digital Pictures | |
| Tianhui Ge | .... | production manager | |
| Xinming Huang | .... | assistant unit manager | |
| Takahiro Kawada | .... | production manager: Japan | |
| Atsuo Kikuchi | .... | unit manager: Japan | |
| Jane Maguire | .... | post-production supervisor | |
| Akira Morishige | .... | unit manager: Japan | |
| Lun Pu | .... | production manager | |
| Kerri Schwarze | .... | post-production supervisor: Complete Post | |
| Ken'ichi Yamada | .... | unit manager: Japan (as Kenichi Yamada) | |
Art Department | |||
| Zhongshan Guo | .... | assistant art director | |
| Zhongquan Hu | .... | set dresser | |
| Yasuo Kashima | .... | assistant set dresser: Japan | |
| Chieko Kashiyama | .... | assistant art director: Japan | |
| Minglai Li | .... | assistant set dresser | |
| Yuping Liu | .... | props assistant | |
| Ke Mu | .... | property master | |
| Yukiharu Seshimo | .... | assistant art director: Japan | |
| Taichi Utsunomiya | .... | props assistant: Japan | |
| Takaichi Wakamatsu | .... | production design: Japan | |
| Geming Wang | .... | assistant set dresser | |
| Wenyi Wang | .... | props assistant | |
| Takeshi Yanagisawa | .... | props assistant: Japan | |
| Min Yang | .... | props assistant | |
| Shuping Yao | .... | set dresser | |
| Quanrong Yu | .... | assistant set dresser | |
| Chaochen Zhang | .... | assistant set dresser | |
| Lisen Zhang | .... | assistant set dresser | |
Visual Effects by | |||
| Clayton Bell | .... | digital data management: Digital Pictures | |
| Terence Cheng | .... | 3D animator/compositor: Asia Legend Limited | |
| Bessie Cheuk | .... | visual effects controller: Asia Legend Limited | |
| Manny Espino | .... | digital technical director: Digital Pictures | |
| Fiona Fry | .... | digital intermediate producer: Digital Pictures | |
| Ron Korpi | .... | digital data systems: Digital Pictures | |
| Ringo Lee | .... | 3D animator/compositor: Asia Legend Limited | |
| Eric Leung | .... | 3D animator/compositor: Asia Legend Limited | |
| Leo Lo | .... | visual effects producer: Asia Legend Limited | |
| Florian Martin | .... | consulting digital technical director: Digital Pictures (as Florian 'Utsi' Martin) | |
| Ross Mitchell | .... | optical effects: Cinevex Film Laboratories | |
| Peter Peric | .... | digital technical assessment: Digital Pictures | |
| Graeme Pitt | .... | digital data supervisor: Digital Pictures | |
| Tony Poriazis | .... | film recording supervisor: Digital Pictures | |
| Sarah Robertson | .... | image repair and negative dirt removal: Digital Pictures | |
| Henny Van Teyfingen | .... | digital technical support: Digital Pictures | |
| Lisa Ying | .... | 3D animator/compositor: Asia Legend Limited | |
| Donald Yip | .... | 3D animator/compositor: Asia Legend Limited | |
Casting Department | |||
| Hoei Project | .... | extras casting: Japan (as Project Hoei) | |
Costume and Wardrobe Department | |||
| Jin-Hua Gu | .... | costumer (as Jinhua Gu) | |
| Tomoko Suzuki | .... | stylist: Ms. Terajima, Japan | |
| Kyoko Takahashi | .... | costumer: Japan | |
| Jianghong Zhou | .... | assistant costumer | |
Editorial Department | |||
| Ian Anderson | .... | laboratory post-production manager: Cineves Film Laboratories | |
| Billy Browne | .... | editing assistant: Australia | |
| Paul Cross | .... | negative matching supervisor: Cinevex Film Laboratories | |
| Kerry Dibbs | .... | post-production assistant | |
| Franco Diciero | .... | negative matcher: Cinevex Film Laboratories | |
| John Fleming | .... | digital intermediate project manager: Digital Pictures | |
| Ling Geng | .... | post-production coordinator | |
| Al Hansen | .... | digital colorist | |
| Adrian Hauser | .... | senior colorist: Complete Post | |
| Akimasa Kawashima | .... | editor: Japan | |
| Rachel Knowles | .... | digital intermediate coordinator: Digital Pictures | |
| Eugene Leonello | .... | negative matcher: Cinevex Film Laboratories | |
| Stanley Lopuszanski | .... | colorist: Digital Pictures | |
| Gu Pinghu | .... | dv editor | |
| Gu Pinghu | .... | on-set editor | |
| Leigh Segal | .... | post-production facilities manager: Complete Post | |
| Chieko Suzaki | .... | assistant editor: Japan | |
| Caroline Whiteley | .... | color grader | |
| Ligen Zhao | .... | assistant editor | |
Music Department | |||
| Wei Chen | .... | musician: percussion | |
| Ross Cockle | .... | score remix engineer: opening and closing titles | |
| Ya Dai | .... | musician: flute | |
| Sida Guo | .... | musician: midi | |
| Xiaopei Li | .... | music recordist | |
| Fei Song | .... | musician: zhong hu | |
| Sha Yuan | .... | musician: string | |
| Quansheng Zhang | .... | musician: ma tou qin | |
| Jiazhen Zhao | .... | musician: gu qin | |
Transportation Department | |||
| Masanobu Amemiya | .... | transportation: production, Japan | |
| Koji Sekiguchi | .... | transportation chief: Japan | |
| Mitsunobu Tono | .... | transportation: cast, Japan | |
Other crew | |||
| Lesley Aitkin | .... | script services: post-production | |
| Tom Alper | .... | insurance: Speare and Company | |
| Jia Cui | .... | assistant to director | |
| Zhao Danian | .... | second production assistant | |
| Yexin Fan | .... | catering assistant | |
| Howard Frumes | .... | legal services: Alexander, Nau, Lawrence & Frumes | |
| Ke Gao | .... | production assistant | |
| Pamela Hammond | .... | client liaison: Digital Pictures | |
| Katsuko Hatayama | .... | production assistant: Japan | |
| Zhihua Hou | .... | assistant to director | |
| Wenrui Jia | .... | caterer | |
| Xiaowei Kang | .... | accountant | |
| Tomoko Katahara | .... | production assistant: Japan | |
| Emi Kawano | .... | script supervisor: Japan (as Emi Kawano) | |
| Shirô Kido | .... | talent manager: Japan | |
| Takahiro Komura | .... | assistant to director: Japan | |
| Yanlong Li | .... | catering assistant | |
| Yinghui Li | .... | assistant to director | |
| Mingna Liu | .... | accountant | |
| Chris Lu | .... | subtitles: English | |
| Dan Lu | .... | script supervisor | |
| Shasha Luo | .... | documentary filmmaker | |
| Atsushi Naito | .... | legal services: Aoyama Law Offices | |
| Youko Nakagawa | .... | translator: Japanese script | |
| Kaoru Nakamura | .... | production coordinator: Japan | |
| Guanghe Ni | .... | second production assistant | |
| Liwei Pang | .... | assistant to director | |
| Li'an Qin | .... | interpreter | |
| Toshifumi Shimizu | .... | assistant to director: Japan | |
| Shuo Tian | .... | production interpreter | |
| Zhaojun Tian | .... | accountant | |
| Bin Wang | .... | story consultant | |
| Jianguo Wang | .... | second production assistant | |
| Gang Xu | .... | location production assistant | |
| Xiaoshun Xu | .... | production assistant | |
| Cloudy Yang | .... | translator: English script | |
| Alice Yeung | .... | production coordinator | |
| Yefei Yin | .... | interpreter | |
| Xiangchun Zeng | .... | location production assistant | |
| Jihu Zhang | .... | catering assistant | |
| Jingsheng Zhang | .... | chief interpreter | |
| Jingsheng Zhang | .... | subtitles: Japanese | |
| Xuemei Zhang | .... | accountant | |
| Shufen Zhao | .... | accountant | |
| Ping Zhou | .... | physical therapist | |
| Jiajun Zhu | .... | second production assistant | |
| Renqiao Zuo | .... | location production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Hong Kong section |
Getting into the human equation and away from acrobatic flying daggers, director Yimou Zhang spins solid gold in his latest film, RIDING ALONE FOR THOUSANDS OF MILES.
Set against the stunningly picturesque Yunnan Province in southwestern China, Gou-ichi Takata (Ken Takakura) leaves his beloved Japanese fishing village to travel thousands of miles and finish video recording a famous Chinese folk opera for his dying son.
Mr. Takata and his son have become distant since the death of Mr. Takata's wife, not speaking to one another for years. When word comes to him that his son, Ken-ichi, is in the hospital, Mr. Takata races to the city only to be rebuffed by his son's bitterness. Mr. Takata never sees his Ken-ichi, but his son's wife, Rie (Shinobu Terajima), tells Mr. Takata an interesting story about his love of Chinese folk dancing. She hands him an unfinished tape of Ken-ichi's work and, after watching it, Mr. Takata decides to finish the recording. "Not being good with people," Mr. Takata immediately encounters problems when he enters China. But he learns quickly, and finds humility within himself in order to finish the tape.
Mr. Takata knew that his son wanted to film one particular opera (also called Riding Alone For Thousands of Miles) sung by one particular Chinese man named Li. But Li is in prison after stabbing a man. Getting permission to film Li performing the folk dance from the government higher-ups becomes one of Mr. Takata's earliest obstacles. Then, after gaining access, Mr. Li has a meltdown, thinking about his own distant son. Emotional beyond repair, Mr. Li is unable to dance for Mr. Takata. So Mr. Takata leaves to come back another day ...but an idea is sparked in his head.
Mr. Takata goes to "The Stone Village" to see if he can convince Mr. Li's five-year-old son to come back with him to the prison so that he can visit. What follows is one of the most emotionally impacting moments in Chinese film history. Unable to be close to his own son, Mr. Takata transfers much of his emotional heft onto young Yang Yang (Mr. Li's son), and audiences will no doubt spill plenty of tears as this happens.
The beauty of the surrounding countryside in the Yunnan Province is an awesome spectacle to behold; a backdrop that towers in all its majesty.
Ken Takakura deserves Oscar mention for his quiet yet powerful (and heartbreaking) role as the conflicted and determined Mr. Takata.
All of the other actors are not actors, though. They are ordinary people picked by the director for their appearances and mannerisms; excellently done by the way. There's little doubt most will know that none of them have acting experience unless DVD watchers click on the extra features.
A brilliantly done foreign film that proves director Yimou Zhang isn't just an action freak.