A Hindu man and a Muslim woman fall in love in a small village and move to Mumbai, where the have two children. However, growing religious tensions and erupting riots threaten to tear the family apart.
Karan Kapoor and Rhea Prakash meet for the first time in a flight bound from Delhi to New York. They just cannot stand each other: Rhea is disgusted by Karan's flirtatious mannerisms and ... See full summary »
Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families.
Circa 1962 in Calcutta, India, live three neighboring families in a upper middle-class area. Gurcharan lives in a palatial home (Haveli) with his wife, and two beautiful daughters, Lolita and Koyal. He is retired,unable to find suitable work and must live off of his savings, ends up mortgaging his house with his neighbor, Navinchandra Roy, and hopes to get his daughters married within his means; there is Charu Sharma, who lives with her brother and sister-in-law, who has a wealthy brother, Girish, who lives in Britain. And finally there are the Roys - Navinchandra, a hard-nosed businessman, who will never undertake anything unless there is a high level of profit for him, his son, Shekhar, who he hopes to groom after himself, and his quiet, devout wife. Navin realizes Gurcharan's plight and offers Lolita a job at his office in order to enable the family to survive. Shekhar and Lolita are attracted to each other, but Navin does not approve of this, as he wants Shekhar to get married to ... Written by
The guitar that Shekhar plays in this movie was not made in 1962 (when the movie is set). The first synthetic roundbacks, introduced by Ovation, weren't in production until 1966, and the particular model seen in the film was brought in much later than that. See more »
Quite a weak business man you are, Dad. Entered into such a loss inducing bargain.
What?! How much did the bargain settle for?
For free! And still you paid such a heavy price. Becasue you gained the land, yes. But you lost your son in the process.
Have you lost your mind! In a few minutes Mr. Lala will be here and-
First will you aks Mr. Lala whether he is willing to give his daughter to a married man?!
[Mother and father are both shocked]
That's right! I'm already married!
[...] See more »
** Movie that reassures our faith in good cinema **
First things first. Parineeta is a classic. When smart choices like these are made by film makers nothing much can go wrong. Of course, there is always the ever lurking risk of comparison with the novel, but it is safe to say in this movie's case that everyone involved does a wonderful job in executing it on the screen.
Vidya Balan(as Lolitha) makes a mind blowing debut. She seems like someone who has been doing this for ages! The natural flow of emotions that she carries in her eyes and so many unsaid words makes you fall in love with her every time she comes on the screen. I am going to go out of my way here and say Lolitha is my kind of a life partner. No two ways about it.
Saif Ali Khan (as Shekar Rai) once again proves that he is a horse for the long run. His character is a complex array of emotions - ranging from the musical and romantic to the obedient son of a rich man - and Saif does justice to his role big time. I would definitely recommend him to star in more such classics since it suits him really well.
Despite his small (yet very significant) role as the kind hearted gentleman - Girish Babu, Sanjay reassures you why we love him so much. If you were rolling on the floor when he was Munnabhai, you will take a bow to his dignified personification of Girish. A legend without a doubt.
All said and done there is one thing which kept haunting me is Sanjay's casting. Call me crazy but somehow Abhishekh Bachchan kept flashing in the mind's eye for Girish's role. He would have been ideal for that role given the range the character covers.
Music is just mind blowing. Mitra does an excellent job in recreating the 60s Calcutta and feel of the life in post-British India without a single glitch. My personal favorites are "Piyu Bole...Piya Bole.." and "Kashto Mazza..." shot on the train to Darjeeling.
For someone who wants to see a REAL Indian movie this is the great example. If people loved Lagaan for being Indian to the core, this one will definitely make it to their list. Movies like these go to show that one does not have to bare skin and gyrate to remixes to be heard. What is loud and clear are the silences that this movie captures.
Well done everyone who were associated with "Parineeta". It was a brilliant and satisfying movie experience.
A 10/10 for this pure classic and hope to see more such wonders come out of the think tank of the Indian movie industry. (Calling it Bollywood will not make justice to such gems.)
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