| Photos (See all 128 | slideshow) | Videos (see all 6) |
| Larry Berry | ... | Himself | |
| Tommy the Clown | ... | Himself | |
| Dragon | ... | Himself | |
| La Niña | ... | Herself | |
| Miss Prissy | ... | Herself | |
| Kevin Scott Richardson | ... | Music producer | |
| Christopher Toler | ... | Lil C | |
| Ceasare Willis | ... | Tight Eyez |
Directed by | |||
| David LaChapelle | |||
Original Music by | |||
| Amy Marie Beauchamp | |||
| Jose Cancela | |||
Cinematography by | |||
| Morgan Susser | |||
Film Editing by | |||
| Fernando Villena | |||
Production Design by | |||
| Jeff Higinbotham | |||
Makeup Department | |||
| Gregory Arlt | .... | makeup artist | |
Production Management | |||
| Darcy Jennings | .... | production manager | |
Sound Department | |||
| Christopher S. Aud | .... | sound editor | |
| Ryan David | .... | mix stage recordist | |
| Mat Dennis | .... | sound recordist | |
| Tyler Duuring | .... | sound mixer (as Tyler Tosh) | |
| Michael J. Fox | .... | adr mixer | |
| Terry Garcia | .... | assistant sound editor | |
| David Giammarco | .... | sound re-recording mixer | |
| Tim Hays | .... | sound mixer | |
| J. Paul Huntsman | .... | sound supervisor | |
| Mark L. Mangino | .... | dialogue editor | |
| Mark Patino | .... | field sound mixer | |
| Gregory H. Watkins | .... | sound re-recording mixer | |
| Robert Cannon | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Michael Carter | .... | visual effects artist | |
| Gregory Creaser | .... | digital intermediate colorist | |
| Stephen Jennings | .... | digital effects artist | |
| Ruth LeFaive | .... | visual effects producer | |
| Gerald Ragland | .... | on-line assistant editor | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm | |
Camera and Electrical Department | |||
| Donovan Davis | .... | key grip | |
| Sean Hellfritsch | .... | camera operator | |
| Leda Maliga | .... | additional cinematographer | |
| Barry Norwood | .... | additional photographer | |
| Haydn Pazanti | .... | film loader | |
| Sasha Rendulic | .... | camera operator | |
| James Roddy | .... | camera operator | |
| Joseph M. Setele | .... | camera operator | |
| Michael Totten | .... | camera operator | |
Editorial Department | |||
| Sharice Babakhani | .... | assistant editor | |
| Denise Brown | .... | telecine producer | |
| Bob Fernley | .... | digital intermediate producer | |
| Kim Graville | .... | telecine producer | |
| Dave Hussey | .... | lead colorist | |
| Brian Jones | .... | assistant editor | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| P.J. Marsiglia | .... | colorist | |
| Sin-Halina Sy | .... | assistant editor | |
Music Department | |||
| Tim Hays | .... | music playback operator | |
| Will Kaplan | .... | music editor | |
| Jonathan McHugh | .... | music supervisor | |
| Jonathan Scott Miller | .... | soundtrack producer | |
| Fredrik Sarhagen | .... | score mixer | |
| Anthony Talauega | .... | music producer | |
| Richmond Talauega | .... | music producer | |
| Suren Wijeyaratne | .... | music mixer | |
Other crew | |||
| Monique Barrett | .... | production assistant | |
| Irwin M. Rappaport | .... | production attorney | |
| Natalie Reubens | .... | production coordinator | |
| Sally Steele | .... | publicist | |
| Richmond Talauega | .... | choreographer | |
| Brandon Trones | .... | production assistant | |
Thanks | |||
| Christina Aguilera | .... | thanks | |
| John Byrne | .... | special thanks | |
| Eminem | .... | thanks (as Marshall Mathers) | |
| Lauryn Hill | .... | thanks | |
| Elton John | .... | thanks | |
| H. Scott Salinas | .... | special thanks | |
| Suren Wijeyaratne | .... | thanks | |
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| Bamboozled | Fathers of the Sport | Bulworth | Take the Lead | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Before the movie starts there is a note to the effect that none of the camera work has been speed-ed up. Once the kids start dancing, you know why this is mentioned.
The film starts with historical footage of the Watts riots in 1965, and then the Rodney Kind riots of 1992. Things are ablaze. People are getting beat up.
And then enters Tommy the Clown who is a hip-hop clown and I guess celebrity in Watts/South Central. He is a sweet man who has taken in kids who's parents are in jail, abandoned them, etc.
The dancing in this film is amazing, to be sure...you will wonder how people can move like that, so fast, so crazy, particularly when you see a 4 year old girl or a 300 pound woman do it.
But what was more astonishing was the kids in the movie. These kids have a right to be the most angry, aggressive, horrible kids ever. And yet they are generally thoughtful, generous, and very wise.
I realize some of this is in the editing, but a 20 year old kid who takes care of his siblings while Mom is in jail until she gets her act together is quite a human being, and most of these kids come across like that.
They dance as an expression of their anger, as a way to create family, and an alternative to the gang families that pop up in the void of traditional nuclear families in places like South Central.
Yes, at the end there is a scene with a bunch of them dancing in slow-mo and it looks like they've been oiled up and their hair is fabulous and you know, so what? David LaChappelle has a background in photography, and if anybody deserves to pretend to be supermodels, it's these kids.
Great great movie.