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China in the 1920's. After her father's death, nineteen year old Songlian is forced to marry Chen Zuoqian, the lord of a powerful family. Fifty year old Chen has already three wives, each ... See full summary »
A Westerner finds refuge with a group of women in a church during Japan's rape of Nanking in 1937. Posing as a priest, he attempts to lead the women to safety.
'Yellow Earth' focuses on the story of a communist soldier who is sent to the countryside to collect folk songs for the Communist Revolution. There he stays with a peasant family and learns... See full summary »
In pre-unified China, the King of Qin sends his concubine to a rival kingdom to produce an assassin for a political plot, but as the king's cruelty mounts she finds her loyalty faltering.
Zhou Yu, a ceramic decorative artist, travels twice a week from her home town of San Ming to Chongyang to visit her boyfriend, Chen Qing, a government worker and budding poet. The two met ... See full summary »
A provincial boy related to a Shanghai crime family is recruited by his uncle into cosmopolitan Shanghai in the 1930s to be a servant to a ganglord's mistress.
In a village of fishermen in Japan, Takata misses his son Kenichi, to whom he has been estranged for many years. When his daughter-in-law Rie tells him that Kenichi is sick in the hospital, she suggests Takata to come to Tokyo to visit his son in the hospital where he would have the chance to retie the relationship. However, Kenichi refuses to receive his father in his room, and Rie gives a videotape to Takata to know about the work of his son. Once at home, Takata sees a documentary in the remote village Lijiang, in the province of Younnan, about the passion of Kenichi, the Chinese opera, where the lead singer Li Jiamin promises to sing an important folk opera on the next year. When Rie calls Takata to tell that her husband has a terminal liver cancer, Takata decides to travel to Lijiang to shoot Li Jiamin singing the opera to give to Kenichi. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The scenes filmed in Japan were directed by Yasuo Furuhata. He has had a long successful collaboration with lead actor Ken Takakura. See more »
Goofs
In the village scene Mr. Takata has to move to the highest location to make a phone call. In the following scene however he can receive phone calls while at a banquet in the lower part of the village. See more »
Zhang Yimou's last two martial arts films had much to commend them, but, honestly, I'd trade ten such films for this. It was almost too much to hope for that the director would return to his earlier, humanist style of film-making that saw "The Road Home," "Not One Less" and "Happy Times" - but he has, and wonderfully so.
Ken Takakura, who has appeared in fine films such as "Poppoya" and "The Yellow Handkerchief," really shines here. It's his film all the way, and a wonderful tribute that Zhang chose to craft this film for him.
While the core of the film lies with the emotions of the characters, I should also point out that the cinematography here is splendid - there are shots that are as breathtaking as anything in "Hero" and "House of Flying Daggers."
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Zhang Yimou's last two martial arts films had much to commend them, but, honestly, I'd trade ten such films for this. It was almost too much to hope for that the director would return to his earlier, humanist style of film-making that saw "The Road Home," "Not One Less" and "Happy Times" - but he has, and wonderfully so.
Ken Takakura, who has appeared in fine films such as "Poppoya" and "The Yellow Handkerchief," really shines here. It's his film all the way, and a wonderful tribute that Zhang chose to craft this film for him.
While the core of the film lies with the emotions of the characters, I should also point out that the cinematography here is splendid - there are shots that are as breathtaking as anything in "Hero" and "House of Flying Daggers."