A group of delinquents are sent to clean the Blackwell Hotel. Little do they know reclusive psychopath Jacob Goodnight has holed away in the rotting hotel. When one of the teens is captured, those who remain - a group that includes the cop who put a bullet in Goodnight's head four years ago - band together to survive against the brutal killer.
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While investigating a call in an abandoned house, Officer Frank Williams and a rookie find a woman brutally blinded, but they are attacked by a huge psychopath with an ax; the rookie is killed and Frank shoots the criminal in the head, but has a severed arm. Four years later, the mutilated Frank is relocated, working as a guard in the County Detention Center. Frank goes with some delinquents to the Blackwell Hotel, an abandoned place since a fire burnt the last two floors, with the purpose of cleaning the location, preparing it to work as a shelter for the homeless; in return, the criminals will have their sentences reduced. During the night, the inmate Kira who has some Christian tattoos on her body is kidnapped by the deranged serial-killer Kane who collects the eyes of his victims, while the rest of the group is attacked by the psychopath with his ax. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Jacob Goodnight's name is never mentioned in the film. It was originally included in a monologue by Steven Vidler, but the scene ran too long and it was absentmindedly cut out. See more »
While Jacob is trying to break open the elevator door with his axe, the chop marks are not only different on either side (interior/exterior) of the doors, but the interior also shows the axe marks disappearing and reappearing again. See more »
[to Jacob. Referring to Kira in the cage]
I'd like you to tell me... why is that whore still alive?
See more »
Among the end credits, after the cast and stunt list, there's a scene where a dog urinates in Jacob's empty eye socket See more »
I was expecting this movie to suck, but what I got was a pretty good slasher/gore film. Most of the death scenes are adequately brutal. The teens are decent, with Penny McNamee definitely the best of the bunch. Rachael Taylor looks like a young Christie Brinkley, but doesn't bring much to the movie other than that. Kane was good as the killer, and is totally believable as a fearsome juggernaut. I saw the "twist" coming from miles away, but I still enjoyed the movie.
But what really stood out to me was the direction. Gregory Dark might actually have a career in legit film ahead of him. Aside from overusing the horror film "speed cam"(you know, where like the guy's face shakes all fast?), there's some good shots here. The camera angles and environments really emphasize Kane's size, making him look even bigger than he actually is.
If you're looking for deep story or characters, this ain't it. But that's not what slasher films are about. If you're looking for some good violence, or if you're into gory films, go check this out!
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