| Tolepbergen Baisakalov | ... | Boni (as Tulepbergen Baisakalov) | |
| Samal Yeslyamova | ... | Samal | |
| Ondas Besikbasov | ... | Ondas | |
| Bereke Turganbayev | ... | Beke | |
| Nurzhigit Zhapabayev | ... | Nuka | |
| Mahabbat Turganbayeva | ... | Maha | |
| Amangeldi Nurzhanbayev | ... | Tulpan's Father | |
| Tazhyban Khalykulova | ... | Tulpan's Mother | |
| Zhappas Zhailaubaev | ... | Boss | |
| Esentai Tulendiev | ... | Veterinarian | |
| rest of cast listed alphabetically: | |||
| Samal Esljamova | ... | Samal | |
| Askhat Kuchencherekov | ... | Askhat | |
Directed by | |||
| Sergei Dvortsevoy | |||
Writing credits(in alphabetical order) | ||
| Sergei Dvortsevoy | writer | |
| Gennadi Ostrovsky | writer | |
Produced by | |||
| Karl Baumgartner | .... | producer | |
| Valerie Fischer | .... | co-producer | |
| Bulat Galimgereyev | .... | co-producer | |
| Raimond Goebel | .... | co-producer | |
| Thanassis Karathanos | .... | producer | |
| Maria Murashova | .... | executive producer | |
| Henryk Romanowski | .... | producer | |
| Gulnara Sarsenova | .... | co-producer | |
| Sergey Selyanov | .... | producer | |
| Yelena Yatsura | .... | producer | |
Cinematography by | |||
| Jolanta Dylewska | |||
Film Editing by | |||
| Petar Markovic | |||
| Isabel Meier | |||
Production Design by | |||
| Roger Martin | |||
Costume Design by | |||
| Gaziza Korshiyeva | |||
Makeup Department | |||
| Tomasz Matraszek | .... | hair stylist | |
Production Management | |||
| Undine Filter | .... | post-production supervisor | |
| Viola Fügen | .... | post-production supervisor | |
| Bohdan Graczyk | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Yuri Kazakov | .... | second assistant director | |
| Mara Tuleutayeva | .... | assistant director | |
Sound Department | |||
| Olivier Dandré | .... | sound mixer | |
| Ivan Dumas | .... | boom operator | |
| Martin Lonek | .... | sound mixer | |
| Williams Schmit | .... | sound designer | |
| James Seddon | .... | dolby consultant | |
| Eric Tisserand | .... | sound mixer | |
| Manuel Vidal | .... | assistant sound editor | |
Visual Effects by | |||
| Janos Menberg | .... | digital artist | |
| Christian Stanzel | .... | digital compositor | |
| Martin Tallosy | .... | digital compositor | |
| Manuel Voss | .... | digital compositor | |
Camera and Electrical Department | |||
| Yuri Kazakov | .... | set photographer | |
Editorial Department | |||
| Michael Hackl | .... | on-line editor | |
| Natalie Helgath | .... | digital colorist | |
| Janos Menberg | .... | colorist | |
Other crew | |||
| Undine Filter | .... | production coordinator | |
| Martin Hampel | .... | assistant: producer | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Kazakhstan section |
The fact that this film won almost every award it was nominated for is of little consequence to the average film goer. It is about life on the Central Asian steppes of Kazakhstan. Yes, that Kazakhstan, but without Sasha Baron Cohen.
Life here is very hard. There is not a tree in sight, and the wind whips the dirt around mercilessly. Asa just returned from his tour of duty in the Russian Navy, and we hear him tell his potential in-laws of the things he encountered. He is after the hand of Tulpan, the only available bride in the area. He wants to settle down and raise sheep, but he must have a wife. No deal. She thinks his ears are too big, but I believe it is mama that wants her to do more than just be a wife who cooks and cleans and has babies on the steppes.
Asa keeps trying to win her as he tries to become a shepherd. He is not doing well at either.
The funniest part of the film is the vet. You can't describe what he does with a cigarette, but you have to see it.
It won't win any popularity contests, but it is worth seeing.