| Joel James | ... | Willie - 1921 | |
| Tim James | ... | Walter - 1921 | |
| Doyle James | ... | Jim - 1921 | |
| Tim Booth | ... | Luke - 1921 | |
| Daryl Pope | ... | Matthew - 1921 (as Daryl 'Scooby' Pope) | |
| Greg Hamilton | ... | Revenue Agent - 1921 | |
| Reagan Richards | ... | The Witch - 1921 / Ally - 1981 | |
| Clay Brocker | ... | Brett - 1981 | |
| Neil Derringer | ... | Rick - 1981 | |
| Brooke Cantrell | ... | Cindy - 1981 | |
| Lee Jones | ... | Shane - 1981 (as Lee 'Sporty' Jones) | |
| Lisa Marie | ... | Robin - 1981 | |
| Jim O'Rear | ... | Preacher - 1981 | |
| Sarah Todd | ... | Mama - 1981 | |
| Spring Whited | ... | Pandora - 1981 | |
| Crimm Blakeslee | ... | Sheriff - 1981 | |
| Kent Beasley | ... | Deputy - 1981 | |
| Bill Burkett | ... | Goose - 1981 (as Bill 'Goose' Burkett) | |
| Rodman Rodman | ... | The Skarecrow | |
| Amnesty Danielle | ... | Child 1 | |
| Logan Dixen | ... | Child 2 | |
| Monica Ferrone | ... | Child 3 | |
| Rachel Pollacheck | ... | Child 4 | |
| Drew Darrington | ... | Van Washer | |
| Allen Crazy Joe | ... | Talker 1 | |
| James Eastes | ... | Talker 2 (as James 'Eddie' Eastes) | |
| rest of cast listed alphabetically: | |||
| Larry Underwood | ... | Insane Asylum Doctor (uncredited) | |
Directed by | |||
| Ben Dixon | |||
Writing credits(in alphabetical order) | ||
| Amy Dixon | screenplay | |
| Ben Dixon | screenplay | |
Produced by | |||
| Amy Dixon | .... | producer | |
| Ben Dixon | .... | producer | |
| Salem Elizabeth | .... | co-producer | |
| Douglas Wolfe | .... | executive producer | |
Original Music by | |||
| Nathan Whitehead | |||
Cinematography by | |||
| David B. Stevens | (director of photography) | ||
| J.T. Sumner | (director of photography) | ||
Film Editing by | |||
| Ben Dixon | |||
Art Direction by | |||
| Douglas Wolfe | |||
Makeup Department | |||
| Lohr Brooks | .... | special makeup effects artist | |
| Ben Dixon | .... | special makeup effects artist | |
| Dave Nixon | .... | special makeup effects artist | |
Art Department | |||
| Joel James | .... | carpenter (as Joel 'VSF' James) | |
| Brad Sizemore | .... | set designer | |
Sound Department | |||
| Bill Burkett | .... | boom operator | |
| Tim Lowery | .... | sound | |
| Nathan Whitehead | .... | sound designer | |
Special Effects by | |||
| Kevin Carter | .... | special effects contact lenses | |
Camera and Electrical Department | |||
| Ace | .... | grip | |
| Clay Fuct | .... | gaffer | |
| Johnny Gebhart | .... | assistant camera | |
| Eddie Jones | .... | still photographer | |
| Lee O'Neil | .... | key grip | |
| Jason Satterlund | .... | assistant camera | |
| Logan Seth | .... | best boy | |
| Jim Wells | .... | assistant camera | |
Animation Department | |||
| Sean Leigh Hart | .... | designer: animation sequence (as Sean Hart) | |
Costume and Wardrobe Department | |||
| Salem Elizabeth | .... | wardrobe | |
Transportation Department | |||
| Neil Sedan Deville | .... | transportation | |
Other crew | |||
| Steve Beamer | .... | reptile wrangler | |
| Danny Carter | .... | documentary footage (as Danny 'Dr. Zaius' Carter) | |
| Donna Jackson | .... | printing: Sun Graphics | |
| Pat Jackson | .... | printing: Sun Graphics | |
| Scott Lindsey | .... | reptile wrangler (as Scott 'Snake' Lindsey) | |
| Neil Woo | .... | script supervisor | |
| Robert Ziegler | .... | printing: Sun Graphics | |
Thanks | |||
| Chuck Angell | .... | special thanks | |
| Arlo | .... | special thanks | |
| Joe Baskin | .... | special thanks | |
| Michelle Baskin | .... | special thanks | |
| Bill Burkett | .... | special thanks | |
| Wyatt 'The Prince' Einstein the Cat | .... | special thanks | |
| Darrin Dickerson | .... | special thanks | |
| Ben Dixon Sr. | .... | dedicated to the memory of | |
| Kim Dunn | .... | special thanks | |
| Joe Elvis | .... | special thanks | |
| Andrew Lacey | .... | special thanks | |
| Brenda Linnear | .... | special thanks | |
| Bill Martin | .... | special thanks | |
| Tony Martin | .... | special thanks | |
| Proud Mary | .... | special thanks | |
| Moose | .... | special thanks | |
| Nikko | .... | special thanks | |
| Donny Nuessle | .... | special thanks | |
| Laura Nuessle | .... | special thanks | |
| David Riemens | .... | special thanks | |
| Scott | .... | special thanks | |
| Lynn Self | .... | special thanks | |
| Marvin Smith | .... | special thanks | |
| Tom Stephens | .... | special thanks (as Tom 'Hero' Stephens) | |
| Bobby Thomas | .... | special thanks | |
| Larry Underwood | .... | special thanks | |
| Tom Whelch | .... | special thanks | |
| Frank Wilkerson | .... | special thanks (as Frank Wllkerson) | |
| Chrisy Wilson | .... | special thanks | |
| Linda Wylie | .... | special thanks (as Lynda Wylie) | |
| Ziggs | .... | special thanks | |
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| Preacherman | Songcatcher | Hack! | The Howling | Taking Lives |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
I came across "Dark Harvest 3" (a.k.a. "Skarecrow" apparently) in the supermarket bargain bin and got suckered due to the cool DVD cover art and cheap price (thankfully it only cost me $3.99). I hadn't seen the previous 2 "Dark Harvest" movies but I figured, how much back story could there be in a movie series about killer scarecrows anyway? Thankfully (or perhaps not) it turns out that this flick doesn't have any connection to the prior "D.H." films anyway, it was just a quickie, ultra-low-budget indie horror flick that Lions Gate snapped up and attached the "Dark Harvest" name to it. Whether you want to call it "Skarecrow" or "Dark Harvest 3," the fact remains that the "film" is completely, utterly, unwatchable.
The film's opening flashback takes place in "The Tennessee Backwoods" circa 1921, where a gang of moonshiners have just killed an old woman and stolen her land for use in their criminal enterprise. Unfortunately this particular old woman happened to be a witch, and before dying she placed a curse on her property, which causes her scarecrow to come to life and dispatch the sleeping moonshiners with a variety of farming implements. Sounds fine so far, but unfortunately this sequence is so dark and grainy that it's damn near impossible to tell what's going on. If the photography in "Blair Witch Project" gave you a headache, expect this bit to cause an Instant Migraine. As soon as this introduction ended and the opening credits rolled, I knew I was in for a rough ride.
Flash forward to 1981, and a group of annoying twenty somethings (none of whom appear to like each other very much) are headed off to the woods on an annual camping outing. They plan to stay at a remote cabin in the middle of the woods (shades of "Evil Dead," though this film wishes it were one tenth as good as that classic) owned by the family of one of the gang. Upon arrival the group takes part in the usual slasher film activities for a while, i.e. getting drunk, having sex, and getting on each other's nerves, until one of the gals gets her head lopped off in mid-coitus by the evil scarecrow. Turns out the cabin is on the witch's former property and her guardian is still hangin' around protecting the place. Predictable, poorly shot, badly acted mayhem ensues.
Honestly, I wish I had something good to say about "Dark Harvest 3" but there really isn't one redeeming quality about it. The film looks cheap (shot on video perhaps?), the script sucks, and the performances are uniformly awful. Not ONCE will you get the feeling that these "actors" are paying attention to anything other than the cue cards that were doubtlessly being held off camera. (Just listen to the way one guy drones "Oh, baby...that feels so good" during a sex scene. Come on, if you can't even fake THAT convincingly, then there's no hope for you!) The characters spend so much time screaming and yelling at each other that I couldn't wait for the scarecrow to wipe them all out just so they'd shut the hell up. There are one or two decent gore bits but even those weren't enough to save this turkey.
Remember folks, I watch movies like these so YOU don't have to. "Dark Harvest 3"/"Skarecrow" was 90 excruciating minutes of my life that I'll never get back. If you come across this puppy in the bargain bin, treat it as if it's an explosive device and leave it on the shelf. Don't say I didn't warn you!