Toots (2006)

Director:

Kristi Jacobson

Release Date:

14 September 2007 (USA)

Genre:

Documentary

Plot:

The '40s and '50s were a classic period in New York City nightlife, when the saloonkeeper was king and regular folks could drink with celebrities like Frank Sinatra and Jackie Gleason. In this documentary, Kristi Jacobson profiles her grandfather, the king of kings: Toots Shor of the eponymous restaurant and saloon, which was once the place to be seen in Manhattan.

Cast

Maury Allen	...	Himself
Dave Anderson	...	Himself
Yogi Berra	...	Himself
David Brown	...	Himself
Bill Buchbinder	...	Himself
John Clancy	...	Himself
Perian Conerly	...	Herself
Walter Cronkite	...	Himself
Peter Duchin	...	Himself
Whitey Ford	...	Himself
Bill Fugazy	...	Himself
Pat Futcher	...	Himself
Bill Gallo	...	Himself
Joe Garagiola	...	Himself
Frank Gifford	...	Himself
Pete Hamill	...	Himself
Kerry Jacobson	...	Herself
Harry Lavin	...	Himself
Larry Merchant	...	Himself
Liz Murray	...	Herself
LeRoy Neiman	...	Himself
Nicholas Pileggi	...	Himself
Charles Reilly	...	Himself
Gianni Russo	...	Himself
Richard M. Sherman	...	Himself (as Dick Sherman)
Toots Shor	...	Himself (archive footage)
Bert Randolph Sugar	...	Himself
Gay Talese	...	Himself
Mike Wallace	...	Himself
Sidney Zion	...	Himself

Also Known As:

Toots Shor: Bigger Than Life (USA) (working title)

Runtime:

USA:84 min

Country:

USA

Language:

English

Color:

Black and White | Color

Company:

Catalyst Films

Enjoyable in many ways

Just saw the movie on DVD. Shor's granddaughter tells several stories: about Toots, about New York, about Prohibition, about the changing times of the 1960s, and about changing relationships between stars and the public. She's a good storyteller: she's dug out old photographs and news clips from the early 1900s through 1970; the black-and-white scenes of New York City's neon are wonderful; she's found aging sportswriters for whom Toots Shor's place was the watering hole in the age of Dimaggio, Mantle, and Gifford. She gives us a take on ethnicities and religious backgrounds (not so much on race) in the twentieth century. And at the center of it is this unique guy -- tough, quick-witted, generous, a warm father and husband, sly about his ego -- a man who saw things in terms of personal relationships. It's a personal film that transcends the personal. A master class in documentary film-making.