A group of delinquents are sent to clean the Blackwell Hotel. Little do they know reclusive psychopath Jacob Goodnight (Jacobs) has holed away in the rotting hotel. When one of the teens is captured, those who remain -- a group that includes the cop who put a bullet in Goodnight's head four years ago -- band together to survive against the brutal killer.
A group of friends pays a late-night visit to the city morgue to surprise Amy (Harris) on her birthday. But the surprise is on them when the one-eyed corpse of brutal psychopath Jacob ... See full summary »
A search and recovery team heads into the haunted swamp to pick up the pieces and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.
While investigating a call in an abandoned house, Officer Frank Williams and a rookie find a woman brutally blinded, but they are attacked by a huge psychopath with an ax; the rookie is killed and Frank shots the criminal in the head, but has a severed arm. Four years later, the mutilated Frank is relocated, working as a guard in the County Detention Center. Frank goes with some delinquents to the Blackwell Hotel, an abandoned place since a fire burnt the last two floors, with the purpose of cleaning the location, preparing it to work as a shelter for homeless; in return, the criminals will have their sentences reduced. During the night, the inmate Kira that has some Christian tattoos in her body is kidnapped by the deranged serial-killer Kane that collect the eyes of his victims, while the rest of the group is attacked by the psychopath with his ax. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
It was mentioned in some interviews that Kane's co-stars were a little uneasy around the 7' man. Fangoria magazine mentions the director having to ask Kane to remain seated during cast introductions, since one of the women, who only came up to his sternum, wouldn't come near him. See more »
While Margaret is in bed reading the newspaper, a boom mic can be seen lowering down toward her in the overhead shot. See more »
Speaking of shitty deals, whose bright idea was it to put Kira and Michael on this project together?
What are you talking about?
What I'm talking about is Kira used to work for that prick out on the streets.
Yeah, when he wasn't beating her ass. She rolled over on him and now because of you guys, he's here and he's been fucking stalking her the whole time.
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Among the end credits, after the cast and stunt list, there's a scene where a dog urinates in Jacob's empty eye socket See more »
I was expecting this movie to suck, but what I got was a pretty good slasher/gore film. Most of the death scenes are adequately brutal. The teens are decent, with Penny McNamee definitely the best of the bunch. Rachael Taylor looks like a young Christie Brinkley, but doesn't bring much to the movie other than that. Kane was good as the killer, and is totally believable as a fearsome juggernaut. I saw the "twist" coming from miles away, but I still enjoyed the movie.
But what really stood out to me was the direction. Gregory Dark might actually have a career in legit film ahead of him. Aside from overusing the horror film "speed cam"(you know, where like the guy's face shakes all fast?), there's some good shots here. The camera angles and environments really emphasize Kane's size, making him look even bigger than he actually is.
If you're looking for deep story or characters, this ain't it. But that's not what slasher films are about. If you're looking for some good violence, or if you're into gory films, go check this out!
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