China in the 1920's. After her father's death, nineteen year old Songlian is forced to marry Chen Zuoqian, the lord of a powerful family. Fifty year old Chen has already three wives, each ... See full summary »
In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
'Yellow Earth' focuses on the story of a communist soldier who is sent to the countryside to collect folk songs for the Communist Revolution. There he stays with a peasant family and learns... See full summary »
In a remote mountain village, the teacher must leave for a month, and the mayor can find only a 13-year old girl, Wei Minzhi, to substitute. The teacher leaves one stick of chalk for each ... See full summary »
In a village of fishermen in Japan, Takata misses his son Kenichi, to whom he has been estranged for many years. When his daughter-in-law Rie tells him that Kenichi is sick in the hospital, she suggests Takata to come to Tokyo to visit his son in the hospital where he would have the chance to retie the relationship. However, Kenichi refuses to receive his father in his room, and Rie gives a videotape to Takata to know about the work of his son. Once at home, Takata sees a documentary in the remote village Lijiang, in the province of Younnan, about the passion of Kenichi, the Chinese opera, where the lead singer Li Jiamin promises to sing an important folk opera on the next year. When Rie calls Takata to tell that her husband has a terminal liver cancer, Takata decides to travel to Lijiang to shoot Li Jiamin singing the opera to give to Kenichi. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was denied the Official Selection berth in Cannes. See more »
In the village scene Mr. Takata has to move to the highest location to make a phone call. In the following scene however he can receive phone calls while at a banquet in the lower part of the village. See more »
It has been a long time since Zhang last pull an intimate angle on his film. It feels good to watch a simple story that filled our emotions right to the brim.
If i'm not wrong. this is the first time Zhang focus on MAN's emotion. His protagonist have always been females. (The 2 most famous actress from china - gongli and zhang ziyi is a result of his great foresight.) Zhang Yimou possess a good eye for casting. Both old man and little boy exudes certain stunning charisma that i find them look alike to each other. Both possess a ruggard face that reads hardship and strength. Ironically these man and boy of rock are hit by the softness of kinship. whatever it is, they stand tall in the face of sad history. watching the heart map of a solid MAN like takakura is one of the most touching thing for me. i was moved by the story.
it was so rare to watch the male characters to be dissect by Zhang. When that happens, they are much pale (quiet & reserved) in comparison to the other female characters in zhang's previous film. for me, that is novelty. kudos to zhang for reinventing himself!
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