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Why We Fight (2005)

8.1
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Ratings: 8.1/10 from 8,725 users   Metascore: 68/100
Reviews: 98 user | 143 critic | 32 from Metacritic.com

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

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Cast

Credited cast:
Ken Adelman ...
Himself
John Ashcroft ...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
Robert Byrd ...
Himself (archive footage)
...
Himself (archive footage)
Dick Cheney ...
Himself (archive footage)
Joseph Cirincione ...
Himself
...
Himself (archive footage)
Anh Duong ...
Herself
Gwynne Dyer ...
Himself
...
Himself (archive footage)
John S.D. Eisenhower ...
Himself
Susan Eisenhower ...
Herself
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Storyline

He may have been the ultimate icon of 1950s conformity and postwar complacency, but Dwight D. Eisenhower was an iconoclast, visionary, and the Cassandra of the New World Order. Upon departing his presidency, Eisenhower issued a stern, cogent warning about the burgeoning "military industrial complex," foretelling with ominous clarity the state of the world in 2004 with its incestuous entanglement of political, corporate, and Defense Department interests. Written by Ørnås

Plot Summary | Plot Synopsis

Taglines:

It is nowhere written that the American empire goes on forever.


Motion Picture Rating (MPAA)

Rated PG-13 for disturbing war images and brief language | See all certifications »
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Details

Country:

| | | |

Language:

|

Release Date:

January 2005 (USA)  »

Also Known As:

Dlaczego walczymy  »

Box Office

Opening Weekend:

$53,571 (USA) (20 January 2006)

Gross:

$1,436,279 (USA) (12 May 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

John McCain: Where the debate and controversy begins is how far does the United States go, and when does it go from a force for good to a force of imperialism?
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Connections

References War Comes to America (1945) See more »

Soundtracks

(I Want) The Good Life
(uncredited)
Performed by Ernie Maresca
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User Reviews

 
More successful than Fahrenheit 911
1 February 2005 | by (United Kingdom) – See all my reviews

This is truly a remarkable film. In its subtlety, and its poetry it outshines "..9/11". While Moore's film remains an extraordinary piece of work - the criticisms could be spun by the right as a 'liberal rant'

  • largely due to Moore's obvious, and justified frustration.




Why we Fight presents a lyrical and devastatingly haunting portrait of a system that has failed the west - specifically America - time and time again in a repeating cycle. The narrative carefully builds an historical context for the present administration's actions, and unfolds a story of how Americans, even the most staunch supporters of Bush's policies, have gradually learnt that they've been lied to, lied about and then lied to again as the administration is called on to answer for their lies.

With extraordinary research, and some incredible interview contributors, the facts are again repeated - indeed, they gain, perhaps even greater impact because of the historical context - and the warnings of past leaders.

It is above all a film which at once makes you terribly sad - and frustrated. But the surprise - for me at least - was that my anger became levelled not so much at the arrogance of our governments, and those in the positions of power - but at the stupefying inaction of the voting public.

I need only direct you to another of the 'reviews' of this film to underline just how poisoned the populous is, and just how stupid people have allowed themselves to become.

-------- The director spoke at Sundance about how he consciously prevented this breathtaking documentary from being screened before the election in 04 - largely because he felt the message of the film is not partisan, and not about a particular administration - but it is about the system. My only frustration about this is that I can only imagine what the snowballing effects of this film might have been had it been allowed to swiftly follow 'Fahrenheit 911'.


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