| Photos (see all 1 | slideshow) |
| Nina Hoss | ... | Carola Lehmann | |
| Jacky Ido | ... | Lemalian | |
| Katja Flint | ... | Elisabeth | |
| Antonio Prester | ... | Pater Bernardo (as Nino Prester) | |
| Janek Rieke | ... | Stefan | |
| Helen Namaso Lenamarken | ... | Lemalians Mama | |
| Nicolas Sironka | ... | Mini-Chief | |
| Damaris Itenyo Agweyu | ... | Asma (as Damaris Agweyu) | |
| Barbara M. Ahren | ... | Carolas Mutter (as Barbara Magdalena Ahren) | |
| Robert Dölle | ... | Frank | |
| Barbara Herschbach | ... | Jenny | |
| Morgan Lematampash | ... | Tom | |
| Kiriniyaga Lenamatiyo | ... | John | |
| Christine Namkuny | ... | Saguna | |
| John Erick | ... | Mike | |
| Charles Magati Ongeri | ... | Moses | |
| Maya Akinyi Spybey | ... | Sarai | |
| Salim | ... | Samburukrieger 1 | |
| Nicolas Lenarniyu | ... | Samburukrieger 2 | |
| Christopher Okinda | ... | Beamter Infoschalter (as Christopher Odhiambo Okinda) | |
| Paul Ramtu | ... | Beamter Maralal | |
| Tony Rimwa | ... | Busfahrer (as Tonny Rimwah) | |
| Claire Russell | ... | Flughafen Hostess |
Directed by | |||
| Hermine Huntgeburth | |||
Writing credits | ||
| Corinne Hofmann | (novel) | |
| Johannes W. Betz | (screenplay) | |
| Hermine Huntgeburth | adaptation | |
| Günter Rohrbach | adaptation | |
| Ruth Toma | narrator´s script | |
Original Music by | |||
| Niki Reiser | |||
Cinematography by | |||
| Martin Langer | |||
Film Editing by | |||
| Eva Schnare | |||
Casting by | |||
| An Dorthe Braker | |||
| Jorgelina Depetris Pochintesta | |||
Production Design by | |||
| Susann Bieling | |||
| Uwe Szielasko | |||
Costume Design by | |||
| Maria Dimler | |||
Makeup Department | |||
| Gregor Eckstein | .... | key makeup artist | |
| Sabine Hehnen-Wild | .... | makeup artist | |
Production Management | |||
| Mark Nolting | .... | unit manager | |
| Bernhard Thür | .... | production manager | |
Art Department | |||
| Babett Pönisch | .... | props | |
Sound Department | |||
| André Bendocchi-Alves | .... | dialog editor: 40°Film | |
| Stefan Busch | .... | supervising sound editor | |
| Claudia Enzmann | .... | dialog editor | |
| Lisa Geffcken-Reinhard | .... | foley editor | |
| Nico Krebs | .... | sound editor | |
| Eckhard W. Kuchenbecker | .... | sound mixer | |
| Matthias Pasedag | .... | sound engineer | |
| Philipp Sellier | .... | foley recordist | |
| Martin Steyer | .... | sound mixer | |
| Martin Steyer | .... | sound re-recording mixer | |
Visual Effects by | |||
| Lutz Lemke | .... | title sequence designer/animator | |
Camera and Electrical Department | |||
| Donat Schilling | .... | steadicam operator | |
Casting Department | |||
| Thomas L. Carter | .... | casting assistant | |
Music Department | |||
| Rainer Bartesch | .... | conductor | |
Other crew | |||
| Yasmina Majid | .... | production assistant: extra shoot, Munich | |
| Cornelia Popp | .... | production coordinator | |
| Jule Schulze | .... | production coordinator | |
| Andreas Schumann | .... | production assistant | |
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| The Constant Gardener | Under the Tuscan Sun | Witness | Where the Heart Is | Gegen die Wand |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Germany section | Add this title to MyMovies |
The movie is based on the book "The white Masai", and on the true life of Corinne Hofmann, the author of the book.
She becomes attracted to a Masai man while on a trip to Kenya, and eventually moves in with him and marries him. This movie is about love, cultural differences and hard facts of life. It is very romantic but also heart stopping in the struggles for cultural understanding.
The movie does not strictly follow the story of the book, but makes a good job of squeezing the essentials into a 2 hour movie. The tensions, the hardships etc, are well caught much thanks to good acting performances.
I really miss a lot of information in the movie. E.g. how was her relation with other people in the village, especially with "Mama" in the same hut. Also there is often a lack of explaining what other people in the tribe thought of her actions. Some cultural differences are quite insufficiently covered, e.g. how her way to talk to other men contributed to the jealousy of her husband. Many of the hardships in the book are also left out in the movie.
What is truly great about the movie and the story, is that her failures are not hidden. Its not a movie about that the native life in Africa is "so hard" for a sane westerner to live. The sacrifices made from both sides are vast, from their cultural positions and values, but still they are not sufficient to bridge the gap in so many issues.
It is a really good movie. I recommend it to anyone. Ignore the other whining comments here. The movie does a good job, if not perfect, fitting the story into a 2 hour movie. The cultural differences are there to see and think about, even if some things were left out.